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Mystery/Suspense DVDs

Hancock (Two-Disc Unrated Edition)

Sales Rank:1037
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MPAA Rating: Unrated

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Lost - The Complete Seasons 1-3

Sales Rank:457
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Matthew Fox
Evangeline Lilly
Dominc Monaghan

Lost Season 1:
Along with Desperate Housewives, Lost was one of the two breakout shows in the fall of 2004. Mixing suspense and action with a sci-fi twist, it began with a thrilling pilot episode in which a jetliner traveling from Australia to Los Angeles crashes, leaving 48 survivors on an unidentified island with no sign of civilization or hope of imminent rescue. That may sound like Gilligan's Island meets Survivor, but Lost kept viewers tuning in every Wednesday night--and spending the rest of the week speculating on Web sites--with some irresistible hooks (not to mention the beautiful women). First, there's a huge ensemble cast of no fewer than 14 regular characters, and each episode fills in some of the back story on one of them. There's a doctor; an Iraqi soldier; a has-been rock star; a fugitive from justice; a self-absorbed young woman and her brother; a lottery winner; a father and son; a Korean couple; a pregnant woman; and others. Second, there's a host of unanswered questions: What is the mysterious beast that lurks in the jungle? Why do polar bears and wild boars live there? Why has a woman been transmitting an SOS message in French from somewhere on the island for the last 16 years? Why do impossible wishes seem to come true? Are they really on a physical island, or somewhere else? What is the significance of the recurring set of numbers? And will Kate ever give up her bad-boy fixation and hook up with Jack?

Lost did have some hiccups during the first season. Some plot threads were left dangling for weeks, and the "oh, it didn't really happen" card was played too often. But the strong writing and topnotch cast kept the show a cut above most network TV. The best-known actor at the time of the show's debut was Dominic Monaghan, fresh off his stint as Merry the Hobbit in Peter Jackson's Lord of the Rings films. The rest of the cast is either unknowns or "where I have I seen that face before" supporting players, including Matthew Fox and Evangeline Lilly, who are the closest thing to leads. Other standouts include Naveen Andrews, Terry O'Quinn (who's made a nice career out of conspiracy-themed TV shows), Josh Holloway, Jorge Garcia, Yunjin Kim, Maggie Grace, and Emilie de Ravin, but there's really not a weak link in the cast. Co-created by J.J. Abrams (Alias), Lost left enough unanswered questions after its first season to keep viewers riveted for a second season. --David Horiuchi

Lost Season 2:

What was in the Hatch? The cliffhanger from season one of Lost was answered in its opening sequences, only to launch into more questions as the season progressed. That's right: Just when you say "Ohhhhh," there comes another "What?" Thankfully, the show's producers sprinkle answers like tasty morsels throughout the season, ending with a whopper: What caused Oceanic Air Flight 815 to crash in the first place? As the show digs into more revelations about its inhabitant's pasts, it also devotes a good chunk to new characters (Hey, it's an island; you never know who you're going to run into.) First, there are the "Tailies," passengers from the back end of the plane who crashed on the other side of the island. Among them are the wise, God-fearing ex-drug lord Mr. Eko (standout Adewale Akinnuoye-Agbaje); devoted husband Bernard (Sam Anderson); psychiatrist Libby (Cynthia Watros, whose character has more than one hidden link to the other islanders); and ex-cop Ana Lucia (Michelle Rodriguez), by far the most infuriating character on the show, despite how much the writers tried to incur sympathy with her flashback. Then there are the Others, first introduced when they kidnapped Walt (Malcolm David Kelley) at the end of season one. Brutal and calculating, their agenda only became more complex when one of them (played creepily by Michael Emerson) was held hostage in the hatch and, quite handily, plays mind games on everyone's already frayed nerves. The original cast continues to battle their own skeletons, most notably Locke (Terry O'Quinn), Sun (Yunjin Kim) and Michael (Harold Perrineau), whose obsession with finding Walt takes a dangerous turn. The love triangle between Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer (Josh Holloway), which had stalled with Sawyer's departure, heats up again in the second half. Despite the bloating cast size (knocked down by a few by season's end) Lost still does what it does best: explores the psyche of people, about whom "my life is an open book" never applies, and cracks into the social dynamics of strangers thrust into Lord of the Flies-esque situations. Is it all a science experiment? A dream? A supernatural pocket in the universe? Likely, any theory will wind up on shaky ground by the season's conclusion. But hey, that's the fun of it. This show was made for DVD, and you can pause and slow-frame to your heart's content. Just try and keep that head-spinning to a minimum.

On the DVD

Commentaries by various cast members and producers reveal little other than the occasional easter egg (the Dharma logo on the shark fin, Walt's mumbling translating to "Don't push the button; the button is bad" backwards). But disc seven opens with an eerie Hanso Foundation instructional video, leading you to eight hours of bonus features, including cast members' own theories, deleted scenes, and featurettes on specific episodes. It's all well and good for Lost fanatics, but if you want the cream of the crop, check out: "Lost Connections," an interactive feature that reveals how all the islanders are actually linked (for instance, one of the officers who captured Sayid during the Gulf War is Kate's father); a Channel UK promo for the show directed by David LaChappelle in which cast members suck in their cheeks and, dressed in evening wear, tango in slow motion as if in a Calvin Klein ad (it has to be a joke, right?); and "The World According to Sawyer," which strings together each of the un-PC nicknames and pop culture references spewed by Holloway's character. Favorites include "Chewie" for Jin and "Ponce de Leon" for Ana Lucia. It's by far the cherry on top of a sweet dessert. --Ellen A. Kim

Lost Season 3:
When it aired in 2006-07, Lost's third season was split into two, with a hefty break in between. This did nothing to help the already weirdly disparate direction the show was taking (Kate and Sawyer in zoo cages! Locke eating goop in a mud hut!), but when it finally righted its course halfway through--in particular that whopper of a finale--the drama series had left its irked fan base thrilled once again. This doesn't mean, however, that you should skip through the first half of the season to get there, because quite a few questions find answers: what the Others are up to, the impact of turning that fail-safe key, the identity of the eye-patched man from the hatch's video monitor. One of the series' biggest curiosities from the past--how Locke ended up in that wheelchair in the first place--also gets its satisfying due. (The episode, "The Man from Tallahassee," likely was a big contributor to Terry O'Quinn's surprising--but long-deserved--Emmy win that year.)

Unfortunately, you do have to sit through a lot of aforementioned nuisances to get there. Season 3 kicks off with Jack (Matthew Fox), Kate (Evangeline Lilly), and Sawyer (Josh Holloway) held captive by the Others; Sayid (Naveen Andrews), Sun (Yunjin Kim), and Jin (Daniel Dae Kim) on a mission to rescue them; and Locke, Mr. Eko (Adewale Akinnuoye-Agbaje), and Desmond (Henry Ian Cusick) in the aftermath of the electromagnetic pulse that blew up the hatch. Spinning the storylines away from base camp alone wouldn't have felt so disjointed were it not for the new characters simultaneously being introduced. First there's Juliet, a mysterious member of the Others whose loyalty constantly comes into question as the season goes on. Played delicately by Elizabeth Mitchell (Gia, ER, Frequency), Juliet is in one turn a cold-blooded killer, by another turn a sympathetic friend; possibly both at once, possibly neither at all. (She's also a terrific, albeit unwitting, threat to the Kate-Sawyer-Jack love triangle, which plays out more definitively this season.) On the other hand, there's the now-infamous Nikki and Paulo (Kiele Sanchez and Rodrigo Santoro), a tagalong couple who were cleverly woven into the previous seasons' key moments but came to bear the brunt of fans' ire toward the show (Sawyer humorously echoed the sentiments by remarking, "Who the hell are you?"). By the end of the season, at least two major characters die, another is told he/she will die within months, major new threats are unveiled, and--as mentioned before--the two-part season finale restores your faith in the series.

The extras are as well-stocked as a Dharma Initiative food pantry on this seven-disc set. Commentaries by producer Damon Lindelof, show writers, and numerous cast members reveal a whole lot of juicy trivia; plus, the DVDs even provide a subtitle track for the commentary (rarely seen other than on foreign-language director's commentaries) so you won't miss a thing. "Lost Book Club" goes through the parallels between what characters are reading and the show's storylines (The Wizard of Oz and Stephen King are heavily referenced). "Lost: On Location" gives a lot of insight to some of the biggest episodes, and "Lost in a Day" gives a 24-hour glimpse at the drama's arduous production. If you're a Lost fan who gave up during this season, the bonus features alone might lure you back for the next round. --Ellen A. Kim

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Monk - Season Six

Sales Rank:748
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MPAA Rating: NR (Not Rated)

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Tony Shalhoub
Ted Levine
Jason Gray-Stanford
Traylor Howard
Stanley Kamel

Adrian Monk (Tony Shalhoub), the phobic private detective on psychiatric leave from the San Francisco police department, has his work--both professional and personal--cut out for him in Monk: Season Six. Typical of the long-running TV dramedy, Season Six doesn't cultivate any new story arcs played out over its 16 episodes. But Monk does get a little closer both to understanding himself and the mystery behind his wife Trudy's unsolved murder--the defining event that drove Monk into off-the-charts obsessive-compulsive behavior. The season opens with the enjoyable "Mr. Monk and His Biggest Fan," guest-starring Sarah Silverman as Marcy Maven, a largely benign stalker of Monk who annoys him and his long-suffering assistant, Natalie (Traylor Howard). When Marcy is accused of using her dog to murder a neighbor, however, Monk leaps to her rescue, endangering himself and Natalie. The episode is particularly noteworthy for a scene in which Monk reluctantly takes part in a go-on-a-date-with-a-studly-cop charity auction, and no one bids on him. (Except Marcy, of course.) "Mr. Monk and the Rapper" stars Snoop Dogg as a successful rap artist who hires Monk to prove he didn't murder a rival. Problem is, Monk actually believes Dogg's character did the misdeed. The story re-introduces Monk's neurotic tendency to blend in with stressful situations during a kind of mental blackout. Shalhoub is hilarious taking on hip-hop affectations in his language and manner, and he has the same chameleon-like problem in a later episode called "Mr. Monk Joins a Cult." In the latter, Monk infiltrates a religious cult under the sway of a charismatic leader (Howie Mandel) suspected of murder. But while investigating the alleged spiritual figure, Monk is persuaded by him to leave his life and join the group. Monk's psychiatrist, Dr. Kroger (Stanley Kamel), proves instrumental in helping Monk free himself from the cult, one of many services that makes Monk feel obliged to help Kroger when the shrink's son, Troy (Cody McMains), gets in trouble in "Mr. Monk and the Buried Treasure." One of the more harrowing scenes in Season Six takes place in that story: Monk and Troy are buried alive in a car covered by a ton of gravel. "Mr. Monk and the Man Who Shot Santa" finds Monk a pariah after being accused of wounding a seemingly friendly fellow tossing stuffed toys to people on the street. Finally, the two-part "Mr. Monk Is On the Run" finds Monk himself turned fugitive after he appears to have shot a man involved in Trudy's death. Pursued by a crooked lawman (Scott Glenn), Monk conspires with Captain Stottlemeyer (Ted Levin) to help him disappear, much to the distress of Natalie. --Tom Keogh

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Mr. Brooks

Sales Rank:1750
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MPAA Rating: R (Restricted)

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Kevin Costner
Demi Moore
Dane Cook
William Hurt
Marg Helgenberger

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Weeds - Season Two

Sales Rank:777
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MPAA Rating: NR (Not Rated)

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Burr Steers
Tucker Gates

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The first season of Weeds ended with a shocker: Nancy (Mary-Louise Parker) found a dreamy new boyfriend, but he turned out to be a DEA agent (Martin Donovan). Luckily, she manages to find some pretty creative ways to "deal" with it. Despite that new obstacle, she decides it’s also time to "grow" the business to higher levels, and all these risky moves lead up to another fabulous season finale cliff-hanger. Elsewhere in suburban utopia, comic relieving brother-in-law Andy (Justin Kirk) tries to dodge his army commitments by joining Rabbi school, while the hilarious Doug (Kevin Nealon) battles it out with Celia (Elizabeth Perkins) to maintain power over the Agrestic City Council. Plot aside, Season 2 of Weeds took this potentially great show to the next level. No matter how hard they tried in the first season, the show’s makers had a heck of a time trying to shake the impression that they were mimicking the edginess of HBO’s original programming. (Some might have gone as far as to say they were trying a little too hard.) This time around, the characters and the story have grown into their own skins, and they offer something much more authentic and convincing. The second season also starts a great new tradition: Malvina Reynolds ‘s "Little Boxes" is still the opening theme song, but it is performed by a different artist for each episode (from Elvis Costello to The Shins). Just one more thing to keep us "addicted." --Jordan Thompson

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The Complete Thin Man Collection (The Thin Man / After the Thin Man / Another Thin Man / Shadow of the Thin Man / The Thin Man Goes Home / Song of the Thin Man / Alias Nick and Nora)

Sales Rank:935
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MPAA Rating: NR (Not Rated)

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Director(s):

Basil Wrangell
Tex Avery
Jules Dassin

Actor(s):

William Powell
Myrna Loy
Clancy Cooper
Chick York
John Nesbitt

Almost as welcome as a shaker full of martinis, The Complete Thin Man Collection represents an eagerly awaited DVD milestone for fans of the fizzy MGM movie series. The best film in the series came first: The Thin Man (1934), W.S. Van Dyke's marvelous adaptation of a Dashiell Hammet novel. The movie gods were in a generous mood when they paired William Powell and Myrna Loy as Nick and Nora Charles, the upper-class sophisticates whose sleuthing escapades somehow joined the classic form of the whodunit with the giddyup of screwball comedy. Among the series' many attributes, one of its most radical notions was the idea that a married couple might find each other delightful and view life as a goofy adventure together.

It is common wisdom that the Thin Man sequels adhere to the law of diminishing returns, and while none of the follow-ups reach the diamond level of the first film, all afford pleasures. There's the cocktail-swilling chemistry of Powell and Loy, for one thing, as well as the considerable satisfaction of average movies made during the studio system: the craftsmanship of studio hands, and a gallery of terrific character actors filling in supporting roles. First sequel After the Thin Man (1936) is very good, with the couple in San Francisco and a supporting part for rising player James Stewart. The scenery moves again, to Long Island, for the rather impudently-titled Another Thin Man (1939), which adds baby Nick, Jr., to the mix (a "bad idea," thought Pauline Kael, perhaps a sign of the domestication of the series).

Shadow of the Thin Man (1941) sets the action around a racetrack, and is the last of the series to be directed by the fast-working Van Dyke. The Thin Man Goes Home (1944) finds Nick escorting family to his parents' house for a visit. Song of the Thin Man (1947) engagingly adds a jazz milieu to the Charles's detective work; at this point, Nick, Jr. was played by child star Dean Stockwell. The series stuck with certain staples: the unveiling of the guilty party, a wirehaired terrier named Asta (who became a star in its own right), and booze. When Nick opines, in the first film, that a dry martini should always be shaken to "waltz time," you know why audiences fell in love with these guilt-free comedies. --Robert Horton

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The X-Files: I Want to Believe (Single-Disc Edition)

Sales Rank:414
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MPAA Rating: PG-13 (Parental Guidance Suggested)

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David Duchovny
Gillian Anderson

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The Sting

Sales Rank:357
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MPAA Rating: PG (Parental Guidance Suggested)

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Paul Newman
Robert Redford
Robert Shaw
Charles Durning
Ray Walston

Winner of seven Academy Awards including Best Picture, Director, and Screenplay, this critical and box-office hit from 1973 provided a perfect reunion for director George Roy Hill and stars Paul Newman and Robert Redford, who previously delighted audiences with Butch Cassidy and the Sundance Kid. Set in 1936, the movie's about a pair of Chicago con artists (Newman and Redford) who find themselves in a high-stakes game against the master of all cheating mobsters (Robert Shaw) when they set out to avenge the murder of a mutual friend and partner. Using a bogus bookie joint as a front for their con of all cons, the two feel the heat from the Chicago Mob on one side and encroaching police on the other. But in a plot that contains more twists than a treacherous mountain road, the ultimate scam is pulled off with consummate style and panache. It's an added bonus that Newman and Redford were box-office kings at the top of their game, and while Shaw broods intensely as the Runyonesque villain, The Sting is further blessed by a host of great supporting players including Dana Elcar, Eileen Brennan, Ray Walston, Charles Durning, and Harold Gould. Thanks to the flavorful music score by Marvin Hamlisch, this was also the movie that sparked a nationwide revival of Scott Joplin's ragtime jazz, which is featured prominently on the soundtrack. One of the most entertaining movies of the early 1970s, The Sting is a welcome throwback to Hollywood's golden age of the '30s that hasn't lost any of its popular charm. --Jeff Shannon

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Deadwood: The Complete Series

Sales Rank:993
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MPAA Rating: NR (Not Rated)

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Ian McShane
Timothy Olyphant

Studio: Hbo Home Video Release Date: 12/09/2008 Rating: Nr

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Prison Break - Season Two

Sales Rank:166
List Price: $59.98
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MPAA Rating: NR (Not Rated)

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Director(s):

Bobby Roth
Bryan Spicer
Dwight H. Little
Eric Laneuville
Greg Yaitanes

Actor(s):

Dominic Purcell
Wentworth Miller
Amaury Nolasco
Robert Knepper
Wade Williams

At the close of Prison Break's terrific season 1, the motley crew of convicts successfully accomplished the title. So naturally, season 2 becomes about the manhunt, where the best-laid plans of Michael Scofield (Wentworth Miller)--concealed in his body tattoo with his escape route and hinted at throughout last season--get thrown for a loop. First, he and his convicted brother Lincoln (Dominic Purcell) are torn between fleeing the country and staying to clear Lincoln's name, which draws them deeper into a conspiracy that surpasses even the President of the United States (Patricia Wettig). Second, they're simultaneously pursued by Agent Kellerman (a terrific Paul Adelstein); prison warden Bellick (Wade Williams), now a bounty hunter; and a new pursuer: FBI agent Alexander Mahone (William Fichtner in all his bug-eyed glory), whose intelligence makes him a worthy foe to Michael, and whose pill-popping habit makes him just unstable enough to be interesting. There's also a new sinister lackey for the Company named Bill Kim (Reggie Lee, whose constant grimacing smile is a result of being instructed to act like a "customer service representative" while arranging for characters to be killed off, the actor reveals in commentary). Meanwhile, the other escapees scatter across the county, eluding the FBI as they try to reunite with their loved ones--Abruzzi (Peter Stormare), C-Note (Rockmond Dunbar), and Sucre (Amaury Nolasco)--or settle scores (in the case of T-Bag, played by Robert Knepper). But lest you think the series will split in 10 different directions, there's always the money hidden in Utah by fellow prisoner Westmoreland that will eventually lead them to cross paths again.

Season 2, taking place outside prison walls, doesn't have the claustrophobic tension of season 1; instead, it becomes one long Fugitive-esque chase, which lost interest every time it kept shifting to different characters' storylines. There are more baits-and-switches than you'd care to keep track of, and more than a little suspended disbelief. But the intriguing center of the drama will always be the way Michael's forced to think on his feet when his grand plans hit their snags, whereas in Fox River he was most assuredly in control (it also forces Miller's stoic acting to loosen up a little). Moreover, his unexpected feelings for Dr. Sara Tancredi (Sarah Wayne Callies), who was found overdosed in her apartment at the end of season 1, further complicates Michael's disappearance plans. The DVD includes several candid commentaries by cast members and show creators, and an Easter egg that alludes to the "death wall" (number of casualties) the show's writers kept in production offices. --Ellen A. Kim

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