Sales Rank:2002 List Price: $19.98 Lowest New Price: $7.00 Lowest Used Price: $2.99 MPAA Rating: R (Restricted)
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Leonardo DiCaprio
Matt Damon
Jack Nicholson
Mark Wahlberg
Martin Sheen
Martin Scorsese makes a welcome return to the mean streets (of Boston, in this case) with The Departed, hailed by many as Scorsese's best film since Casino. Since this crackling crime thriller is essentially a Scorsese-stamped remake of the acclaimed 2002 Hong Kong thriller Infernal Affairs, the film was intensely scrutinized by devoted critics and cinephiles, and while Scorsese's intense filmmaking and all-star cast deserve ample acclaim, The Departed is also worthy of serious re-assessment, especially with regard to what some attentive viewers described as sloppy craftsmanship (!), notably in terms of mismatched shots and jagged continuity. But no matter where you fall on the Scorsese appreciation scale, there's no denying that The Departed is a signature piece of work from one of America's finest directors, designed for maximum impact with a breathtaking series of twists, turns, and violent surprises. It's an intricate cat-and-mouse game, but this time the cat and mouse are both moles: Colin Sullivan (Matt Damon) is an ambitious cop on the rise, planted in the Boston police force by criminal kingpin Frank Costello (Jack Nicholson). Billy Costigan (Leonardo DiCaprio) is a hot-tempered police cadet who's been artificially disgraced and then planted into Costello's crime operation as a seemingly trustworthy soldier. As the multilayered plot unfolds (courtesy of a scorching adaptation by Kingdom of Heaven screenwriter William Monahan), Costigan and Sullivan conduct a volatile search for each other (they're essentially looking for "themselves") while simultaneously wooing the psychiatrist (Vera Farmiga) assigned to treat their crime-driven anxieties.
Such convenient coincidences might sink a lesser film, but The Departed is so electrifying that you barely notice the plot-holes. And while Nicholson's profane swagger is too much "Jack" and not enough "Costello," he's still a joy to watch, especially in a film that's additionally energized by memorable (and frequently hilarious) supporting roles for Alec Baldwin, Mark Wahlberg, and a host of other big-name performers. The Departed also makes clever and plot-dependent use of cell-phones, to the extent that it couldn't exist without them. Powered by Scorsese's trademark use of well-chosen soundtrack songs (from vintage rock to Puccini's operas), The Departed may not be perfect, but it's one helluva ride for moviegoers, proving popular enough to become the biggest box-office hit of Scorsese's commercially rocky career. --Jeff Shannon
Sales Rank:2702 List Price: $9.99 Lowest New Price: $4.64 Lowest Used Price: $3.90 MPAA Rating: R (Restricted)
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Denis Leary
Judy Davis
Kevin Spacey
Robert J. Steinmiller Jr.
Glynis Johns
Caustic wit gets a full-body workout in this 1994 comedy, in which a cat burglar (Denis Leary) gets trapped in an affluent Connecticut neighborhood and is forced to hold a bickering couple hostage on Christmas Eve, only to discover that their Yuletide spirit is anything but cheerful. Caroline (Judy Davis) and her husband, Lloyd (Kevin Spacey), have been at each other's throats for so long that they've developed domestic arguments into an art form, and the would-be kidnapper turns into a reluctant mediator, even after he's got the battling couple wound up in bungee cords. The situation grows even more complicated when the couple's smart-aleck son comes home from military school, but it's not the plot here that's a top priority. Instead it's the sheer pleasure of witnessing a three-way verbal jousting match, written with razor-sharp skill and delivered by actors who are perfect for their roles. The movie's got a dark edge, but it never gets too dark--you know that it's not going to slide into more seriously damaging territory, so you can sit back and enjoy the volleys of scathing insults and sarcasm the way you would a Don Rickles performance. If that sounds like your idea of entertainment, The Ref will serve it up with style. --Jeff Shannon
Sales Rank:2815 List Price: $99.98 Lowest New Price: $52.10 Lowest Used Price: $47.70 MPAA Rating: PG (Parental Guidance Suggested)
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Actor(s):
Cary Grant
Eva Marie Saint
Farley Granger
Robert Walker
Ray Milland
The Alfred Hitchcock Signature Collection contains the DVD debut of 8 Hitchcock classics including "Strangers on a Train Two-Disc Special Edition," and the following 7 new single-disc DVDs: "Dial M For Murder," "Foreign Correspondent" "Suspicion," "The Wrong Man," "Stage Fright," "I Confess" and "Mr. and Mrs. Smith." The previously released "North by Northwest" is also included in the 10-disc Signature Collection. Each of the 9 films in the collection shows why Hitchcock is regarded as one of Hollywood's most esteemed and important directors, and also brings legendary stars to the digital front including Cary Grant, Henry Fonda, Marlene Dietrich, Grace Kelly, Montgomery Clift and many others.
Strangers on a Train - En route from Washington, D.C., champion tennis player Guy Haines (Farley Granger) meets pushy playboy Bruno Anthony (Robert Walker). What begins as a chance encounter turns into a series of morbid confrontations, as Bruno manipulates his way into Guy's life. Bruno is eager to kill his father and knows Guy wants to marry a senator's daughter (Ruth Roman) but can't get a divorce from his wife. So Bruno suggests the men swap murders, which would leave no traceable clues or possible motives. Though Guy refuses, it won't be easy to rid himself of the psychopathic Bruno. Hitchcock's daughter Patricia appears in this film. The extra features included on the DVD are: Alternate 'preview' version of the film; Commentary by director Peter Bogdanovich, Psycho screenwriter Joseph Stephano, Strangers on a Train author Patricia Highsmith and biographer Andrew Wilson; New making-of documentary Strangers on a Train: A Hitchcock Classic, with Farley Granger, film historian Richard Schickel, Patricia Hitchcock O'Connell and other Hitchcock family members and colleagues recalling the making of this suspense landmark; Three intriguing featurettes: The Hitchcocks on Hitch, Strangers on a Train: The Victim's P.O.V., Strangers on a Train by M. Night Shyamalan; Alfred Hitchcock's Historical Meeting, a vintage newsreel.
Each DVD will be presented in a format preserving the aspect ratio of its original theatrical exhibition and will include the original theatrical trailer, and subtitles in English, French and Spanish.
Sales Rank:863 List Price: $39.99 Lowest New Price: $17.95 Lowest Used Price: $17.88 MPAA Rating: NR (Not Rated)
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Lee Pace
Chi McBride
Anna Friel
Jim Dale
Ellen Greene
Every not-so-often, along comes a show that's different. Wonderfully different. Pushing Daisies, TV Guide's Matt Roush writes, "restores my faith in TV's ability to amuse, enchant and entertain." It's the story of Ned, a lonely pie maker whose touch can reanimate the dead. Cool, but there's a hitch. If Ned touches the person again, the miracle is reversed. If he doesn't, a bystander goes toes up. What to do? Easy: Team with a private eye, bring murder victims back just long enough to discover whodunit, and collect the rewards. Things go well until Ned's boyhood sweetie is the next dear departed, and he can't resist bringing her back for keeps! Dig the wit, style and quirky romance: If you're not laughing, you may need a visit from Ned.
Sales Rank:722 List Price: $12.98 Lowest New Price: $5.45 Lowest Used Price: $3.85 MPAA Rating: R (Restricted)
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Actor(s):
Edward Norton
Edward Furlong
Beverly D'Angelo
Avery Brooks
Jennifer Lien
Perhaps the highest compliment you can pay to Edward Norton is that his Oscar-nominated performance in American History X nearly convinces you that there is a shred of logic in the tenets of white supremacy. If that statement doesn't horrify you, it should; Norton is so fully immersed in his role as a neo-Nazi skinhead that his character's eloquent defense of racism is disturbingly persuasive--at least on the surface. Looking lean and mean with a swastika tattoo and a mind full of hate, Derek Vinyard (Norton) has inherited racism from his father, and that learning has been intensified through his service to Cameron (Stacy Keach), a grown-up thug playing tyrant and teacher to a growing band of disenfranchised teens from Venice Beach, California, all hungry for an ideology that fuels their brooding alienation.
The film's basic message--that hate is learned and can be unlearned--is expressed through Derek's kid brother, Danny (Edward Furlong), whose sibling hero-worship increases after Derek is imprisoned (or, in Danny's mind, martyred) for the killing of two black men. Lacking Derek's gift of rebel rhetoric, Danny is easily swayed into the violent, hateful lifestyle that Derek disowns during his thoughtful time in prison. Once released, Derek struggles to save his brother from a violent fate, and American History X partially suffers from a mix of intense emotions, awkward sentiment, and predictably inevitable plotting. And yet British director Tony Kaye (who would later protest against Norton's creative intervention during post-production) manages to juggle these qualities--and a compelling clash of visual styles--to considerable effect. No matter how strained their collaboration may have been, both Kaye and Norton can be proud to have created a film that addresses the issue of racism with dramatically forceful impact. --Jeff Shannon
Sales Rank:760 List Price: $29.99 Lowest New Price: $6.44 Lowest Used Price: $4.41 MPAA Rating: PG-13 (Parental Guidance Suggested)
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Director(s):
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Hugh Jackman
Christian Bale
Michael Caine
Piper Perabo
Rebecca Hall
The Prestige attempts a hat trick by combining a ridiculously good-looking cast, a highly regarded new director, and more than one sleight of hand. Does it pull it off? Sort of. Christian Bale and Hugh Jackman play rival magicians who were once friends before an on-stage tragedy drove a wedge between them. While Bale's Alfred Borden is a more skilled illusionist, Jackman's Rufus Angier is the better showman; much of the film's interesting first half is their attempts to sabotage--and simultaneously, top--each other's tricks. Even with the help of a prop inventor (Michael Caine) and a comely assistant (Scarlett Johansson), Angier can't match Borden's ultimate illusion: The Transporting Man. Angier's obsession with learning Borden's trick leads him to an encounter with an eccentric inventor (David Bowie) in a second half that gets bogged down in plot loops and theatrics. Director Christopher Nolan, reuniting with his Batman Begins star Bale, demonstrates the same dark touch that hued that film, but some plot elements--without giving anything away--seem out of place with the rest of the movie. It's better to sit back and let the sometimes-clunky turns steer themselves than try to draw back the black curtain. That said, The Prestige still manages to entertain long after the magician has left the stage--a feat in itself. --Ellen A. Kim