Sales Rank:4955 List Price: $28.99 Lowest New Price: $14.07 Lowest Used Price: $13.95 MPAA Rating: NR (Not Rated)
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Axel Anderson
Dana Andrews
Anna Maria Pier Angeli
Richard Baxter
Hans-Christian Blech
The German offensive in December 1944 became the basis for this all-star Hollywood take on the Battle of the Bulge. Henry Fonda is an officer who predicts the assault, Robert Ryan and Dana Andrews are Army brass skeptical of his intuitions, and Robert Shaw (his hair dyed yellow and his eyes glinting with malice) is a German officer leading the tank attack. Shaw is certainly the most compelling thing about the film, especially in his philosophical debates with ambivalent underling Hans Christian Blech. Elsewhere, the movie jumps around to sidebar stories (cowardly James MacArthur becomes a leader, wheeler-dealer Telly Savalas falls in love) while messing around with the historical facts of the battle. There are interesting episodes, such as the Malmedy massacre of American POWs and the Germans' use of English-speaking spies, but overall Battle of the Bulge has the feeling of having been patched together from different scripts. On the physical level the movie comes up short, with the Spanish locations rarely suggesting the wintry misery of the battle, and the use of models and studio sets highly inadequate. A number of war films from this era are compelling on their own terms, but in the wake of Saving Private Ryan and Band of Brothers, this one looks antique. --Robert Horton
Sales Rank:1151 List Price: $14.98 Lowest New Price: $6.70 Lowest Used Price: $4.08 MPAA Rating: PG (Parental Guidance Suggested)
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Director(s):
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Richard Anderson
Royce D. Applegate
Tom Berenger
Bo Brinkman
Dwier Brown
Three days in the summer of 1863, at a place called Gettysburg. Although it received a theatrical release, this four-hour depiction of the bloody Civil War battle was shot as a made-for-television film. But no taint of cheapness or shortcuts should stick to this magnificent picture (well, except maybe for those phony-looking mustaches). Based on Michael Shaara's book The Killer Angels, this film takes a refreshingly slow, thorough approach to the intricacies of battle. In ordinary circumstances, those intricacies might seem of importance only to fans of military strategy or Civil War enthusiasts, yet in Gettysburg they come across as the very stuff of life, death, and unexpected heroism. If the film has a problem, it's that it climaxes too early: the first long segment, detailing the struggle of a "civilian soldier," Union Colonel Joshua Lawrence Chamberlain (Jeff Daniels), to hold his ground against long odds, is an enthralling piece of moviemaking. Daniels, in a heartbreaking performance, does his best film work. Other cast members include Tom Berenger, Sam Elliott, and Martin Sheen as Robert E. Lee. Richard Jordan, in his final role, gives a powerhouse performance as Confederate general Lewis A. Armistead. Oh, and you can also try to spot Ted Turner, whose company produced the film, as a Confederate soldier. Writer-director Ronald F. Maxwell seems inspired by the gravity of the battle; long as it is, every moment of Gettysburg is informed by a nobility of purpose. --Robert Horton
Sales Rank:4830 List Price: $9.99 Lowest New Price: $1.92 Lowest Used Price: $0.01 MPAA Rating: R (Restricted)
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Jamie Foxx
Jake Gyllenhaal
Peter Sarsgaard
Lo Ming
Lucas Black (II)
Based on Anthony Swofford’s excellent memoir about his experiences as a Marine Sniper in Gulf War I, Jarhead is a war movie in which the waiting is a far greater factor upon the characters than the war itself, and the build up to combat is more drama than what combat is depicted. To some viewers hoping for typical movie action, this will seem like a cruel joke. But it’s not. It’s just the story as it was written, and if you liked the book, you will probably like the movie. If you didn’t, then the movie won’t change your mind.
The movie follows the trajectory of Swofford (played with thoughtful intensity by Jake Gyllenhaal) from wayward Marine recruit (he joined because he "got lost on the way to college") to skilled Marine sniper, and on into the desert in preparation for the attack on Iraq. No-nonsense, Marine-for-life Staff Sgt. Sykes (Jamie Foxx), the man who recruited Swofford and his spotter Troy (Peter Sarsgaard) into the sniper team, leads them in training, and in waiting where their lives are dominated by endless tension, pointless exercises in absurdity (like playing football in the scorching heat of the desert in their gas masks so it will look better for the media’s TV cameras), more training, and constant anticipation of the moment to come when they’ll finally get to kill. When the war does come, it moves too fast for Swofford’s sniper team, and the one chance they get at a kill--to do the one thing they’ve trained so hard and waited so long for--eludes them, leaving them to wonder what was the point of all they had endured.
As directed by Sam Mendes (American Beauty), the movie remains very loyal to the language and vision of the book, but it doesn’t entirely work as the film needs something more than a literal translation to bring out its full potential. Mendes’s stark and, at times, apocalyptic visuals add a lot and strike the right tone: wide shots of inky-black oil raining down on the vast, empty desert from flaming oil wells contrasted with close-ups of crude-soaked faces struggling through the mire vividly bring to life the meaning of the tagline "welcome to the suck." But much of the second half of the movie will probably leave some viewers feeling disappointed in the cinematic experience, while others might appreciate its microcosmic depiction of modern chaos and aimlessness. Jarhead is one of those examples where the book is better than the movie, but not for lack of trying. --Dan Vancini
Sales Rank:1431 List Price: $14.94 Lowest New Price: $6.46 Lowest Used Price: $2.30 MPAA Rating: R (Restricted)
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Director(s):
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Mel Gibson
Heath Ledger
Joely Richardson
Jason Isaacs
Chris Cooper
Aimed directly at a mainstream audience, The Patriot qualifies as respectable entertainment, but anyone expecting a definitive drama about the American Revolution should look elsewhere. Rising above the blatant crowd pleasing of Stargate, Independence Day, and Godzilla, director Roland Emmerich crafts a marvelous re-creation of South Carolina in the late 1770s (aided immeasurably by cinematographer Caleb Deschanel), and Robert Rodat's screenplay offers the same balance of epic scale and emotional urgency that elevated his earlier script for Saving Private Ryan. Unfortunately, Emmerich embraces clichés and hackneyed melodrama that a more gifted director would have avoided. Instead of attempting a truly great film about the most pivotal years of American history, Emmerich settles for a standard revenge plot with the Revolutionary War as an incidental backdrop.
On those terms, the film is engrossing and sufficiently intelligent, especially when militia leader Benjamin Martin (Mel Gibson) cagily negotiates with British General Cornwallis (Tom Wilkinson) in one of the most rewarding scenes. For the most part, the story concerns Martin's anguished quest for revenge against ruthless redcoat Colonel Tavington (played with snide relish by Jason Isaacs), and the rise to manhood of Martin's eldest son, Gabriel (Heath Ledger), whose battlefield honor exceeds even that of his brutally volatile father. At its best, The Patriot conveys the horror of war among innocent civilians, and the epic battle scenes, while by no means masterful, are graphically intense and impressive. And although Ledger's love interest (Lisa Brenner) is too bland to register much emotion, the focus on family (which frequently relegates the war to background history) provides a suitable vehicle for Gibson, who matches his achievement in Braveheart with an effectively brooding performance. --Jeff Shannon
Sales Rank:1494 List Price: $29.95 Lowest New Price: $18.59 Lowest Used Price: MPAA Rating: NR (Not Rated)
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Director(s):
Actor(s):
Buster Keaton
Marion Mack
Buster Keaton's career reached its creative apex with this rousing comic adventure. Not merely one of the finest silent films, this remains one of the great film comedies of all time. The Great Stone Face stars as Southern railroad engineer Johnny Gray, a man with only two loves: the sweet Annabelle Lee (Marion Mack) and his trustworthy engine, the eponymous General. When Fort Sumner is fired upon he's one of the first to enlist, but when the war office rejects him (he's too valuable as a trained engineer) his sweetie rejects him as a coward. Johnny has the opportunity to prove his bravery when Yankee spies steal his engine and inadvertently kidnap Annabelle, and Johnny pursues with all the resources at his disposal: handcar, bicycle, and finally railroad engine. Keaton's love/hate relationship with technology and machinery shines as he becomes one with his beloved locomotive and wrestles with a finicky cannon that threatens to blow his engine off the tracks; with tremendous dexterity, he nails the humor with inimitably deadpan takes. Spunky Marion Mack makes a perfect partner for Keaton, not merely a foil but a gifted comedienne in her own right. Other Keaton films contain more laughs and inspired comic stunts, but none combines romance, adventure, and comedy into a solid story as seamlessly as this silent masterpiece. --Sean Axmaker
Sales Rank:804 List Price: $26.98 Lowest New Price: $10.99 Lowest Used Price: $7.65 MPAA Rating: PG (Parental Guidance Suggested)
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Sam Shepard
Scott Glenn
Ed Harris
Dennis Quaid
Fred Ward
Philip Kaufman's intimate epic about the Mercury astronauts (based on Tom Wolfe's book) was one of the most ambitious and spectacularly exciting movies of the 1980s. It surprised almost everybody by not becoming a smash hit. By all rights, the film should have been every bit the success that Apollo 13 would later become; The Right Stuff is not only just as thrilling, but it is also a bigger and better movie. Combining history (both established and revisionist), grand mythmaking (and myth puncturing), adventure, melodrama, behind-the-scenes dish, spectacular visuals, and a down-to-earth sense of humor, The Right Stuff chronicles NASA's efforts to put a man in orbit. Such an achievement would be the first step toward President Kennedy's goal of reaching the moon, and, perhaps most important of all, would win a crucial public relations/morale victory over the Soviets, who had delivered a stunning blow to American pride by launching Sputnik, the first satellite. The movie contrasts the daring feats of the unsung test pilots--one of whom, Chuck Yeager, embodied more than anyone else the skill and spirit of Wolfe's title--against the heavily publicized (and sanitized) accomplishments of the Mercury astronauts. Through no fault of their own, the spacemen became prisoners of the heroic images the government created for them in order to capture the public's imagination. The casting is inspired; the film features Sam Shepard as the legendary Yeager, Ed Harris as John Glenn, Dennis Quaid as "Gordo" Cooper, Scott Glenn as Alan Shepard, Fred Ward as Gus Grissom, Scott Wilson as Scott Crossfield, and Pamela Reed and Veronica Cartwright are superb in their thankless roles as astronauts' wives. --Jim Emerson
Sales Rank:1558 List Price: $14.98 Lowest New Price: $7.98 Lowest Used Price: $7.72 MPAA Rating: NR (Not Rated)
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Director(s):
Actor(s):
Cary Grant
Tony Curtis
Joan O'Brien
Dina Merrill
Gene Evans
Blake Edwards's delightful 1959 comedy stars Cary Grant as a World War II submarine captain whose preference for a by-the-book command reluctantly yields to certain realities. Chief among those is that Grant's first officer (Tony Curtis, who impersonated Grant that same year in Billy Wilder's Some Like It Hot), a shameless hustler, is better than the navy at delivering whatever supplies the ship and crew need to keep going. But when Curtis sneaks a handful of Philippine refugees and several gorgeous nurses onto the all-male sub, the skipper not only has to cool down his crew but deal with an unexpected feminine influence on ship protocol. The film is a great deal of fun, sprinkled with the director's trademark sight gags (including one of Edwards's best, involving a torpedo and jeep), and graced with his unmistakable lilt. Grant is in great form, his comic brilliance almost impossibly effortless. --Tom Keogh
Sales Rank:1498 List Price: $19.99 Lowest New Price: $10.10 Lowest Used Price: $2.38 MPAA Rating: PG-13 (Parental Guidance Suggested)
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Director(s):
Actor(s):
Ben Affleck
Kate Beckinsale
Josh Hartnett
Cuba Gooding Jr.
Jon Voight
To call Pearl Harbor a throwback to old-time war movies is something of an understatement. Director Michael Bay's epic take on the bombing that brought the United States into World War II hijacks every war movie situation and cliché (some affectionate, some stale) you've ever seen and gives them a shiny, glossy spin until the whole movie practically gleams. Planes glisten, water sparkles, trees beckon--and Bay's re-creation of the bombing itself, a 30-minute sequence that's tightly choreographed and amazingly photographed, sets the action movie bar up quite a few notches. And in updating the classic war film, Bay and screenwriter Randall Wallace (Braveheart) use that old plot standby, the love triangle--this time, it's between two pilots (Ben Affleck and Josh Hartnett) and a nurse (Kate Beckinsale) who find themselves stationed at Pearl Harbor on December 7, 1941, during what they thought would be a nice, sunny tour of duty. Then, of course, history intervened.
For the first 90 minutes of the movie, Affleck and Beckinsale find a nice, appealing chemistry that plays on his strengths as a movie star and hers as a serious actress--he gives her glamour, she gives him smarts. Their truncated romance--the beginning of which is told in flashback so we can get right to the point where he has to leave her to go to England--works, thanks to their charm. They're no Kate and Leo from Titanic (a strategy the film strives hard toward), but they're pretty darn adorable in their own right. Hartnett, as the not entirely unwelcome third wheel, squints bravely but makes only a slight dent in the film. Everyone else in Pearl Harbor--from Cuba Gooding Jr.'s brave navy seaman to Jon Voight's able impersonation of FDR--is pretty much a glorified walk-on, taking a backseat to the pyrotechnics and action sequences that keep the three-hour film in fairly constant motion. But when that action does take hold, Pearl Harbor is quite a thrilling ride. --Mark Englehart