Sales Rank:1107 List Price: $19.98 Lowest New Price: $13.85 Lowest Used Price: $14.03 MPAA Rating: NR (Not Rated)
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Closed-captioned
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Director(s):
Actor(s):
Anthony Head
Alice Krige
Marion Bailey
Peter Wight
Rupert Penry-Jones
Jane Austen fans will delight in the sumptuous production design and first-rate acting in the 2007 Masterpiece Theatre version of Persuasion. Sally Hawkins is controlled and moving as Anne Elliot, the quietly heartbroken but sensible heroine who was "persuaded" (read: forced) to turn away her true love but still carries an unseen torch for him. Hawkins's performance is genteel yet steely, and the quiet strength of the entire production. Hawkins looks alternately quietly lovely and sadly pinched--as one might expect the long frustrated Anne to look.
Other highlights include a post-Buffy Anthony Head, as Anne's clueless, blustery father, Sir Walter. Head gets to turn on his deft comic talent here in ways most American audiences have not yet seen him; he's clearly enjoying himself immensely, blustering about "my shrubberies" and other trivial affairs. The cinematography is lush (several breathtaking tracking shots are used, especially early on), as are the period costumes. The production was filmed exclusively on location, and the reality of the sets enforces the story.
Some fans may prefer the 1995 Amanda Root version, for the casting of Ciaran Hinds as Capt. Wentworth, but this later effort is a worthy entry in the Austen film oeuvre--and Rupert Penry-Jones is a dreamboat in his own right. As the wistful Anne says, on behalf of all women, "We do not forget you, so soon as you forget us." --A.T. Hurley
Sales Rank:1299 List Price: $14.98 Lowest New Price: $5.85 Lowest Used Price: $5.56 MPAA Rating: G (General Audience)
Format:
Animated
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Dolby
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Subtitled
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Director(s):
Jules Bass
Arthur Rankin Jr.
Actor(s):
Alan Arkin
Jeff Bridges
Mia Farrow
Tammy Grimes
Robert Klein
A story line that truly deserves the A-list treatment, The Last Unicorn is memorable for its attempts to stay faithful to its origins, the Peter Beagle novel of the same name. The animation is vintage Rankin/Bass, and that's too bad; but there's an undeniable strength in this tale and telling. A unicorn (Mia Farrow)--she believes herself the last--searches for any others of her kind, while avoiding the malevolent Red Bull, the agent believed to have destroyed the rest of the herd. Along the way, she is mistaken, ignored, attacked, and obsessed about, finally finding help from a magician named Schmendrick (Alan Arkin) and a knight named Prince Lir (Jeff Bridges). A haunting film that pays homage to mythology and the people who love it. --Keith Simanton
Sales Rank:1523 List Price: $19.98 Lowest New Price: $10.07 Lowest Used Price: $5.46 MPAA Rating: PG-13 (Parental Guidance Suggested)
Format:
Anamorphic
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Director(s):
Actor(s):
Carrie Aizley
Lewis Arquette
Bob Balaban
Jehshua Barnes
Jay Brazeau
Christopher Guest, the man behind Waiting for Guffman, turns his comic eye on another little world that takes itself a bit too seriously: the world of competitive dog shows. Best in Show follows a clutch of dog owners as they prepare and preen their dogs to win a national competition. They include the yuppie pair (Parker Posey and Michael Hitchcock) who fear they've traumatized their Weimaraner by having sex in front of him; a suburban husband and wife (Eugene Levy and Catherine O'Hara) with a terrier and a long history of previous lovers on the wife's part; the Southern owner of a bloodhound (Guest himself) with aspirations as a ventriloquist; and many more. Following the same "mockumentary" format of Spinal Tap and Guffman, Best in Show takes in some of the dog show officials, the manager of a nearby hotel that allows dogs to stay there, and the commentators of the competition (a particularly knockout comic turn by Fred Willard as an oafish announcer). The movie manages to paint an affectionate portrait of its quirky characters without ever losing sight of the ridiculousness of their obsessive world. Almost all of the scenes were created through improvisation. While lacking the overall focus of a written script, Best in Show captures hilarious and absurd aspects of human behavior that could never be written down. The movie's success is a testament to both the talent of the actors and Guest's discerning eye. --Bret Fetzer
Sales Rank:1348 List Price: $14.94 Lowest New Price: $8.19 Lowest Used Price: $8.99 MPAA Rating: G (General Audience)
Format:
AC-3
Closed-captioned
Color
Dolby
Dubbed
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Special Edition
Subtitled
Widescreen
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Director(s):
Actor(s):
Paul Scofield
Wendy Hiller
Leo McKern
Robert Shaw
Orson Welles
Robert Bolt's successful play was not considered a hot commercial property by Columbia Pictures--a period piece about a moral issue without a star, without even a love story. Perhaps that's why Columbia left director Fred Zinnemann alone to make A Man for All Seasons, as long as he stuck to a relatively small budget. The results took everyone by surprise, as the talky morality play became a box-office hit and collected the top Oscars for 1966. At the play's heart is the standoff between King Henry VIII (Robert Shaw, in young lion form) and Sir Thomas More (Paul Scofield, in an Oscar-winning performance). Henry wants More's official approval of divorce, but More's strict ethical and religious code will not let him waffle. More's rectitude is a source of exasperation to Cardinal Wolsey (Orson Welles in a cameo), who chides, "If you could just see facts flat on without that horrible moral squint." Zinnemann's approach is all simplicity, and indeed the somewhat prosaic staging doesn't create a great deal of cinematic excitement. But the language is worth savoring, and the ethical politics are debated with all the calm and majesty of an absorbing chess game. --Robert Horton
Sales Rank:1001 List Price: $19.99 Lowest New Price: $12.43 Lowest Used Price: $14.09 MPAA Rating: Unrated
Format:
Color
DVD-Video
Original recording remastered
Widescreen
NTSC
Director(s):
Tinto Brass
Bob Guccione
Giancarlo Lui
Actor(s):
Malcolm McDowell
Peter O'Toole
Helen Mirren
Teresa Ann Savoy
Guido Mannari
Remember the dumbstruck, jaw-dropped expressions on "Springtime for Hitler's" shocked opening-night audience in Mel Brooks's original film of The Producers? That will no doubt be your face through much of the two-and-a-half-hour running time of this infamous 1979 pornographic epic that was a (Penthouse) pet project of publisher Bob Guccione. That's not necessarily a bad thing. But don't take our word for it. Listen to Helen Mirren--yes, the Oscar-winning Queen herself--who stars as Caesonia, Caligula's third wife and "the most promiscuous woman in Rome" (and in this film's salacious vision of Pagan Rome, that is saying something). In her very gracious, thoughtful and candid audio commentary that alone is worth the price of this set, she remarks, "I think it's a movie that is unlike any other, which is difficult to achieve." And for those of a more prurient bent, she adds, "It has an awful lot of bottoms." Malcolm McDowell (A Clockwork Orange) gives a brave and fearless performance as Caligula, the hated and feared emperor corrupted by absolute power and no doubt voted Most Likely to Be Assassinated. The film unflinchingly charts his plummet into madness and the brutality of his reign in scenes of hardcore sex and violence that cannot be described here ("I can't watch," Mirren cries to her interviewers over one scene in which unfortunate characters are beheaded by a blade-spinning combine. "I can't even listen to it").
Caligula is also a career curiosity for author Gore Vidal, who wrote the original screenplay, but later demanded his name be removed from the credits, and venerable actors Peter O'Toole, appearing briefly as the syphilitic Emperor Tiberius Caesar, and John Gielgud as Nerva, a Senator who'd rather take his own life than "live with this reptile." This controversial film's tortured history is untangled in a very helpful booklet that is packaged along with this set's three discs. One is hard-pressed to think of a more reviled film graced with such a gala presentation, but Caligula's defenders and the curious will be amply rewarded with both the original uncut theatrical version of the film and a re-edited alternate version. Supplementary material includes an hour of deleted footage, a pretentious "making of" documentary made during the film's production and a new interview with director Tinto Brass, whose softcore tendencies clashed with Guccioni's more extreme vision (Brass did not have final cut, allowing Guccione to insert more explicit footage into the film). McDowell contributes his own lively audio commentary. "God help us," he groans as the film begins, but by its bloody conclusion, he proclaims he has "no regrets at all" about making the film. Caligula, Mirren maintains, is "an irresistible mix of art and genitals." And you've got to hand it to Guccione. Especially in these politically correct times, it is still strong and scandalous stuff. --Donald Liebenson
Sales Rank:1838 List Price: $29.99 Lowest New Price: $21.18 Lowest Used Price: $14.95 MPAA Rating: NR (Not Rated)
Format:
Animated
Closed-captioned
Color
Dolby
DVD-Video
Widescreen
NTSC
Director(s):
Actor(s):
Kirsten Dunst
Minami Takayama
Rei Sakuma
Kappei Yamaguchi
Keiko Toda
In Hayao Miyazaki's magical Kiki's Delivery Service, a 13-year-old girl meets the world head on as she spends her first year soloing as an apprentice witch. Kiki (Kirsten Dunst) is still a little green and plenty headstrong, but also resourceful, imaginative, and determined. With her trusty wisp of a cat Jiji (a gently subdued Phil Hartman) by her side she's ready to take on the world, or at least the quaintly European seaside village she's chosen as her new home. Miyazaki's gentle rhythm and meandering narrative capture the easy pulse of real life (even if his subject is a girl flying high upon a broomstick) and charts the everyday struggles and growing pains of his plucky heroine with sensitivity and understanding. Beautifully detailed animation and the rich designs of the picture-postcard seaside town of red-tiled roofs and cobblestone streets only add to the sense of wonder. This charming animated fantasy is a wholesome, life-affirming picture that doesn't speak down to kids or up to adults. --Sean Axmaker