Sales Rank:874 List Price: $19.98 Lowest New Price: $7.98 Lowest Used Price: $3.87 MPAA Rating: Unrated
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Tobin Bell
Darrell Dennis
Ron Lea
Justin Louis
Angus MacFadyen
Even death itself can't bring the savage games of Jigsaw to an end, as Saw IV proves; if anything, the fiendishly clever serial killer (once again played by Tobin Bell) is equally capable of dealing out violent death while lying on a morgue slab as he was in life. Saw IV also offers a class reunion of characters from the previous three films, each once again up to their necks in Jigsaw's schemes. Chief among them is Sgt. Rigg (Lyriq Bent) from Saw II, who must place himself in Jigsaw's shoes in order to rescue Detective Matthews (Donnie Walhberg), who was abducted by the killer at the end of Saw II, and Forensic Hoffman (Costas Mandylor from Saw III), from another elaborate murder device. Meanwhile, FBI agents led by Scott Patterson (Gilmore Girls, Aliens in America) attempt to track Rigg as he carries out Jigsaw's horrific notion of justice from beyond the grave. Casual horror fans may find the endless puzzles and relentless nihilism of the Saw series wearing thin with this fourth entry, but the franchise's key selling points--the Sadean excesses of Jigsaw's macabre creations--remain as bloody and unsettling as ever. --Paul Gaita
Sales Rank:1937 List Price: $39.99 Lowest New Price: $21.97 Lowest Used Price: $16.50 MPAA Rating: R (Restricted)
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Helena Bonham Carter
Johnny Depp
Alan Rickman
Edward Sanders
Timothy Spall
After years of rumors, it turns out that Tim Burton was the perfect visionary to film Sweeney Todd: The Demon Barber of Fleet Street, Stephen Sondheim's Broadway masterpiece, and the result is a macabre and moving musical movie as enthralling as anything Burton has ever done. The show's mix of gothic horror, Grand Guignol, very dark humor, and witty and beautiful music never was the stuff of traditional musical comedy, but it's a powerful work, and perhaps the richest of the late 20th century. In the movie, Burton's frequent collaborator, Johnny Depp, plays Todd, a wronged man whose lust for revenge drives him to murder (an 19th-century legend who has been traced to a real-life barber). Helena Bonham Carter, another Burton mainstay, is Mrs. Lovett, the barber's partner-in-unspeakable-crime. It's no surprise that Depp is an excellent choice to convey Todd's brooding intensity and volcanic rage, but he can also sing a score that is so challenging it has often played in opera houses (though not with the same style as the Broadway original, Len Cariou, and he occasionally lapses into pop style). Bonham Carter is small of voice and lacks the humor of the original Broadway Lovett, Angela Lansbury, but she sings on pitch, in rhythm, and in character at the same time, which is no small feat for a Sondheim show. Aficionados will regret the loss of certain musical passages--"The Ballad of Sweeney Todd" is just an instrumental overture and the chorus is gone altogether, among others--but the reassuring presence of orchestrator Jonathan Tunick and conductor Paul Gemignani ensures that the music feels right and sounds great. And the film's depiction of a Victorian London hellhole--with cinematography by Dariusz Wolski and costumes by Colleen Atwood--also looks and feels right.
The excellent cast is filled out by Alan Rickman as the villainous Judge Turpin, Timothy Spall as his seedy Beadle, Sacha Baron Cohen (Borat) as a rival barber, Jamie Campbell Bower as the young lover Anthony, Jayne Wisener as his object of affection, and Ed Sanders as the young Toby. For fans of Tim Burton and Johnny Depp who don't think they like musicals, Sweeney Todd should be a revelation (though not for the squeamish, as the gore is intense and completely appropriate). For fans of Broadway and Sondheim, it's hard to imagine getting a better adaptation than this. The fact that there's no newly composed Oscar-bait song sung by a Josh Groban-type over the end credits only makes it better. --David Horiuchi
Sales Rank:766 List Price: $14.99 Lowest New Price: $5.74 Lowest Used Price: $5.77 MPAA Rating: PG (Parental Guidance Suggested)
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Bette Midler
Sarah Jessica Parker
Kathy Najimy
Omri Katz
Thora Birch
This big, fat theatrical bomb has a lot going for it. There's the three leads, Bette Midler, Kathy Najimy, and Sarah Jessica Parker, playing three resurrected witches who wreak havoc on Salem, Massachusetts, 300 hundred years after they were hung. There's music, special effects, and magic. There's a surprisingly horror-filled plot. Whoops, hold up on that last one. It's probably the extremes that this film goes to (displaying a Disney label), such as the witches sucking the life out of a little girl in the first five minutes, that put the brakes on any success for Hocus Pocus. Older children, however, in the 8 and up range should get a kick out of all the weird goings-on. It's a good measure of Halloween thrills and chills. --Keith Simanton
Sales Rank:599 List Price: $39.98 Lowest New Price: $25.99 Lowest Used Price: MPAA Rating: NR (Not Rated)
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Alex O'Loughlin
Sophia Myles
Any private eye knows a lot about other people's secrets. L.A. private eye Mick St. John (Alex O'Loughlin) has a secret of his own. He’s a vampire, dwelling in a covert netherworld complicated by friendship with an undead finance honcho (Jason Dohring), memories of the alluring ex- wife (Shannyn Sossamon) who turned him into a vampire, and a relationship with a human (Sophia Myles) he feels drawn to protect – and maybe to love. But no matter how tempting, Mick knows a vampire-human romance is eternally dangerous. This 16-episode, 4-disc set of the series voted the 2008 People's Choice Award for Favorite New TV Drama is a sure entertainment bet for all who like their vampire stories sleek, intense and passionate.
Sales Rank:804 List Price: $26.98 Lowest New Price: $18.36 Lowest Used Price: $16.00 MPAA Rating: PG-13 (Parental Guidance Suggested)
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Rona Benson
Blake Michael Bryan
Laura Dern
John Diehl
Bruce French
Jurassic Park Steven Spielberg's 1993 mega-hit rivals Jaws as the most intense and frightening film he'd ever made prior to Schindler's List, but it was also among his weakest stories. Based on Michael Crichton's novel about an island amusement park populated by cloned dinosaurs, the film works best as a thrill ride with none of the interesting human dynamics of Spielberg's Jaws. That lapse proves unfortunate, but there's no shortage of raw terror as a rampaging T-rex and nasty raptors try to make fast food out of the cast. The effects are still astonishing (despite the fact that the computer-generated technology has since been improved upon) and at times primeval, such as the sight of a herd of whatever-they-are scampering through a valley. --Tom Keogh
The Lost World - Jurassic Park In the low tradition of knockoff horror flicks best seen (or not seen) on a drive-in movie screen, Steven Spielberg's sequel to Jurassic Park is a poorly conceived, ill-organized film that lacks story and logic. Screenwriter David Koepp strings along a number of loose ideas while Jeff Goldblum returns as Ian Malcolm, the quirky chaos theoretician who now reluctantly agrees to go to another island where cloned dinosaurs are roaming freely. Along with his girlfriend (Julianne Moore) and daughter, Malcolm has to deal with hunters, environmentalists, and corporate swine who stupidly bring back a big dino to Southern California, where it runs amok, of course. Spielberg doesn't seem to care that the pieces of this project don't add up to a real movie, so he hams it up with big, scary moments (with none of the artfulness of those in Jurassic Park) and smart-aleck visual gags (a yapping dog in a suburb mysteriously disappears when a hungry T-rex stomps by). A complete bust.--Tom Keogh
Jurassic Park III Surpassing expectations to qualify as an above-average sequel, Jurassic Park III is nothing more or less than a satisfying popcorn adventure. A little cheesier than the first two Jurassic blockbusters, it's a big B movie with big B-list stars (including Laura Dern, briefly reprising her Jurassic Park role), and eight years of advancing computer-generated-image technology give it a sharp edge over its predecessors. While adopting the jungle spirit of King Kong, the movie refines Michael Crichton's original premise, and its dinosaurs are even more realistic, their behavior more detailed, and their variety--including flying pteranodons and a new villain, the spinosaurus--more dazzling and threatening than ever. These advancements justify the sequel, and its contrived plot is just clever enough to span 90 minutes without wearing out its welcome.
Posing as wealthy tourists, an adventurous couple (William H. Macy, Téa Leoni) convince paleontologist Alan Grant (Sam Neill) and his protégé (Allesandro Nivola) to act as tour guides on a flyover trip to Isla Sorna, the ill-fated "Site B" where all hell broke loose in The Lost World: Jurassic Park. In truth, they're on a search-and-rescue mission to find their missing son (Trevor Morgan), and their plane crash is just the first of several enjoyably suspenseful sequences. Director Joe Johnston (October Sky) embraces the formulaic plot as a series of atmospheric set pieces, placing new and familiar dinosaurs in misty rainforests, fiery lakes, and mysterious valleys, turning JP3 into a thrill ride with impressive highlights (including a T. rex versus spinosaurus smack-down), adequate doses of wry humor (from the cowriters of Election), and an upbeat ending that's corny but appropriate, proving that the symptoms of sequelitis needn't be fatal. --Jeff Shannon
Sales Rank:1154 List Price: $24.95 Lowest New Price: $2.51 Lowest Used Price: $2.49 MPAA Rating: PG-13 (Parental Guidance Suggested)
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As creepfests go, 1408 is right up there with The Shining, also inspired by a Stephen King work and featuring a menacing hotel and the wobbly sanity of a writer lodging there. "It's an evil [bleep]-ing room!" intones Samuel L. Jackson, who plays the smooth but vaguely sinister manager of the Dolphin Hotel. John Cusack is stellar as Mike Enslin, a cynical Everyschlub who writes "occult travel guides," but believes in nothing, especially anything resembling an afterlife.
What happens in room 1408 of the Dolphin may change Enslin forever--if he survives the first hour. The thrills range from jumpy "gotcha" moments involving mirror images, to more traditional horror fare like bleeding walls, to truly diabolical touches like the recurrence of the Carpenters' "We've Only Just Begun." (Shudder.) The film does a nice job of weaving the operatic horror effects with the truly heart-breaking backstory of the death of Enslin's young daughter and his marriage--perhaps the only two things Enslin has ever believed in. And thankfully, there's just enough humor to leaven the intensity at key moments; Cusack is unparalleled when it comes to delivering a self-deprecating wisecrack, even as his life passes before his eyes. Get your adrenaline pumping and check into this room. Oh, and sorry, no refunds. A.T. Hurley
Sales Rank:934 List Price: $20.98 Lowest New Price: $9.98 Lowest Used Price: $8.98 MPAA Rating: R (Restricted)
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Jack Nicholson
Shelley Duvall
Danny Lloyd
Scatman Crothers
Barry Nelson
Stanley Kubrick's The Shining is less an adaptation of Stephen King's bestselling horror novel than a complete reimagining of it from the inside out. In King's book, the Overlook Hotel is a haunted place that takes possession of its off-season caretaker and provokes him to murderous rage against his wife and young son. Kubrick's movie is an existential Road Runner cartoon (his steadicam scurrying through the hotel's labyrinthine hallways), in which the cavernously empty spaces inside the Overlook mirror the emptiness in the soul of the blocked writer, who's settled in for a long winter's hibernation. As many have pointed out, King's protagonist goes mad, but Kubrick's Jack Torrance (Jack Nicholson) is Looney Tunes from the moment we meet him--all arching eyebrows and mischievous grin. (Both Nicholson and Shelley Duvall reach new levels of hysteria in their performances, driven to extremes by the director's fanatical demands for take after take after take.) The Shining is terrifying--but not in the way fans of the novel might expect. When it was redone as a TV miniseries (reportedly because of King's dissatisfaction with the Kubrick film), the famous topiary-animal attack (which was deemed impossible to film in 1980) was there--but the deeper horror was lost. Kubrick's The Shining gets under your skin and chills your bones; it stays with you, inhabits you, haunts you. And there's no place to hide... --Jim Emerson