Sales Rank:2131 List Price: $19.97 Lowest New Price: $6.96 Lowest Used Price: $5.98 MPAA Rating: PG (Parental Guidance Suggested)
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Director(s):
Joe Dante
Steven Spielberg
George Miller (II)
Actor(s):
Dan Aykroyd
Albert Brooks
Vic Morrow
Doug McGrath
Charles Hallahan
A highly anticipated release for fantasy fans in the summer of 1983, Twilight Zone: The Movie presents three adaptations of classic episodes (and one original story) from Rod Serling's anthology series by a quartet of the biggest directors in Hollywood. With Stephen Spielberg (also the film's co-producer), John Landis, George Miller (The Road Warrior, Happy Feet), and Joe Dante behind the camera for this portmanteau feature, one might expect Serling's episodes to positively gleam with star power, but the truth is that Twilight Zone: The Movie is a hit-and-miss affair. Landis opens with an amusing nod to the original series' pop-culture appeal with Dan Aykroyd and Albert Brooks riffing on their favorite episodes before a hair-raising shock finale; unfortunately, his second offering is a bland morality plan about racial tolerance that will forever be overshadowed by the accident that claimed the lives of star Vic Morrow and two child actors during shooting. Spielberg's take on George Clayton Johnson's "Kick the Can" looks lovely and is well performed by its cast (especially Scatman Crothers), but it struggles to bear up under the weight of treacley sentiment so common to the director's films at the time. Dante's version of Jerome Bixby's "It's A Good Life" (about a boy with monstrous powers) is rife with his trademark energy and black humor (and his cast of regular players, including Kevin McCarthy and William Schallert, strike the right balance of terror and comedy). But it's Miller's revamp of Richard Matheson's legendary "Nightmare at 20,000 Feet" that delivers the biggest payoff, thanks to John Lithgow's super-charged turn as a nervous airline passenger who's convinced he's seen a monster tampering with the plane's wing. Burgess Meredith (himself a veteran of the original TZ) provides narration; the widescreen DVD features no extras save for the original trailer and a remastered digital transfer. --Paul Gaita
Sales Rank:2849 List Price: $12.98 Lowest New Price: $6.62 Lowest Used Price: $6.31 MPAA Rating: R (Restricted)
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Actor(s):
Robert Carradine
Jayne Mansfield
The Babysitter: Patricia Wymer plays Candy, the aptly named seductress babysitter who takes a job working for the powerful district attorney. A judge is about to sentence the murderous members of a motorcycle gang when Candy steps in and blackmails the D.A.
Weekend with the Babysitter: Mona Carlton leaves to take her son on a weekend trip when Candy Wilson, the babysitter arrives. Candy gets a hold of her movie director husband, Jim Carlton and teaches him the ways of hippies, bikers, free love and narcotics. Jim soon learns this new lifestyle pales in comparison to the love he has for his wife.
The Pink Angels: Six rugged motorcyclists gather on the side of the highway to plan an excursion to Los Angeles. Although they appear to be the burliest bunch of bikers this side of the Hell s Angels, they are actually cross-dressing madmen with an affinity for lipstick, high heels and braziers.
Blood Mania: A scorned daughter murders her abortionist/physician father to get his inheritance and help out her junkie boyfriend. All goes according to plan until she learns that she is not the beneficiary of his will. Directed by Robert Vincent O Neil (Angel).
Single Room Furnished: In her last performance, Jayne Mansfield portrays an innocent, voluptuous teenager who becomes a deserted pregnant wife, a waitress and a demented street-walker. This film also includes a side plot featuring a love story between two neighbors.
Van Nuys Blvd.: Bobby, a small-town kid hears about the wild nights of cruising the boulevard in Van Nuys, California. He hops in his van and drives down to check it out. Along the way he gets involved with drag racers, topless dancers and bikers.
The Pom Pom Girls: High school football player Johnnie is going to spend his senior year at Rosedale High School playing pranks and getting together with as many girls as possible. He and a buddy, along with two cheerleaders, are going to make their last year memorable. The Big Game with rival Hardin High School is approaching, and a prank war is about to rev into fill swing.
Malibu Beach: Various beachgoers attempt to have their eyes on the hot new lifeguard Dina (Kim Lankford). They range from a muscle-bound idiot to pesky kids pretending to drown in order to get some mouth-to-mouth action.
Sales Rank:4976 List Price: $9.99 Lowest New Price: $3.52 Lowest Used Price: $1.43 MPAA Rating: Unrated
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Director(s):
Actor(s):
Sarah Polley
Ving Rhames
Jake Weber
Mekhi Phifer
Lindy Booth
Are you ready to get down with the sickness? Movie logic dictates that you shouldn't remake a classic, but Zack Snyder's Dawn of the Dead defies that logic and comes up a winner. You could argue that George A. Romero's 1978 original was sacred ground for horror buffs, but it was a low-budget classic, and Snyder's action-packed upgrade benefits from the same manic pacing that energized Romero's continuing zombie saga. Romero's indictment of mega-mall commercialism is lost (it's arguably outmoded anyway), so Snyder and screenwriter James Gunn compensate with the same setting--in this case, a Milwaukee shopping mall under siege by cannibalistic zombies in the wake of a devastating viral outbreak--a well-chosen cast (led by Sarah Polley, Ving Rhames, Jake Weber, and Mekhi Phifer), some outrageously morbid humor, and a no-frills plot that keeps tension high and blood splattering by the bucketful. Horror buffs will catch plenty of tributes to Romero's film (including cameos by three of its cast members, including gore-makeup wizard Tom Savini), and shocking images are abundant enough to qualify this Dawn as an excellent zombie-flick double-feature with 28 Days Later, its de facto British counterpart. --Jeff Shannon
Sales Rank:6934 List Price: $29.97 Lowest New Price: $12.00 Lowest Used Price: $12.99 MPAA Rating: NR (Not Rated)
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Actor(s):
Terry Alexander
John Amplas
Don Brockett
William Cameron
Lori Cardille
Chapter three of George Romero's mighty zombie trilogy has big footsteps to follow. Night of the Living Dead was a classic that revitalized a certain corner of the cinema, and Dawn of the Dead was nothing short of epic. Day of the Dead, however, has always been regarded as a comedown compared to those twin peaks--and perhaps it is. But on its own terms, this is an awfully effective horror movie, made with Romero's customary social satire and cinematic vigor--when a "retrained" zombie responds to the "Ode to Joy," the film is in genuinely haunting territory. The story is set inside a sunken military complex, where Army and medical staff, supposedly working on a solution to the zombie problem, are going crazy (strongly foreshadowing the final act of 28 Days Later). Tom Savini's makeup effects could make even hardcore gore fans tear off their own heads in amazement. --Robert Horton
Sales Rank:3256 List Price: $14.98 Lowest New Price: $8.91 Lowest Used Price: $8.99 MPAA Rating: Unrated
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Director(s):
Actor(s):
Mark Dacascos
Jean-Paul Farré
Bernard Fresson
Johan Leysen
Hans Meyer
If you crave an over-the-top historical kung fu-fantasy epic with a good dose of voluptuous nudity, bravura machismo, and passions so intense they verge on ridiculous, then Brotherhood of the Wolf is your movie. Based (loosely) on an 18th-century legend, this French film follows a hunky scientist (Samuel Le Bihan, who's sort of a second-string Christopher Lambert) and his Iroquois sidekick/spiritual partner (Mark Dacascos) as they pursue a monstrous wolf ravaging the French countryside. Along the way Le Bihan gets entwined with a beautiful noblewoman (Émilie Dequenne) and a gorgeous prostitute (Monica Belluci) with secrets. The plot grows more and more incomprehensible, but the mix of torrid emotions, outrageous action sequences, and lurid titillation is really what the movie is about. Ignore the highbrow philosophizing and confused political intrigue; just enjoy the sensual images. --Bret Fetzer
Sales Rank:5390 List Price: $14.98 Lowest New Price: $8.07 Lowest Used Price: $6.80 MPAA Rating: PG (Parental Guidance Suggested)
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Director(s):
Actor(s):
Dennis Weaver
Eddie Firestone
Gene Dynarski
Tim Herbert
Charles Seel
This is the TV movie that put Steven Spielberg on the map, shortly before he made The Sugarland Express. Working from a script by Richard Matheson, the film stars Dennis Weaver as a mild-mannered traveling salesman who unintentionally angers the driver of a semi truck. Suddenly, the truck is not only riding his tail but trying to run him off the road. No matter what he does (pulling over, stopping at a diner, calling the cops), he can't get rid of it. Spielberg makes the wise decision of never showing the driver, even as he cranks the voltage on the film's suspense elements. As a result, the truck itself takes on an air of satanic menace--even a personality of sorts--as it seems to hunt its human prey. Spielberg made a lot out of a little, suggesting just how skilled a storyteller he would become. --Marshall Fine
Sales Rank:3439 List Price: $14.99 Lowest New Price: $2.00 Lowest Used Price: $0.39 MPAA Rating: PG-13 (Parental Guidance Suggested)
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Director(s):
Actor(s):
Abigail Breslin
Rory Culkin
Clifford David
Lanny Flaherty
Mel Gibson
This B movie with noble aspirations is the work of a gifted filmmaker whose storytelling falls short of his considerable stylistic flair. While addressing crises of faith in the framework of an alien-invasion thriller, M. Night Shyamalan (in his follow-up to The Sixth Sense and Unbreakable) favors atmospheric tension over explanatory plotting. He injects subtle humor into expertly spooky scenes, but the story suffers from too many lapses in logic. The film's faults are greatly compensated by the performance of Mel Gibson as a widower whose own crisis of faith coincides with the appearance of mysterious crop circles in his Pennsylvania cornfield... and hundreds of UFOs around the globe. With his brother (Joaquin Phoenix) and two young children (Rory Culkin, Abigail Breslin), the lapsed minister perceives this phenomenal occurrence as a series of signs and portents, while Shyamalan pursues a spookfest with War of the Worlds overtones. It's effective to a point, but vaguely hollow at its core. --Jeff Shannon
Sales Rank:4202 List Price: $14.98 Lowest New Price: $6.67 Lowest Used Price: $4.10 MPAA Rating: R (Restricted)
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Director(s):
Actor(s):
Patrick Wilson
Ellen Page
Sandra Oh
Odessa Rae
Gilbert John
The supercharged possibilities of a single set and two amped-up actors are explored in Hard Candy, a twisted cocktail with a poison kicker. After a flirtatious encounter in an online chat room, two people agree to meet for coffee: a 32-year-old man (Patrick Wilson) and a 14-year-old girl (Ellen Page). They quickly advance to his house, and just as quickly, the apparent pedophilic seduction morphs into something else entirely. After the tables turn, Hard Candy becomes a tale of revenge and torture that might have tempted a filmmaker like Park Chanwook. Here, first-time feature director David Slade opts for a slick look that stays close to the actors, and you can't really blame him--this movie is like a conceptual, more-than-slightly unbelievable off-Broadway play, a showcase for actors and "controversial" ideas. Those actors are strong: Patrick Wilson (Angels in America, Phantom of the Opera) is every bit as creepy as he needs to be, and Ellen Page has nothing short of a triumph. The Canadian actress was around 18 when she shot the film, but looks like an adolescent, which makes her authoritative wrath all the more shocking to witness. The provocations of Hard Candy sometimes seem arbitrary or forced, but Page's electrifying performance can't be denied, or dismissed. --Robert Horton
Sales Rank:4896 List Price: $79.99 Lowest New Price: $47.14 Lowest Used Price: $32.64 MPAA Rating: R (Restricted)
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Five discs gather the first eight movies in the Friday the 13th series, plus a batch of behind-the-scenes featurettes. You can track the rise, fall, and endless resurrections of Jason Voorhees, from the original 1980 film to Jason's self-kidding trip to the Big Apple. Horror fans eat up packages such as this, but there's something odd about the deluxe treatment for a series that spotlighted atrocious acting, pitiful production values, and inane storytelling.
You'll spot a few future "name" actors in various installments: Kevin Bacon is morbidly dispatched in the first one. But in general, the dominant focus is how to kill horny teenagers, most of whom have gathered at Camp Crystal Lake in the misguided belief that the curse of the impossible-to-kill Jason has worn off. The first movie has a certain raw, crummy ability to shock, Part 2 is a dismal retread, and Part 3 actually features interesting use of 3-D, which doesn't translate to its flat DVD version. The fourth is boldly subtitled The Final Chapter, and we all know where that went, but it does have Crispin Glover doing a funky dance. A New Beginning and Jason Lives continue Jason's bad mood, maybe because the hockey mask doesn't fit right. The seventh chapter, The New Blood, stakes Jason against a worthy opponent (Crystal Lake's answer to telekinetic Carrie), but the result is the same. Part 8's subtitle, Jason Takes Manhattan, is wittier than the movie itself, as Jason menaces an unlucky cruise ship of high-schoolers bound for New York--where Mr. J fits right in.
Some of the films come with commentaries from directors or cast members, including heralded Jason performer Kane Hodder. Brief documentaries (ranging from five to 15 minutes) cover separate installments with amusing anecdotes, including interviews with Sean S. Cunningham, Tom Savini, and various actors. In another doc, actors speak of the fraternity of young actors who've been slaughtered by Jason over the years. A deleted-scenes section is skimpy and not very interesting, while the tricks of special-effects gore merit a film to themselves. It's a customer-savvy DVD box, even if the effect of watching a bunch of this stuff together is a little dispiriting. --Robert Horton