Sales Rank:3033 List Price: $29.98 Lowest New Price: $15.99 Lowest Used Price: $22.49 MPAA Rating: Unrated
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Classical
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The extraordinary documentary from the BBC tells the story of Luciano Pavarotti's remarkable career through the eyes of some of his colleagues and the arias that made him famous! With the use of extensive archival performance footage, interviews and film from the BBC, this documentary is an in-depth appreciation of the most popular opera singer of modern times. Interviews with Joan Sutherland, Plácido Domingo, José Carreras, Montserrat Caballé, Juan Diego Flórez, Renata Scotto and others. Highlighted arias from La Bohème, La Fille du Régiment, L'Elisir d'Amore, Rigoletto, Tosca, Turandot as well as Panis Angelicus and Ingemisco. Additionally, extensive rare performance clips are included from The Metropolitan Opera and many other houses.
Sales Rank:2336 List Price: $14.97 Lowest New Price: $1.95 Lowest Used Price: $0.83 MPAA Rating: PG-13 (Parental Guidance Suggested)
Format:
Anamorphic
Closed-captioned
Color
Dolby
Dubbed
DVD-Video
Subtitled
Widescreen
NTSC
Director(s):
Actor(s):
Sandra Bullock
Hugh Grant
Alicia Witt
Dana Ivey
Robert Klein
You'd expect a cavalcade of cuteness from any pairing of Sandra Bullock and Hugh Grant, but Two Weeks Notice admirably avoids the obvious. You get plenty of Bullock's pratfalls and feisty sex appeal, and Grant's snappy comebacks are never in short supply, but first-time writer-director Marc Lawrence (who wrote Bullock's previous hit, Miss Congeniality) adds just enough antagonism to keep this romantic comedy from being a completely foregone conclusion. Neurotic lawyer, environmentalist, and landmark-preservation activist Lucy Kelson (Bullock) is determined to thwart the efforts of billionaire developer and jet-setting playboy George Wade (Grant); of course, fate brings them together and then rips them apart, just as they're beginning to feel the panicky pangs of love. A replacement attorney (Alicia Witt) defies formula by being genuinely sweet, and Lawrence steers clear of the most familiar clichés. It's formulaic anyway, but in Two Weeks Notice it's a comforting formula, delivered by stars who thrive within their limitations. --Jeff Shannon
Sales Rank:3151 List Price: $29.98 Lowest New Price: $20.49 Lowest Used Price: $12.59 MPAA Rating: G (General Audience)
Format:
Color
Live
Director(s):
Actor(s):
Don Henley
Joe Walsh
Timothy B. Schmit
Glenn Frey
Bill Armstrong
Thirty songs, spread out over two discs and well over two and a half hours, with fine performances, great sound, and good visual direction: it's all here on Farewell 1 Tour, a documentary of the Eagles' 2004 concert in Melbourne, Australia. At one point, the veteran band seemed unlikely to even make it to the new millennium, but here they are, mostly intact, with a string of hits dating back more than three decades. The majority of them are performed here, from the earliest ("Take It Easy," "Desperado," "Peaceful Easy Feeling") through "Hotel California" and "Life in the Fast Lane" and right up to "Love Will Keep Us Alive" (from Hell Freezes Over, their most recent recording with new material on it); there are also hits from Glenn Frey, Don Henley, and Joe Walsh's solo careers, and a few new songs as well, including Walsh's "One Day at a Time" (an earnest ode to his new-found sobriety) and "Hole in the World," Frey and Henley's moving, almost gospel-tinged reaction to the events of 9/11/01. Guitarist Don Felder, who split acrimoniously with the band in 2001, isn't much missed, as replacement Steuart Smith plays the parts just as Felder did--i.e., pretty much exactly as they were recorded (indeed, pristine recreations of the studio versions of their songs has always been a hallmark of the Eagles' live shows). As for the somewhat cheeky title, well, there's always been a certain smugness to the Eagles' sense of humor, and it's no different this time, as Frey doesn't even pretend that there won't be a Farewell 2 Tour in the future. And why not? These are good songs, played beautifully by the quartet (plus supplemental musicians) to audiences that love them. Bonus material is limited to perfunctory interviews with the band. --Sam Graham
Sales Rank:2213 List Price: $14.99 Lowest New Price: $7.98 Lowest Used Price: $4.50 MPAA Rating: PG (Parental Guidance Suggested)
Format:
Closed-captioned
Color
DVD-Video
Letterboxed
Widescreen
NTSC
Director(s):
Actor(s):
Antonio Banderas
Gary Brooker
Adrià Collado
Andrea Corr
Martin Drogo
After more than a decade of false starts and several potential directors, the popular Andrew Lloyd Webber/Tim Rice musical finally made it to the big screen with Alan Parker (The Commitments) at the helm and Madonna in the coveted title role of Argentina's first lady, Eva Perón. A triumph of production design, costuming, cinematography, and epic-scale pageantry, the film follows the rise of Eva Perón to the level of supreme social and political celebrity in the 1940s. Like Madonna, Perón was a material girl (she was only 33 when she died); she was instrumental in the political success of her husband, Juan Perón (Jonathan Pryce). But Eva was also a supremely tragic figure whose life was essentially hollow at its core despite the lavish benefits of her nearly goddess-like status. The film has a similar quality--it's visually astonishing but emotionally distant, and benefits greatly from the singing commentary of Ché (Antonio Banderas), who serves as a passionate chorus to guide the viewer through the elaborate parade of history. --Jeff Shannon
Sales Rank:6678 List Price: $59.98 Lowest New Price: $41.22 Lowest Used Price: $38.99 MPAA Rating: Unrated
Format:
Box set
Black & White
Color
DVD-Video
NTSC
Director(s):
Jerry Lewis
Don McGuire
Frank Tashlin
Norman Taurog
Actor(s):
Jerry Lewis
Stella Stevens
Martha Hyer
Darren McGavin
Dean Martin
This 10-DVD boxed set is a delight for anyone afflicted with a susceptibility to the fractured antics of Jerry Lewis, or "Le Roi du Crazy" to the French. This set emphasizes Lewis's busy period after the breakup with Dean Martin, when he was exerting more influence over his vehicles (six of the titles are directed by Jerry himself) and almost single-handedly keeping Paramount Pictures propped up with his box-office take. The set curiously includes one of the Martin-Lewis pictures, 1953's The Stooge, which has echoes of the real-life vibe between Jerry and Dino.
The other titles include Lewis's 1957 solo starring debut, The Delicate Delinquent, and his directing bow, The Bellboy (1960). The latter is an often-ingenious and plotless collection of gags with Jerry as a bellhop in Miami Beach's Fountainebleau Hotel. His character doesn't speak (making the connection with silent cinema more pointed), but in one uproarious sequence the obnoxious movie star "Jerry Lewis" comes to visit the hotel.
The Ladies Man puts Lewis alone in a boarding house full of women. This film's bizarre sexual politics (and its amazing cut-away set) helps explain why French critics such as Jean-Luc Godard consider Lewis a cinematic genius--Godard actually borrowed the cut-away set idea for his film Tout va bien. The Errand Boy is a cascade of gags strung together on the set of "Paramutual Pictures," a movie studio that employs Lewis's klutzy gofer; it features one of Jerry's best musical miming routines. The Patsy is another good one, as nebbish Jerry is drafted into impersonating a famous deceased celebrity, but by 1965's The Family Jewels the inspiration is flagging a bit.
Two of the titles are directed by Lewis's mentor, Frank Tashlin. Cinderfella works a sentimental variation on the fairy tale; it's slow and at times mawkish, but some of Lewis's physical stuff is top-notch. The Disorderly Orderly is livelier, with a hospital setting and some of Jerry's most inspired babbling. The box also includes Lewis's acknowledged high point, The Nutty Professor, in its special-edition form. Its Jekyll-and-Hyde story is still the funniest and weirdest premise Lewis ever had. There are other Lewis films out there, but this box is definitely the cream of the career. If some of the jokes haven't aged well (and those who can't stand his mugging won't be convinced even by this set), Lewis still seems a more interesting filmmaker than he's usually given credit for. Extras include some disappointing commentaries with Lewis and Steve Lawrence, plus a smattering of outtakes, some of them funny and/or revealing of Lewis's directing technique. --Robert Horton
Sales Rank:3480 List Price: $19.98 Lowest New Price: $11.99 Lowest Used Price: $9.99 MPAA Rating: G (General Audience)
Format:
Anamorphic
Color
Director's Cut
DVD-Video
Full Screen
Live
NTSC
Director(s):
Actor(s):
David Gilmour
Roger Waters
Richard Wright
Nick Mason
Conceived by the French director Adrian Maben as "an anti-Woodstock film," Pink Floyd: Live at Pompeii was shot in October 1971 in a vacant, 2,000-year-old amphitheater--a venue chosen to accentuate the grandeur and spaciousness of the band's Meddle-era music. This disc contains a new, 90-minute director's cut as well as the original 60-minute concert film, whose production and effects feel inescapably dated. Maben's cut goes to great lengths to lend the film a more contemporary feel, but it's the earlier version that makes this disc such a gem, being more focused on the music and more wholistic in vision. The anamorphic, 16:9 director's cut interweaves the Pompeii performances with fascinating but distracting interviews and music snippets filmed later (mostly during the recording of Dark Side of the Moon). The movie was originally prepared in a 4:3 aspect ratio, however, and the widescreen version crops perfectly framed images like the nine-square mosaic of drummer Nick Mason in "One of These Days." The original offers plenty of closeups of fingers on frets and keys, with shots that are often luxuriously long in duration. And the picture quality from Pompeii is revelatory: outstandingly sharp and clear, rich in subtle grades of light and color.
Generous extras include everything from original posters, reviews, bootleg album covers, and song lyrics to a 24-minute interview with Maben. But for all the director's talk of the glorious acoustics in Pompeii's amphitheater, there's little natural ambience to be heard. The Dolby Digital 2.0 sound is clear, dry, and two-dimensional, though notably better than any previous video release. --Michael Mikesell
Sales Rank:2606 List Price: $19.98 Lowest New Price: $8.90 Lowest Used Price: $11.08 MPAA Rating: NR (Not Rated)
Format:
Anamorphic
Color
Dolby
DVD-Video
Explicit Lyrics
HiFi Sound
Surround Sound
THX
Widescreen
NTSC
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Julien Temple, one of the early documentarians of the London punk scene and director of the 2000 Sex Pistols film The Filth and the Fury, turns his attention now to that other seminal British band: The Clash--or more accurately, to the band's co-founder, lyricist, rhythm guitarist and lead singer, Joe Strummer. The Future is Unwritten is more than just a biography of Strummer; it is a tribute and exploration of a musician, artist and devoted humanist. Though Temple respects and admires Strummer (his influence is exalted by close friends, peers and fans like Bono and John Cusack), he doesn't romanticize this larger-than-life personality and presents Strummer honestly and not always in flattering light, though the director's fondness for his subject is constant. Most movingly, Strummer himself provides the narration via reassembled excerpts from a variety of interviews and the BBC radio show he hosted during the nineties. In the wrong hands, this could be contrived, but in this masterful documentary it serves as a testament to not just Joe Strummer the myth, but Joe Strummer the man, telling us his story in vivid detail. The Future is Unwritten is a moving and personal portrait of a musician who helped shaped not just punk, but modern music as a whole. --Kira Canny
Sales Rank:1998 List Price: $16.98 Lowest New Price: $9.16 Lowest Used Price: $4.92 MPAA Rating: NR (Not Rated)
Format:
Closed-captioned
Color
DVD-Video
NTSC
Director(s):
Actor(s):
Laurie Berkner
Brian Mueller
Susie Lampert
Well-known children's musician Laurie Berkner bursts onto the children's music video scene with the energy and enthusiasm of her concert stage appearances fully intact. The Laurie Berkner Band, comprised of Laurie Berkner on vocals and guitar, Brian Mueller on bass and vocals, and Susie Lampert on keyboard and vocals (joined sporadically by Bob Golden on drums and additional instruments), is an accomplished group of musicians who create and perform whimsical, catchy children's songs in a folksy rock style. From the playful rhymes that declare Tuesday "snooze day" in "I'm Gonna Catch You" to the absurd image of fish taking showers and brushing their teeth in "The Goldfish," Laurie Berkner's songs celebrate a child's love of the ridiculous. The uninhibited trio performs live onstage ("Under a Shady Tree") or within simply animated scenes ("Bumblebee--Buzz, Buzz, Buzz") and the songs are undisputedly catchy--so catchy that many parents sheepishly admit to humming or even singing Laurie Berkner's songs full voice even when their children aren't around. In these days of splashy animation and over-thought, overly-glitzy children's music videos, it's a real treat to enjoy a simple production that features songs that kids love performed by musicians who appear to be having just as much fun as their young audiences. (Ages 1 to 8) --Tami Horiuchi
Sales Rank:10822 List Price: $14.99 Lowest New Price: $7.88 Lowest Used Price: $4.44 MPAA Rating: G (General Audience)
Format:
Anamorphic
Animated
Closed-captioned
Color
DVD-Video
Live
NTSC
Director(s):
Actor(s):
Wayne Allwine
Eddie Carroll
While most of Disney's Sing-Along titles are compilations of theme songs from movies, here is a musical collection presented for the sole purpose of celebrating Christmas. The holiday video oozes with merriment as it blends traditional carols and seasonal favorites with Disney's unique brand of quality animation and beloved characters. Mickey Mouse opens the 30-minute program with an original song, "From All of Us to All of You," while Chip and Dale scamper around the Christmas tree. "Deck the Halls" will never sound the same after hearing Donald Duck's rendition, and even Santa gets in on the animated action as he plunges down the chimney in "Up on the Housetop." As a reverent reminder of the Christ-child's birth, Disneyland Children's Sing-Along Chorus harmonizes "Silent Night" and "Joy to the World." Especially captivating is this latter tune, accompanied by hundreds of animated fairies dancing through a snow-covered forest before they transform into glistening stars. Lest we forget this is Disney, all 13 songs add cameo appearances by favorite characters Jiminy Cricket, Bambi, Minnie, and many more. Nostalgia reigns as Bing Crosby lilts "Let It Snow! Let It Snow! Let It Snow!" while plenty of snowy shenanigans from Mickey and Goofy remind viewers why Disney characters are so endearing. If Disney is tooting its own horn (and it does through a couple minutes of live-action footage from Disneyland's Magic Kingdom), it is discreet. The real star of this sing along is the spirit of Christmas, alive in full measure. --Lynn Gibson