Sales Rank:2104 List Price: $28.98 Lowest New Price: $13.00 Lowest Used Price: $5.90 MPAA Rating: R (Restricted)
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John Cusack
Hilary Duff
Marisa Tomei
Joan Cusack
Dan Aykroyd
A wobbly mix of violence and sentiment, War, Inc. takes up where Grosse Pointe Blank left off. A conscience-stricken killer in the previous film, producer/co-writer Cusack now plays an international assassin. In Joshua Seftel's political satire, corporations operate like governments. In the volatile nation of Turaqistan, Cusack's hot sauce-addicted Brand Hauser sets his sights on Omar Sharif--the oil baron, not the actor (it's never clear why this is meant to be funny). As a cover, Hauser passes as the producer for an economic trade show with fellow operative Marsha (Joan Cusack) acting as his assistant. Trained by Southern smoothie Walken (Ben Kingsley) in his CIA days (depicted though flashbacks), Hauser now takes orders from an oily CEO (Grosse Pointe co-star Dan Aykroyd). Offing Sharif, however, turns out to be harder than expected. Hauser's obstacles include left-wing journalist Natalie Hegalhuzen (Marisa Tomei) and foul-mouthed pop tart Yonica Babyyeah (Hilary Duff, erasing innocent images of Lizzy McGuire). Cusack and his crew come up with a few clever ideas, but too many crass gags blunt their thesis about military contractors run amok. Pitched somewhere between Stanley Kubrick’s Dr. Strangelove and Mike Judge’s Idiocracy, War, Inc. registers as more of a miss than a hit. On the plus side, Cusack and Tomei have a snappy rapport; it's the more over-the-top performers who look out of place, especially Ms. Cusack and Kingsley, though the latter's deft turn as a boozy hit man in the overlooked You Kill Me almost makes up for this misfire. --Kathleen C. Fennessy
Sales Rank:2641 List Price: $19.98 Lowest New Price: $3.44 Lowest Used Price: $1.99 MPAA Rating: R (Restricted)
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Gerard Butler
Lena Headey
Dominic West
David Wenham
Vincent Regan
Like Sin City before it, 300 brings Frank Miller and Lynn Varley's graphic novel vividly to life. Gerard Butler (Beowulf and Grendel, The Phantom of the Opera) radiates pure power and charisma as Leonidas, the Grecian king who leads 300 of his fellow Spartans (including David Wenham of The Lord of the Rings, Michael Fassbender, and Andrew Pleavin) into a battle against the overwhelming force of Persian invaders. Their only hope is to neutralize the numerical advantage by confronting the Persians, led by King Xerxes (Rodrigo Santoro), at the narrow strait of Thermopylae.
More engaging than Troy, the tepid and somewhat similar epic of ancient Greece, 300 is also comparable to Sin City in that the actors were shot on green screen, then added to digitally created backgrounds. The effort pays off in a strikingly stylized look and huge, sweeping battle scenes. However, it's not as to-the-letter faithful to Miller's source material as Sin City was. The plot is the same, and many of the book's images are represented just about perfectly. But some extra material has been added, including new villains (who would be considered "bosses" if this were a video game, and it often feels like one) and a political subplot involving new characters and a significantly expanded role for the Queen of Sparta (Lena Headey). While this subplot by director Zack Snyder (Dawn of the Dead) and his fellow co-writers does break up the violence, most fans would probably dismiss it as filler if it didn't involve the sexy Headey. Other viewers, of course, will be turned off by the waves of spurting blood, flying body parts, and surging testosterone. (The six-pack abs are also relentless, and the movie has more and less nudity--more female, less male--than the graphic novel.) Still, as a representation of Miller's work and as an ancient-themed action flick with a modern edge, 300 delivers. --David Horiuchi
Sales Rank:1345 List Price: $19.98 Lowest New Price: $11.16 Lowest Used Price: $9.99 MPAA Rating: R (Restricted)
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Liam Neeson
Ralph Fiennes
Ben Kingsley
Caroline Goodall
Jonathan Sagall
Steven Spielberg had a banner year in 1993. He scored one of his biggest commercial hits that summer with the mega-hit Jurassic Park, but it was the artistic and critical triumph of Schindler's List that Spielberg called "the most satisfying experience of my career." Adapted from the best-selling book by Thomas Keneally and filmed in Poland with an emphasis on absolute authenticity, Spielberg's masterpiece ranks among the greatest films ever made about the Holocaust during World War II. It's a film about heroism with an unlikely hero at its center--Catholic war profiteer Oskar Schindler (Liam Neeson), who risked his life and went bankrupt to save more than 1,000 Jews from certain death in concentration camps.
By employing Jews in his crockery factory manufacturing goods for the German army, Schindler ensures their survival against terrifying odds. At the same time, he must remain solvent with the help of a Jewish accountant (Ben Kingsley) and negotiate business with a vicious, obstinate Nazi commandant (Ralph Fiennes) who enjoys shooting Jews as target practice from the balcony of his villa overlooking a prison camp. Schindler's List gains much of its power not by trying to explain Schindler's motivations, but by dramatizing the delicate diplomacy and determination with which he carried out his generous deeds.
As a drinker and womanizer who thought nothing of associating with Nazis, Schindler was hardly a model of decency; the film is largely about his transformation in response to the horror around him. Spielberg doesn't flinch from that horror, and the result is a film that combines remarkable humanity with abhorrent inhumanity--a film that functions as a powerful history lesson and a testament to the resilience of the human spirit in the context of a living nightmare. --Jeff Shannon
Sales Rank:2567 List Price: $39.95 Lowest New Price: $10.40 Lowest Used Price: $12.26 MPAA Rating: NR (Not Rated)
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It would be an understatement say that Battle 360: Season 1 has substantial appeal for World War II and naval history "enthusiasts." Considering the depth and thoroughness of the program and the sheer volume of data and information on hand--and with ten episodes, each more than 50 minutes long, there's very little that’s not covered--it’s likely that experts, fanatics, and obsessives will be well satisfied too. Using a combination of extensive computer-generated imagery (CGI), charts, graphics, statistics, file footage, photos, interviews with military men both past and present, and more, the program focuses on the Pacific Theater, where the United States and its allies battled Japan for the three and half years between Pearl Harbor in December 1941 and the end of the war in August 1945. At the center of virtually every battle during that span was the aircraft carrier USS Enterprise. Launched in 1936, this Yorktown class vessel, also known as "a fighting city of steel" and "the Lucky E" (for its ability to avoid major catastrophe, at least for the most part), carried 96 planes, a huge amount of weaponry, and a crew whose average was an astonishing 19 years old. Proceeding chronologically, the series details such major conflicts as Midway (when the U.S. disabled no less than four Japanese carriers), Guadalcanal (when the Enterprise suffered serious damage while helping to thwart the enemy’s plans to invade Australia), and Leyte Gulf ("the largest naval battle in the history of mankind"), finishing with the Japanese’s last-gasp use of kamikaze pilots to attack the U.S. fleet. Much of this is genuinely gripping, as the episodes provide literally minute-by-minute accounts of every encounter and the size, speed, function, and firepower of every vessel and aircraft on both sides. But there are notable drawbacks as well, starting with the fact that for all of its detail, we see almost nothing of the Enterprise’s interior or descriptions of daily life on board the enormous vessel. There’s also the issue of how much CGI you can take; although there is some film footage (which may or may not be from the specific skirmish being described), the computer work, while generally pretty convincing, is pervasive and rather like a video game without a controller. What’s more, each episode is kinetic almost to distraction, with a ceaseless flow of pounding music and sound effects, flashing graphics, and macho voice-over detailing the action. On the other hand, the reminiscences of those who were actually there are often very moving, not to mention a welcome surcease from the high-tech assault of the rest of the show. Bonus material is limited--a few additional scenes--but the steel box it all comes in is pretty cool. --Sam Graham
Sales Rank:1598 List Price: $12.98 Lowest New Price: $6.99 Lowest Used Price: $4.18 MPAA Rating: PG (Parental Guidance Suggested)
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Tom Cruise
Kelly McGillis
Val Kilmer
Anthony Edwards
Tom Skerritt
Jingoism, beefcake, military hardware, and a Giorgio Moroder rock score reign supreme over taste and logic in this Tony Scott film about a maverick trainee pilot (Tom Cruise) who can't follow the rules at a Navy aviation training facility. The dogfight sequences between American and Soviet jets at the end are absolutely mechanical, though audiences loved it at the time. The love story between Cruise's character and that of Kelly McGillis is like flipping through pages of advertising in a glossy magazine. This designer action movie from 1986 would be all the more appalling were it not for the canny casting of good actors in dumb parts. Standouts include Anthony Edwards--who makes a nice impression as Cruise's average-Joe pal--and the relatively unknown Meg Ryan in a small but memorable appearance. --Tom Keogh
Sales Rank:1371 List Price: $79.99 Lowest New Price: $35.45 Lowest Used Price: $35.66 MPAA Rating: NR (Not Rated)
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Robert Mitchum
Ali MacGraw
Jan-Michael Vincent
John Houseman
Polly Bergen
An engrossing, 1983 television miniseries based on a bestselling work of historical fiction by Herman Wouk, The Winds of War is an admirable production reminiscent of the era of Hollywood's epic features. At the center of the globe-trotting story is the Henry family, whose laconic but straight-shooting patriarch is United States Navy Commander Victor "Pug" Henry (Robert Mitchum), sent to Hitler's Berlin in the spring of 1939 as a naval attaché to the then-neutral American embassy. A keen observer, Pug deduces that Germany is not preparing for war on two fronts (western Europe on one side, Russia on the other) despite what the Nazis want the world to believe, meaning that Hitler must be working out a secret peace deal with Stalin. Pug's prescience makes him a favorite eyewitness in Berlin for Franklin D. Roosevelt (Ralph Bellamy); the irony is that Pug is far less sagacious when it comes to the realities of his family.
Polly Bergen plays unhappy wife Rhoda, who turns to A-bomb developer Palmer Kirby (Peter Graves) for comfort. Pug's 19-year-old daughter, Madeline (Lisa Eilbacher), defies her iron-willed dad's decision that she stay in school by taking a job for CBS radio in New York. Compliant son Warren (Ben Murphy) can't seem to get Pug's attention despite doing everything right (including becoming a Navy pilot, eventually present at the bombing of Pearl Harbor). By contrast, Pug spends more time fuming over black sheep son Byron (Jan-Michael Vincent), who is working in increasingly Fascist Italy as an assistant to an art historian (John Houseman) while trying hard to woo the latter's exasperating niece, Natalie (Ali MacGraw). The story of Byron and Natalie takes up much of The Winds of War as the pair traverse Poland during the shock of Hitler's 1939 assault, and Jewish Natalie later finds herself trapped inside Italy facing the threat of concentration camps. Before The Winds of War ends, each of these characters will end up in places and situations, and with historical figures (Churchill, Mussolini) as well as ordinary people, they would not have anticipated outside the pressures of war. The program's length and smart script allow for a lot of ideas and background detail that pull a viewer in--happily. --Tom Keogh
Sales Rank:1895 List Price: $14.98 Lowest New Price: $6.89 Lowest Used Price: $4.39 MPAA Rating: R (Restricted)
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Robert De Niro
Christopher Walken
John Cazale
John Savage
Meryl Streep
Winner of five Academy Awards, including Best Picture and Best Director, The Deer Hunter is simultaneously an audacious directorial conceit and one of the greatest films ever made about friendship and the personal impact of war. Like Apocalypse Now, it's hardly a conventional battle film--the soldier's experience was handled with greater authenticity in Platoon--but its depiction of war on an intimate scale packs a devastatingly dramatic punch. Director Michael Cimino may be manipulating our emotions with masterful skill, but he does it in a way that stirs the soul and pinches our collective nerves with graphic, high-intensity scenes of men under life-threatening duress. Although Russian-roulette gambling games were not a common occurrence during the Vietnam war, they're used here as a metaphor for the futility of the war itself. To the viewer, they become unforgettably intense rites of passage for the best friends--Pennsylvania steelworkers played by Robert De Niro, John Savage, and Oscar winner Christopher Walken--who may survive or perish during their tour through a tropical landscape of hell. Back home, their loved ones must cope with the war's domestic impact, and in doing so they allow The Deer Hunter to achieve a rare combination of epic storytelling and intimate, heart-rending drama. --Jeff Shannon
Sales Rank:1942 List Price: $12.98 Lowest New Price: $6.49 Lowest Used Price: $1.84 MPAA Rating: R (Restricted)
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Mel Gibson
Madeleine Stowe
Greg Kinnear
Sam Elliott
Chris Klein
Based on the book by Lt. Col. Harold Moore (ret.) and journalist Joseph Galloway, We Were Soldiers offers a dignified reminder that the Vietnam War yielded its own crop of American heroes. Departing from Hollywood's typically cynical treatment of the war, writer-director Randall Wallace focuses on the first engagement of American soldiers with the North Vietnamese enemy in November 1965. Moore (played with colorful nuance by Mel Gibson) and nearly 400 inexperienced troopers from the U.S. Air Cavalry were surrounded by 2,000 North Vietnamese Army soldiers, and the film re-creates this brutal firefight with graphic authenticity, while telling the parallel story of grieving army wives back home. While UPI reporter Galloway (Barry Pepper) risks his life to chronicle the battle, Wallace offers a balanced (though somewhat fictionalized) perspective while eliciting laudable performances from an excellent cast. Like the best World War II dramas of the 1940s, We Were Soldiers pays tribute to brave men while avoiding the pitfalls of propaganda. --Jeff Shannon
Sales Rank:1629 List Price: $14.94 Lowest New Price: $7.59 Lowest Used Price: $7.18 MPAA Rating: R (Restricted)
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Bruno Ganz
Alexandra Maria Lara
Ulrich Matthes
Juliane Köhler
Corinna Harfouch
The riveting subject of Downfall is nothing less than the disintegration of Adolf Hitler in mind, body, and soul. A 2005 Academy Award nominee for best foreign language film, this German historical drama stars Bruno Ganz (Wings of Desire) as Hitler, whose psychic meltdown is depicted in sobering detail, suggesting a fallen, pathetic dictator on the verge on insanity, resorting to suicide (along with Eva Braun and Joseph and Magda Goebbels) as his Nazi empire burns amidst chaos in mid-1945. While staging most of the film in the claustrophobic bunker where Hitler spent his final days, director Oliver Hirschbiegel (Das Experiment) dares to show the gentler human side of der Fuehrer, as opposed to the pure embodiment of evil so familiar from many other Nazi-era dramas. This balanced portrayal does not inspire sympathy, however: We simply see the complexity of Hitler's character in the greater context of his inevitable downfall, and a more realistic (and therefore more horrifying) biographical portrait of madness on both epic and intimate scales. By ending with a chilling clip from the 2002 documentary Blind Spot: Hitler's Secretary, this unforgettable film gains another dimension of sobering authenticity. --Jeff Shannon
Sales Rank:1993 List Price: $19.98 Lowest New Price: $10.82 Lowest Used Price: $6.46 MPAA Rating: PG (Parental Guidance Suggested)
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George C. Scott
Karl Malden
Stephen Young
Michael Strong
Carey Loftin
One of the greatest screen biographies ever produced, this monumental film runs nearly three hours, won seven Academy Awards, and gave George C. Scott the greatest role of his career. It was released in 1970 when protest against the Vietnam War still raged at home and abroad, and many critics and moviegoers struggled to reconcile current events with the movie's glorification of Gen. George S. Patton as a crazy-brave genius of World War II.
How could a movie so huge in scope and so fascinated by its subject be considered an anti-war film? The simple truth is that it's not--Patton is less about World War II than about the rise and fall of a man whose life was literally defined by war, and who felt lost and lonely without the grand-scale pursuit of an enemy. George C. Scott embodies his role so fully, so convincingly, that we can't help but be drawn to and fascinated by Patton as a man who is simultaneously bound for hell and glory. The film's opening monologue alone is a masterful display of acting and character analysis, and everything that follows is sheer brilliance on the part of Scott and director Franklin J. Schaffner.
Filmed on an epic scale at literally dozens of European locations, Patton does not embrace war as a noble pursuit, nor does it deny the reality of war as a breeding ground for heroes. Through the awesome achievement of Scott's performance and the film's grand ambition, Patton shows all the complexities of a man who accepted his role in life and (like Scott) played it to the hilt. --Jeff Shannon