Sales Rank:3656 List Price: $9.99 Lowest New Price: $4.49 Lowest Used Price: $4.19 MPAA Rating: PG (Parental Guidance Suggested)
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Roy Scheider
Lorraine Gary
Murray Hamilton
Joseph Mascolo
Jeffrey Kramer
Ushering in the age of the inferior sequel, Jaws 2 was essentially a license to print money. Indeed, the film did very well despite blatantly replicating the plot of Steven Spielberg's original, though to lesser effect. Roy Scheider returns as Martin Brody, sheriff of the small island town of Amity. Just as the beachside resort is rebounding from the previous movie's shark attacks, another great white is snacking on divers and water-skiers. Naturally, the town fathers don't want to confront reality and choose to proceed with a lucrative sailing regatta, resulting in a grisly loss of life. Besides the fact that director Jeannot Szwarc takes an impersonal, workaday approach to the film, Jaws 2 manages to be both stylistically flat and openly cynical about its commercial intentions. Of chief interest here is Scheider's performance, which wisely reflects the emotional fallout from Brody's last trauma in his obsessive behavior here. --Tom Keogh
Sales Rank:4229 List Price: $24.95 Lowest New Price: $9.89 Lowest Used Price: $6.11 MPAA Rating: R (Restricted)
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George Romero has always come up with new ways of treating his zombies, and Diary of the Dead is no exception: Romero keeps his dead fresh, with an original approach to the undying subject. This one purports to be the video record of a group of young people who are shooting a low-budget horror movie when the terror strikes: corpses begin re-animating, intent on chewing the living. Our heroes trek across Pennsylvania, encountering the staggering zombies as they go. Other pieces of video are incorporated, which gives Romero a chance at some great set-pieces, including the brilliant opening sequence, a live local-TV feed that goes horribly, horribly wrong, and a home-video tape from a family birthday party, where the party clown turns out to be a dead ringer. All of Romero's Dead films are political, and this one's no exception, with a stark view of the way things are today; it doesn't offer the Hawksian heroics of the survivors in Dawn of the Dead or Land of the Dead for comfort, just a group of bickering, shocked youths. There's too much talk about the detachment of watching things through a lens, but in general this is a bracing, intelligent movie. Plus, there's some excellent splatter. --Robert Horton
Sales Rank:3162 List Price: $39.98 Lowest New Price: $24.75 Lowest Used Price: $22.40 MPAA Rating:
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Director(s):
Allen Coulter
Brett Dowler
Chris Carter
Cliff Bole
Daniel Sackheim
Actor(s):
David Duchovny
Gillian Anderson
Mitch Pileggi
Robert Patrick
Tom Braidwood
The midpoint of what would be a nine-season show, the fifth season of The X-Files (the first to be put on DVD in anamorphic widescreen format) gives fans a heavy heaping of what they love. For the mythology buffs, riveting episodes from the season bookends "Redux" and "The End" to several episodes in between tease with new revelations about the vast government conspiracies and alien invasion plot lines sketched in earlier seasons. But enough questions are left unanswered for the theatrical X-Files movie, which was released the subsequent summer, and the seasons that followed. Supporting characters like the Lone Gunmen, Agent Krycek, the Pusher Robert Modell, and Fox's father and sister Bill and Samantha Mulder are flushed out in more detail in several episodes that occasionally jump back in time to cover the prehistory of the X-files. New chess pieces are introduced, each raising new questions: the clairvoyant child Gibson Praise, Agent Spender, faceless alien resistance fighters with pyromaniacal tendencies, a child who may be Scully's, and Mulder's old flame, agent Diana Fowley (Mimi Rogers). All the time, no one knows who will be assassinated next, who is or isn't dead, just who isn't potentially a child of the Cigarette Smoking Man, and why the base of the neck is everyone's vulnerable spot. The creature feature stand-alone episodes vary in quality, but all are redeemed by the outrageously funny self-parody episode "Bad Blood," a fan favorite that guest stars Luke Wilson as a small-town sheriff who catches Scully's eye.
Finally, "shippers" (fans who would love nothing better than to see Mulder and Scully act upon their feelings for each other) get a heavy dose of the usual sexual innuendo and lingering, tender glances between the attractive costars. Mimi Rogers and Luke Wilson incite palpable jealousy between the leads; the appearance of a wedding band on Mulder's hand in a back story hints at stories not told; and the usual extreme and dimly lit crises illustrate just how far Mulder and Scully will go for each other. In the end, the complexities of their relationship may be the most tense and intriguing of all the mysteries explored by this epic television series. --Eugene Wei
Sales Rank:7232 List Price: $19.98 Lowest New Price: $11.28 Lowest Used Price: $8.20 MPAA Rating: NR (Not Rated)
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Director(s):
Jefery Levy
Jon Cassar
James Head
Robert Lieberman
Michael Shapiro (III)
Actor(s):
The Complete Second Season DVD set includes all 19 episodes from the second season on five discs: Disc 1: Valley of the Shadow, Descent, Ascent and The Outsider Disc 2: Precipitate, Scars, Misbegotten and Cabin Pressure Disc 3: The Man Who Never Was, Dead Men Tell Tales, Playing God, Zion Disc 4: The Storm, Plague, Deja Voodoo, The Hunt Disc 5: The Mountain, The Combination, Visions
Special Features include audio commentary on all 19 episodes, ten featurettes taking the fans on a behind-the-scenes look at how an episode is made, Dolby 5.1 Surround Sound, widescreen format, interviews with Directors and Guest Stars, and interactive menus with all the DZ cast members.
Sales Rank:2346 List Price: $29.95 Lowest New Price: $13.60 Lowest Used Price: $13.49 MPAA Rating: R (Restricted)
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Actor(s):
Joe Dinicol
Michele Morgan
Joshua Close
Megan Park
Shawn Roberts
George Romero has always come up with new ways of treating his zombies, and Diary of the Dead is no exception: Romero keeps his dead fresh, with an original approach to the undying subject. This one purports to be the video record of a group of young people who are shooting a low-budget horror movie when the terror strikes: corpses begin re-animating, intent on chewing the living. Our heroes trek across Pennsylvania, encountering the staggering zombies as they go. Other pieces of video are incorporated, which gives Romero a chance at some great set-pieces, including the brilliant opening sequence, a live local-TV feed that goes horribly, horribly wrong, and a home-video tape from a family birthday party, where the party clown turns out to be a dead ringer. All of Romero's Dead films are political, and this one's no exception, with a stark view of the way things are today; it doesn't offer the Hawksian heroics of the survivors in Dawn of the Dead or Land of the Dead for comfort, just a group of bickering, shocked youths. There's too much talk about the detachment of watching things through a lens, but in general this is a bracing, intelligent movie. Plus, there's some excellent splatter. --Robert Horton
Sales Rank:2873 List Price: $19.94 Lowest New Price: $12.98 Lowest Used Price: $7.92 MPAA Rating: R (Restricted)
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Director(s):
Francis Ford Coppola
Kim Aubry
Actor(s):
Gary Oldman
Winona Ryder
Anthony Hopkins
Keanu Reeves
Richard E. Grant
With dizzying cinematic tricks and astonishing performances, Francis Coppola's 1992 version of the oft-filmed Dracula story is one of the most exuberant, extravagant films of the 1990s. Gary Oldman and Winona Ryder, as the Count and Mina Murray, are quite a pair of star-crossed lovers. She's betrothed to another man; he can't kick the habit of feeding off the living. Anthony Hopkins plays Van Helsing, the vampire slayer, with tongue firmly in cheek. Tom Waits is great fun as Renfield, the hapless slave of Dracula who craves the blood of insects and cats. Sadie Frost is a sexy Lucy Westenra. And poor Keanu Reeves, as Jonathan Harker, has the misfortune to be seduced by Dracula's three half-naked wives. There's a little bit of everything in this version of Dracula: gore, high-speed horseback chases, passion, and longing.
Sales Rank:1810 List Price: $14.94 Lowest New Price: $7.64 Lowest Used Price: $4.47 MPAA Rating: R (Restricted)
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Kate Beckinsale
Scott Speedman
Bill Nighy
Tony Curran
Derek Jacobi
Better action, a bit of sex, and gorier R-rated violence make Underworld: Evolution a reasonably satisfying sequel to 2003's surprise hit Underworld. Looking stunning as ever in her black leather battle gear, Kate Beckinsale is every goth guy's fantasy as Selene, the vampire "death dealer" who's now fighting to stop the release of the original "Lycan" werewolf, William (Brian Steele) from the prison that's held him for centuries. As we learn from the film's action-packed prologue, William and his brother Marcus (Tony Curran) began the bloodline of vampires and werewolves, and after witnessing centuries of warfare between them, their immortal father Corvinus (Derek Jacobi) now seeks Selene and the human vampire/lycan hybrid Michael (Scott Speedman) to put an end to the war perpetuated by Victor (Bill Nighy), the vampire warrior whose betrayal of Selene turns Underworld: Evolution into an epic tale of familial revenge. This ambitious attempt at Shakespearean horror is compromised by a script (by Danny McBride and returning director Len Wiseman, Beckinsale's real-life husband) that's more confusing than it needs to be, with too many characters and not enough storytelling detail to flesh them all out. Aspiring to greatness and falling well short of that goal, Underworld: Evolution succeeds instead as a full-throttle action/horror thriller, with enough swordplay, gunplay, and CGI monsters to justify the continuation of the Underworld franchise. If you're an established fan, this is a must-see movie; if not, well... at least it's better than Van Helsing! --Jeff Shannon
Sales Rank:3435 List Price: $19.95 Lowest New Price: $14.99 Lowest Used Price: $7.99 MPAA Rating:
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With the Japanese currently leading the way in thought-provoking cinematic violence, it's only fitting that Kinji Fukasaku's Battle Royale is being touted as a Clockwork Orange for the 21st century. Based on the novel by Koshun Takami, the film opens with a series of fleeting images of unruly Japanese schoolchildren, whose bad behavior provides a justification for the "punishments" that will ensue. Once the prequel has been dispensed with, the classmates are drugged and awaken on an island where they find they have been fitted with dog collars that monitor their every move. Instructed by their old teacher ("Beat" Takeshi) with the aid of an upbeat MTV-style video, they are told of their fate: after an impartial lottery they have been chosen to fight each other in a three-day, no-rules contest, the "Battle Royale." Their only chance of survival is through the death of all their classmates.
Some pupils embrace their mission with zeal, while others simply give up or try to become peacemakers and revolutionaries. However, the ultimate drive for survival comes from the desire to protect the one you love. Battle Royale works on many different levels, highlighting the authorities' desperation to enforce law and order and the alienation caused by the generation gap. Whether you consider the film an important social commentary or simply watch it for the adrenaline-fueled violence, this is set to become cult viewing for the computer game generation and beyond. --Nikki Disney