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Mystery/Suspense DVDs

The Strangers

Sales Rank:1801
List Price: $19.98
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MPAA Rating: Unrated

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Director(s):

Actor(s):

Scott Speedman
Liv Tyler
Gemma Ward
Alex Fisher
Peter Clayton-Luce

A lean, briskly paced and exceptionally creepy thriller, The Strangers earns its scares the old-fashioned way: through atmosphere, sound design, and a simple yet undeniably upsetting central premise that allows for maximum tension throughout its running time. Attractive young lovers Liv Tyler and Scott Speedman are already having a bad day--she's turned down his marriage proposal--before a knock on the door in the middle of the night announces a full-fledged siege on their remote vacation home by a trio of masked assailants. The film's first third delivers the most consistent shivers as the visitors make their presence and intentions known to Tyler; the second half grows more frantic and bloody before a gruesome finale that may leave viewers either rattled to their core or bothered by its empty nihilism. Speedman is fine as the downtrodden male lead (who's seen tucking into a carton of ice cream after being rejected), but it's Tyler who impresses the most by shouldering the lion's share of the terror. First-time writer/director Bryan Bertino impresses by forsaking the current passion for over-the-top violence (save for the finale) in favor of more traditional means of generating fear, and if his project borrows heavily from other films, most notably the French chiller Them (which shares its "inspired by a true story" origin) and Michael Haneke's Funny Games, at least he's taking from the best. The sound design is among the many technical standouts, and the unsettling score by tomandandy (The Hills Have Eyes) pleasantly evokes Ennio Morricone's fuzztone-heavy work for Dario Argento in the early '70s. On a completely unrelated note, LP fanatics should appreciate how both the film's heroes and villains share an affinity for folk and country music on vinyl. --Paul Gaita

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Get Smart (Two-Disc Special Edition)

Sales Rank:3378
List Price: $34.99
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MPAA Rating: PG-13 (Parental Guidance Suggested)

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Director(s):

Actor(s):

Steve Carell
Anne Hathaway

The Cold War may be over, but that doesn't mean it can't still be milked for laughs. Get Smart, the sassy film version of the Mel Brooks/Buck Henry-created '60s TV satire, brings plenty of elements of the original series and spins it freshly into the new world of bad guys in the 21st century, pretty much without losing a beat. Steve Carell is perfectly cast as the bumbling Maxwell Smart--but in a slick improvement on the TV show, Smart isn't really hapless--though he has a bit of a self-esteem problem (all around his apartment are sticky notes with exhortations like "You can DO it!"). Carell's Maxwell Smart is a sharp techie researcher at the uber-secret crime-battling agency, CONTROL, who's just a little out of his element out in the field. As his data-crunching sidekick Bruce (Masi Oka of Heroes) says, "We're the ones guarding democracy!", aghast that Max would want to be an agent.

But Max longs for the action enjoyed by the likes of Agent 23 (a godlike Dwayne Johnson), with glamorous deployments around the world. When he finally gets his dream assignment--as the newly minted Agent 86--he's paired up with the slick and experienced Agent 99 (Anne Hathaway), who provides great lines, not to mention some interesting chemistry, while she continually saves Max from harm's way. The cast is terrific, with memorable appearances by Alan Arkin as the Chief, Terrence Stamp as the head of the uber-evil KAOS, and Bill Murray as a (literally) put-out-to-pasture agent whose spy post is inside a tree ("really great, old-school stuff" he calls his assignment). And there's plenty of action, explosions, and creative shootouts with the bad guys (highlight: a freefall from a plane, with two people and just two parachutes). But it's Carell and his combination of insecure yearning and deadpan delivery that make Get Smart as, well, smart as it is. When Max learns he's finally been promoted to agent, he slips into the Cone of Silence--which unfortunately is malfunctioning. "I'm so happy! I'm so happy!" he yells, as his colleagues sit nearby hearing the whole thing. Discovering that, he purses his lips and says, "Well, that's a sucker-punch to the gonads." Sorry about that. --A.T. Hurley

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The X-Files Movie 2-Pack (I Want to Believe / Fight the Future) [Blu-ray]

Sales Rank:1709
List Price: $59.99
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MPAA Rating: PG-13 (Parental Guidance Suggested)

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Director(s):

Actor(s):

David Duchovny
Gillian Anderson

Studio: Tcfhe Release Date: 12/02/2008 Rating: Pg13

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Criminal Minds - The First Season

Sales Rank:1557
List Price: $38.99
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MPAA Rating: NR (Not Rated)

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Director(s):

Adam Davidson
Andy Wolk
Charles Haid
Chris Long
Edward Allen Bernero

Actor(s):

Thomas Gibson
Shemar Moore
Matthew Gray Gubler
A.J. Cook
Kirsten Vangsness

Viewers who feel they may have been C.S.I.'d, S.V.U.'d, or NCIS'd to death, should really keep an open mind concerning Criminal Minds, because this compelling procedural crime series brings fascinating new facets to this crowded genre. The always galvanizing Mandy Patinkin (Chicago Hope) makes a welcome return to the small screen as Jason Gideon, head of the FBI's Behavioral Analysis Unit, and sage mentor to his elite team of profilers, including compassionate Aaron Hotchner (Thomas Gibson, of Dharma & Greg), Lola Gladini as sex-crimes expert Elle Greenway (since departed from the series), live-wire hunk Derek Morgan (Shemar Moore), and genius-geek Spencer Reid (Matthew Gray Gubler), who actually looks creepier than many of the perpetrators that the team races against time to apprehend. Before they can do that, they must establish psychological profiles of the criminals and think as they do. Given they have handles such as the "Seattle Strangler" and the "Keystone Killer," this can be psychologically taxing (in one episode, Spencer confides to Derek that the job is giving him nightmares). While cliffhangers frame this inaugural season, each episode (except the season finale) wraps up its cases in the allotted hour.

In addition to serial killers, the series unleashes a gallery of twisted and depraved specimens. "Trust me," Derek comments early on, "we cover the whole spectrum of psychos." This includes arsonists, rapists, child abductors, and even a cannibalistic killer. Anchoring the proceedings is Patinkin, who exudes authoritative gravitas, and who is always good for scenery feasting. He really comes to life when killers have Gideon at gunpoint and he taunts them into losing their already unsteady grip. Most episodes feature the voiceover of a team member reciting a pertinent quote from such varied sources as W.H. Auden ("Evil is always human") to actor Peter Ustinov, a literary conceit that could stand to be retired. Stylistic flourishes in the editing and camerawork are likewise more of a distraction when the cases themselves are so gripping, given that the victims are primarily women and children. "There's nothing I would rather do than put the bastards away," Greenway states at one point. And there's nothing we'd rather do than watch them do it, which has made Criminal Minds, initially Lost opposite that ratings juggernaut, one of television's solid hits. --Donald Liebenson

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Life Is Beautiful

Sales Rank:690
List Price: $19.99
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MPAA Rating: PG-13 (Parental Guidance Suggested)

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Director(s):

Actor(s):

Claudio Alfonsi
Lidia Alfonsi
Gil Baroni
Massimo Bianchi
Sergio Bini Bustric

Italy's rubber-faced funnyman Roberto Benigni accomplishes the impossible in his World War II comedy Life Is Beautiful: he shapes a simultaneously hilarious and haunting comedy out of the tragedy of the Holocaust. An international sensation and the most successful foreign language film in U.S. history, the picture also earned director-cowriter-star Benigni Oscars for Best Foreign Language Film and Best Actor. He plays the Jewish country boy Guido, a madcap romantic in Mussolini's Italy who wins the heart of his sweetheart (Benigni's real-life sweetie, Nicoletta Braschi) and raises a darling son (the adorable Giorgio Cantarini) in the shadow of fascism. When the Nazis ship the men off to a concentration camp in the waning days of the war, Guido is determined to shelter his son from the evils around them and convinces him they're in an elaborate contest to win (of all things) a tank. Guido tirelessly maintains the ruse with comic ingenuity, even as the horrors escalate and the camp's population continues to dwindle--all the more impetus to keep his son safe, secure, and, most of all, hidden. Benigni walks a fine line mining comedy from tragedy and his efforts are pure fantasy--he accomplishes feats no man could realistically pull off--both of which have drawn fire from a few critics. Yet for all its wacky humor and inventive gags, Life Is Beautiful is a moving and poignant tale of one father's sacrifice to save not just his young son's life but his innocence in the face of one of the most evil acts ever perpetrated by the human race. --Sean Axmaker

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Star Trek Movie Set (The Motion Picture/ The Wrath of Khan/ The Search for Spock/ The Voyage Home/ The Final Frontier/ The Undiscovered Country/ Generations/ First Contact/ Insurrection/ Nemesis)

Sales Rank:1141
List Price: $99.98
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MPAA Rating: PG (Parental Guidance Suggested)

Format:

Subtitled
Widescreen
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Director(s):

Jonathan Frakes
William Shatner
David Carson
Leonard Nimoy
Nicholas Meyer

Actor(s):

Patrick Stewart
Jonathan Frakes
Brent Spiner
LeVar Burton
Michael Dorn

Spanning two decades and countless light years of interstellar adventure, Star Trek: The Motion Pictures Collection is a testament to the enduring goodwill of Gene Roddenberry's optimistic sci-fi concept. Long before Star Wars sparked an explosion of big-screen science fiction, Roddenberry had planned a second Star Trek TV series; the project fizzled, but its pilot script evolved into the first film in Paramount's most lucrative movie franchise. Despite its sluggish pace and bland "pajama" costuming, Star Trek: The Motion Picture (1979) offered a welcomed reunion of the "Classic Trek" cast, packed with Douglas Trumbull's still-dazzling special effects. Trekkers were even more ecstatic when The Wrath of Khan (1982) revived the spirit of the original series, even though director Nicholas Meyer was a Trek neophyte. With Leonard Nimoy directing, The Search for Spock (1984) began where Khan left off, with a thrilling (albeit contrived) obligation to resurrect the formerly ill-fated Mr. Spock.

A box-office smash, Nimoy's The Voyage Home (1986) is the franchise's most accessible adventure--a high point offset by William Shatner's comparatively dreadful Star Trek V: The Final Frontier (1989). Meyer (and his penchant for quoting Shakespeare) returned for The Undiscovered Country (1991), a conspiracy thriller that put the series back on track, inspiring fans to invoke the "even number" rule in rating their franchise favorites. Generations (1994) gracefully passed the torch to TV's The Next Generation, bidding farewell to Captain Kirk with honor and integrity intact. Highlighted by the evolving humanity of Brent Spiner's android Lt. Cmdr. Data, First Contact (1996) explored Star Trek history with a logical (hint) surprise encounter, and Insurrection (1998) provided an adequate expansion of the successful NextGen series. Taken as a whole, these ten films demonstrate the consistent vitality of Roddenberry's original vision, stoking any Trekker's appetite for "ongoing missions" in Nemesis and beyond. --Jeff Shannon Most of the feature films were released early in the DVD era, but are represented here in their vastly improved two-disc special editions, which boast widescreen anamorphic pictures, director's cuts of the first two films, numerous commentary tracks by cast and crew, humorous and informative trivia subtitle tracks by Michael and Denise Okuda, and a wide variety of new and vintage documentaries and galleries.

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The Bank Job

Sales Rank:787
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MPAA Rating: R (Restricted)

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Director(s):

Actor(s):

Jason Statham
Saffron Burrows
Stephen Campbell Moore
Daniel Mays
James Faulkner

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Without a Trace - The Complete Second Season

Sales Rank:3758
List Price: $59.98
Lowest New Price: $19.46
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MPAA Rating: NR (Not Rated)

Format:

Box set
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Director(s):

Actor(s):

Anthony LaPaglia
Poppy Montgomery
Marianne Jean-Baptiste
Enrique Murciano
Eric Close

"You can't save everyone, Jack," a child molester taunts FBI Agent Jack Malone before hurling himself out a window. But the tireless efforts of Malone (Anthony LaPaglia in his Golden Globe-winning role) and the members of the elite Missing Persons Squad to do just that are what make Without a Trace so compelling. Each episode is a race against time to find a person who has mysteriously vanished (their slow fade from the screen has lost none of its unsettling power). In some of this sophomore season's most gripping cases, people and events are not what they seem. In "Confidence," the task force discovers that a missing wealthy socialite has a seriously shady past and keeps "bad company." The past haunts the present in "Risen," in which Vivian (Marianne Jean-Baptiste) gets a new lead on a four-year-old case (Kirstie Alley is excellent as the missing girl's distraught mother), and in "Copycat," a sociopath with a grudge against Jack (see "Are You Now or Have You Ever Been" from the first season) is involved in a disappearance with disturbing similarities to a 12-year-old case.

The procedural aspect of Without a Trace is fascinating as Jack and company employ advanced profiling techniques in their investigations. Over the course of the season, episodes also deftly flesh out the characters. Samantha (Poppy Montgomery) struggles with the psychological repercussions of being shot in the season 1 cliffhanger. Taylor (Enrique Murciano) is revealed to have a brother who is in jail. Samantha, who had an affair with Jack, is drawn to Martin (Eric Close). Jack learns that his father (Martin Landau in an Emmy Award-winning performance) has Alzheimer's. He also weighs a move to Chicago to save his rocky marriage. Fulfilling the promise of the auspicious first season, Without a Trace has established itself as among the best-written and -acted (not for nothing did the series earn a Best Casting for TV award from the Casting Society of America) hours on television. And without commercials to break the tension, it's an even more intense experience on DVD. --Donald Liebenson

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Grindhouse Presents, Death Proof - Extended and Unrated (Two-Disc Special Edition)

Sales Rank:703
List Price: $14.95
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MPAA Rating: Unrated

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Closed-captioned
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Director(s):

Actor(s):

Kurt Russell
Rosario Dawson
Rose McGowan

Loud, fast, and proudly out of control, Grindhouse is a tribute to the low-budget exploitation movies that lurked at drive-ins and inner city theaters in the '60s and early '70s. Writers/directors Quentin Tarantino (Kill Bill) and Robert Rodriguez (Sin City) cooked up this three-hour double feature as a way to pay homage to these films, and the end result manages to evoke the down-and-dirty vibe of the original films for an audience that may be too young to remember them. Tarantino's Death Proof is the mellower of the two, relatively speaking; it's wordier (as to be expected) and rife with pulp/comic book posturing and eminently quotable dialogue. It also features a terrific lead performance by Kurt Russell as a homicidal stunt man whose weapon of choice is a souped-up car. Tarantino's affection for his own dialogue slows down the action at times, but he does provide showy roles for a host of likable actresses, including Rosario Dawson, Mary Elizabeth Winstead, Rose McGowan, Sydney Poitier, and newcomer Zoe Bell, who was Uma Thurman's stunt double in Kill Bill. Detractors may decry the rampant violence and latch onto a sexist undertone in Tarantino's feature, but for those viewers who grew up watching these types of films in either theaters or on VHS, such elements will be probably be more of a virtue than a detrimental factor. -- Paul Gaita

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NCIS Naval Criminal Investigative Service - The Fourth Season

Sales Rank:749
List Price: $64.99
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The fourth season of NCIS begins with one of the investigators being charged with assassinating an Iranian prisoner. Former Mossad intelligence agent Ziva David (Cote de Pablo), who was introduced last season, has been framed, and there's only one man who can clear her name. Unfortunately, lead investigator Jethro Gibbs (Mark Harmon) has retired to Mexico. But since Harmon is the star of the show, Gibbs returns to the United States to help out his colleague. While most of his former team is happy, Tony DiNozzo (Michael Weatherly) has mixed feelings (During Gibbs' absence, DiNozzo became the de facto head of the team, and going back to being Gibbs' underling doesn't sit well with the usually easygoing special agent.). Like William Petersen on CSI, Harmon is instrumental to the success of NCIS. Low-key and sarcastic, he injects humor and drama into a role that could've come off as dull. And while other cast members may come and go, his presence makes even some of the weaker storylines forgivable. In general, this season--which originally aired from 2006 to 2007--is full of well-developed plot lines that drive each episode along at a good pace. But there are some subplots that are trite: When agent Timothy McGee (Sean Murray) reveals that that book he's writing is based on his co-workers, it's not much of a reveal. Also, the serial-killer storyline in this season overstays its welcome by at least one episode. As NCIS director Jennifer Shepard, Lauren Holly makes a sometimes unlikable character come to life, especially when Shepard's motives are questionable. As the show's name suggests, the majority of crimes featured revolve around military personnel, but some of the show's best moments occur when they touch of the personal relationships between the characters. All 24 episodes are included in this six-disc box set, which also includes commentaries, a Q&A session with cast members answer fans' questions, and a surprisingly interesting look at the props used on the show. --Jae-Ha Kim

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