Sales Rank:1233 List Price: $19.99 Lowest New Price: $11.50 Lowest Used Price: $4.96 MPAA Rating: NR (Not Rated)
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It's called "the Mozart Effect," the notion that exposing youngsters to the melodies of the maestro can improve verbal ability, spatial intelligence, creativity, and memory. It's a pretty big leap of faith to understand that effect unless you personally see a toddler react to the stimulation. The Baby Einstein folks have a series of tapes (Baby Einstein, Baby Bach) that add visual stimulation to the bouncy recordings (using vibraphone, Rhodes electric piano, and even a glockenspiel). The melodies are heard against colorful imagery of spinning tops, wave machines, soft baby toys, mobiles, and the like. Several parenting groups and magazines have heralded the tapes for children 1 to 36 months, but the Orwellian aspect of introducing babes in arms to the TV screen may cause many to just pick up the CD. --Doug Thomas
Sales Rank:4101 List Price: $14.96 Lowest New Price: $4.48 Lowest Used Price: $1.75 MPAA Rating: PG-13 (Parental Guidance Suggested)
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Adam Sandler
Drew Barrymore
Christine Taylor
Allen Covert
Matthew Glave
You're better off having been born after, say, 1965, if you really want to enjoy this corny romantic comedy and its abundant references to the MTV culture of the mid-1980s--and even then the odds are only 50-50 that you'll have a shamelessly good time. But a lot of people beat those odds, because The Wedding Singer was a surprise box-office hit when released in early 1998, and it resulted in Saturday Night Live graduate Adam Sandler's salary going ridiculously sky-high. It's a schizophrenic film about a seemingly schizophrenic wedding singer (Sandler) who's charmingly sweet to some people but a tongue-lashing maniac to others, probably out of frustration over his fading ambition as a wannabe rock star (not to mention Sandler's penchant for loud-mouthed lunacy). When he meets an admiring young waitress (delightfully played by Drew Barrymore), it's love at first sight, complicated by their pending marriages to much less appealing fiancés. The plot then contorts itself to accommodate this contrived will-they-or-won't-they? scenario, so you're better off ignoring the love story and focusing on the comedy, which is sporadic but occasionally hilarious. This is also a lighter, friendlier Sandler than moviegoers had seen before, which probably accounts for the movie's success. Toss in a fine supporting cast--including a show-stopping drunk act by indie-movie stalwart Steve Buscemi--and you've got the ingredients for a no-brainer that's ultimately more fun than it is annoying. --Jeff Shannon
Sales Rank:3295 List Price: $34.99 Lowest New Price: $16.94 Lowest Used Price: $9.72 MPAA Rating: R (Restricted)
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Helena Bonham Carter
Johnny Depp
Alan Rickman
Edward Sanders
Timothy Spall
After years of rumors, it turns out that Tim Burton was the perfect visionary to film Sweeney Todd: The Demon Barber of Fleet Street, Stephen Sondheim's Broadway masterpiece, and the result is a macabre and moving musical movie as enthralling as anything Burton has ever done. The show's mix of gothic horror, Grand Guignol, very dark humor, and witty and beautiful music never was the stuff of traditional musical comedy, but it's a powerful work, and perhaps the richest of the late 20th century. In the movie, Burton's frequent collaborator, Johnny Depp, plays Todd, a wronged man whose lust for revenge drives him to murder (an 19th-century legend who has been traced to a real-life barber). Helena Bonham Carter, another Burton mainstay, is Mrs. Lovett, the barber's partner-in-unspeakable-crime. It's no surprise that Depp is an excellent choice to convey Todd's brooding intensity and volcanic rage, but he can also sing a score that is so challenging it has often played in opera houses (though not with the same style as the Broadway original, Len Cariou, and he occasionally lapses into pop style). Bonham Carter is small of voice and lacks the humor of the original Broadway Lovett, Angela Lansbury, but she sings on pitch, in rhythm, and in character at the same time, which is no small feat for a Sondheim show. Aficionados will regret the loss of certain musical passages--"The Ballad of Sweeney Todd" is just an instrumental overture and the chorus is gone altogether, among others--but the reassuring presence of orchestrator Jonathan Tunick and conductor Paul Gemignani ensures that the music feels right and sounds great. And the film's depiction of a Victorian London hellhole--with cinematography by Dariusz Wolski and costumes by Colleen Atwood--also looks and feels right.
The excellent cast is filled out by Alan Rickman as the villainous Judge Turpin, Timothy Spall as his seedy Beadle, Sacha Baron Cohen (Borat) as a rival barber, Jamie Campbell Bower as the young lover Anthony, Jayne Wisener as his object of affection, and Ed Sanders as the young Toby. For fans of Tim Burton and Johnny Depp who don't think they like musicals, Sweeney Todd should be a revelation (though not for the squeamish, as the gore is intense and completely appropriate). For fans of Broadway and Sondheim, it's hard to imagine getting a better adaptation than this. The fact that there's no newly composed Oscar-bait song sung by a Josh Groban-type over the end credits only makes it better. --David Horiuchi
Sales Rank:1649 List Price: $22.95 Lowest New Price: $16.20 Lowest Used Price: $16.02 MPAA Rating: NR (Not Rated)
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Kieran O'Brien
Margo Stilley
Huw Bunford
Cian Ciaran
The Dandy Warhols
Maverick director Michael Winterbottom wondered about the double standard of why novels can have explicit sex scenes and be legit and films could not. So his short film of a relationship based solely on sex and a love for music is the result of that thought. If the definition of a porn film is to shoot actors performing graphic sex scenes for real, then 9 Songs qualifies. It certainly doesn't feel or look like your standard whoopdee-do XXX feature. It's as glossy and low-budget arty as Winterbottom's 24 Hour Party People or I Want You. But yeah, Matt and Lisa do everything to each other, and the actors are not "just acting" in some of the sex scenes. No matter how landmark the movie might be, there is not much story here (at least a book with hot sex often has a good story to it). Lisa is an American drifter in London who hooks up with Matt, a scientist who studies glaciers in Antarctica. They have sex and visit nine rock concerts including Franz Ferdinand and The Dandy Warhols. As advertised, you can't find these musical performances anywhere else, but we just see them from way back in the crowd. The film has an essence of how someone can find bliss in another person's body, and the emotional, magical weight that can hold over you. But that spell doesn't last. Since the sex is real, Winterbottom had to cast unknown actors, and they really don't make an impression, especially with the lack of story. --Doug Thomas
Sales Rank:1522 List Price: $12.98 Lowest New Price: $4.00 Lowest Used Price: $1.88 MPAA Rating: R (Restricted)
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Jack Black
Kyle Gass
Jason Reed
Ronnie James Dio
Paul F. Tompkins
You don't have to be a munchie-loving stoner or an aspiring rock god to enjoy Tenacious D in The Pick of Destiny, but it helps. A dozen years after they introduced their mock-rock power duo on the Los Angeles club scene, Jack Black and Kyle Gass finally got the movie showcase (a partial spinoff from the D's short-lived HBO series) their fans had been waiting for, and it's a rockin' romp with plenty of crude laughs that will hit home for anyone who's ever played air guitar to Meat Loaf's "Bat out of Hell." It's a Beavis and Butt-head-like origin story, recalling the legend (ahem) of how JB (Black) and KG (Gass) met, bonded over bong-hits and rock-operatic guitar licks, then set out (on a tip from a crazed guitar-store clerk played by Ben Stiller) to find the mythic pick of destiny, used by all guitar gods and said to be fashioned from the tooth of Satan. Their quest includes a variety of well-cast cameos (including Tim Robbins, Meat Loaf, and Foo Fighters frontman Dave Grohl as Satan himself), and there's plenty of flatulence, drug humor, at least one hilarious fantasy sequence, and outrageous sight gags too numerous to mention. Suffice it to say, it's about 90 minutes of lowbrow indulgence, and some of the jokes fall flat, but if you're a headbanger at heart, you'll know what Tenacious D is riffing on, and the sweet licks (also available on the soundtrack CD) will sound that much sweeter. If you're not ready to RAWK, this potential cult favorite may not be for you... but give it try anyway. It may not be better than Citizen Kane, but if you're properly stoked, it comes close to rock & roll heaven. --Jeff Shannon
Sales Rank:1115 List Price: $14.94 Lowest New Price: $7.89 Lowest Used Price: $6.98 MPAA Rating: PG-13 (Parental Guidance Suggested)
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Taimak
Vanity
Christopher Murney
Julius Carry
Faith Prince
Get ready for some seriously big hair. The Last Dragon--or, to call it by its full title, Berry Gordy's the Last Dragon--is a stunning example of 1980s camp cinema. One-name kung fu wonder Taimak plays Leroy Green, a.k.a. Bruce Leroy, a humble student of kung fu who has achieved the highest level of skill, but hasn't yet found his inner master. Wandering through the streets of New York in a Chinese peasant outfit, he accidentally becomes the protector of nightclub hostess/video jockey Laura Charles (played by former Prince protégé Vanity, who also costarred in the trash classic Action Jackson). She's being threatened by a height-challenged mobster who wants her to play his girlfriend's video (the girlfriend is something of a Cyndi Lauper look-alike, played by Broadway star Faith Prince). Meanwhile, a man who calls himself Sho'Nuff, the Shogun of Harlem, wants to kick Leroy's ass and prove himself the baddest kung fu master in town. Add to this Leroy's smart-mouthed brother Richie (who calls Leroy "the chocolate-covered yellow peril"), a dregs-of-Motown soundtrack (DeBarge is a high point), ninja battles, pseudo-Eastern philosophical babble, and a jaw-dropping club performance by Vanity, and you have a hilarious example of why we're all so very glad the '80s are over. Featuring a bit role by William H. Macy (Fargo, Magnolia). --Bret Fetzer
Sales Rank:6084 List Price: Lowest New Price: $7.24 Lowest Used Price: $6.81 MPAA Rating:
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This semi-remake of Holiday Inn (the first movie in which Irving Berlin's perennial, Oscar-winning holiday anthem was featured) doesn't have much of a story, but what it does have is choice: Bing Crosby, Danny Kaye, Rosemary Clooney, an all-Irving Berlin song score, classy direction by Hollywood vet Michael Curtiz (Casablanca, The Adventures of Robin Hood), VistaVision (the very first feature ever shot in that widescreen format), and ultrafestive Technicolor! Crosby and Kaye are song-and-dance men who hook up, romantically and professionally, with a "sister" act (Clooney and Vera-Ellen) to put on a Big Show to benefit the struggling ski-resort lodge run by the beloved old retired general (Dean Jagger) of their WWII Army outfit. Crosby is cool, Clooney is warm, Kaye is goofy, and Vera-Ellen is leggy. Songs include: "Sisters" (Crosby and Kaye do their own drag version, too), "Snow," "We'll Follow the Old Man," "Mandy," "Count Your Blessings Instead of Sheep," and more. Christmas would be unthinkable without White Christmas. --Jim Emerson
Sales Rank:2809 List Price: $19.98 Lowest New Price: $12.46 Lowest Used Price: $10.99 MPAA Rating: PG (Parental Guidance Suggested)
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Olivia Newton-John
Gene Kelly
Michael Beck
Teri Beckerman
Sandahl Bergman
A wimpy remake of an already anemic movie (the 1947 Rita Hayworth vehicle Down to Earth), this glitzy musical from 1980 improbably stars Olivia Newton-John as a heavenly muse sent here to help open a roller-derby disco. Gene Kelly is mixed up in this well-meaning but goofy effort to fuse nostalgia with late-'70s glitter-ball trendiness, and he looks just plain silly. Directed by Robert Greenwald, the film doesn't even work as decent kitsch. --Tom Keogh
Sales Rank:2559 List Price: $12.98 Lowest New Price: $5.98 Lowest Used Price: $4.96 MPAA Rating: PG (Parental Guidance Suggested)
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Sissy Spacek
Tommy Lee Jones
Levon Helm
Phyllis Boyens
Bill Anderson Jr.
Sissy Spacek won a much-deserved Oscar for her lead in this entertaining biography of country-music legend Loretta Lynn. British director Michael Apted (Gorillas in the Mist) brings fine texture to the Kentucky backwoods section of the film, where the teenage Loretta meets her future husband (Tommy Lee Jones), who ultimately pushes her into show business. Lynn's adult life is well covered, from her spouse's philandering to her own on-stage crackups; but between the chapter-and-verse recollections, the script by Thomas Rickman is layered with life and moments of great humor. No wooden portrait, this is a vibrant film made outstanding by the colorful performances of the two leads, as well as Beverly D'Angelo and the Band's Levon Helm. --Tom Keogh