Sales Rank:455 List Price: $55.98 Lowest New Price: $32.44 Lowest Used Price: $29.50 MPAA Rating: NR (Not Rated)
Format:
AC-3
Box set
Color
Dolby
DVD-Video
Widescreen
NTSC
Director(s):
Actor(s):
Describing season four of NCIS as "the season of secrets," executive producer Shane Brennan suggests that season five (offered here with 18 episodes, including a two-part finale, on five discs) is "the season of answers." For the most part, that’s true--but at season’s end, loyal viewers are likely to be thrown for a loop by the death of a major character and a startling set of changes bound to have a profound effect on the show’s future. Picking up where the previous year left off, this new batch jumps right in with a continuation of Special Agent Jethro Gibbs (Mark Harmon) and company’s pursuit of notorious international arms dealer La Grenouille ("The Frog," played by Armand Assante), whom NCIS director Jenny Shepard (Lauren Holly) is particularly keen on taking down--a quest that’s complicated by the fact that the bad guy is a CIA asset, and by Agent Anthony DiNozzo’s (Michael Weatherly) love affair with La Grenouille’s daughter. That storyline, barely touched on thereafter, is resolved in the 14th episode, "Internal Affairs." Meanwhile, the NCIS crew is distracted by an array of other cases, most of them involving murder. Of particular interest are several episodes related to Iraq and the War on Terror: a Naval officer of Syrian descent who’s suspected of being an Al Qaeda mole is murdered seconds after Gibbs talks him out of jumping off a building ledge; a Marine who’s having a violent bout of post-traumatic stress after returning from the Mideast turns out to be far worse off than that; Medical Examiner Donald "Ducky" Mallard (David McCallum) refuses to conduct an autopsy because of the deceased’s Muslim beliefs.
There’s no doubt that NCIS is slick, entertaining prime-time television in every respect: writing, acting, production values, music, and so on. Still, one’s appreciation of the show largely depends on the characters’ likeability, and that’s very much a matter of taste. Gibbs may be a chick magnet, with four former wives and a past relationship with Shepard to prove it, but he’s also a taciturn fellow with horrible social skills. DiNozzo’s funny and insouciant, but his smugness and incessant razzing of computer nerd Timothy McGee (Sean Murray) soon becomes tiresome, while Shepard is steely and simply unlikeable (the most appealing characters are arguably McCallum’s Mallard and Pauley Perrette’s mouthy Abby Sciuto, the goth-like forensic expert). Bonus material includes cast and crew commentary on various episodes and a typical assortment of featurettes. --Sam Graham
Sales Rank:276 List Price: $29.98 Lowest New Price: $17.36 Lowest Used Price: $9.66 MPAA Rating: NR (Not Rated)
Format:
Box set
Color
Dolby
DVD-Video
Subtitled
Widescreen
NTSC
Director(s):
Actor(s):
Steve Carell
John Krasinski
Jenna Fischer
Rainn Wilson
B.J. Novak
The British sitcom The Office has the most devoted following this side of Monty Python, so an American remake seemed doomed. Amazingly, the remake actually finds its own enjoyable version of the original's uncanny comedy of embarrassment. Office manager Michael Scott (Steve Carell, The Daily Show, The 40 Year-Old Virgin) believes he's the beloved leader of the Scranton, Pennsylvania, branch of a paper products company--but his relentless and painfully forced efforts at comedy creep out everyone around him, including paranoid Dwight (Rainn Wilson, who had a memorable recurring role on Six Feet Under), nervous receptionist Pam (Jenna Fischer, LolliLove), and aimless salesman Jim (John Krasinski, A New Wave), who's smitten with the already engaged Pam. The pilot episode suffers from closely replicating the British pilot, but after that The Office finds its own footing, turning diversity training, an office birthday party, and a basketball game into excruciating yet hypnotically funny rituals of humiliation. Carell, though clearly talented, can't match Ricky Gervais' unique performance as the aggressively needy British manager (it's hard to imagine that anyone could); as a result, the supporting roles become more prominent, and Wilson, Fischer, and Krasinski quickly create a rapport that matches and may even exceed that of their British counterparts. Be sure to watch the deleted scenes; remarkably, they're as good as the material that made it on the air in this six-episode season. --Bret Fetzer
Sales Rank:227 List Price: $399.98 Lowest New Price: $254.99 Lowest Used Price: $301.55 MPAA Rating: NR (Not Rated)
Format:
Box set
Color
Dolby
DVD-Video
Widescreen
NTSC
Director(s):
Actor(s):
James Gandolfini
Edie Falco
For six seasons, fans have devotedly watched Tony Soprano deal with the difficulties of balancing his home life with the criminal organization he leads. Audiences everywhere tuned in to see the mob, the food, the family, and who was next to be whacked. Celebrate the show that Vanity Fair called, "the greatest show in TV history", in the ultimate Sopranos collector's edition.
Sales Rank:277 List Price: $59.99 Lowest New Price: $35.99 Lowest Used Price: $34.99 MPAA Rating: NR (Not Rated)
Format:
Box set
Color
DVD-Video
NTSC
Director(s):
Actor(s):
Dominic West
Clark Johnson
Aidan Gillen
Clarke Peters
Wendell Pierce
A barroom toast to Det. Jimmy McNulty (Dominic West), a one-man good cop/bad cop, offered in The Wire's final episode could very well serve as this series' epitaph: "When you were good, you were the best we had." Season five bears witness to this. The 10 riveting, wrenching episodes focus on yet another beleaguered Baltimore institution, The Baltimore Sun daily newspaper, whose staff, much like the police, is forced to do more with less. One editor (Clark Johnson) struggles to maintain the paper's journalistic standards in the face of declining ad revenues, employee buyouts and bureau closures. An ambitious reporter (Tom McCarthy) undermines him by taking a page out of the Stephen Glass/Jayson Blair playbook, manufacturing sensational quotes, and eventually, whole stories, while bean-counter management encourages its rising star and keeps its eye on the (Pulitzer) prize. Meanwhile, on the streets, the year-long investigation of rising drug lord Marlo Sansfield (Jamie Hector) and the 22 bodies found in "the vacants" has been discontinued and police morale is at an all-time low (the money promised to the department has been diverted to the schools). McNulty manufactures a serial killer case that will have far-reaching repercussions in the mayor's office, where Tommy Carcetti (Aidan Gillen) is mounting a run for governor a mere two years into his term. "I wonder what it would be like to work at a real police station," McNulty rages at one point. The Wire, as ever, is all about real. It's a gritty and unflinching look at life in one of roughest districts of a "broke-ass city." There is street justice for some characters, and street injustice for others. Some meet sad, sudden, or shocking ends that defy TV convention. Referring to Marlo, McNulty declares early on, "He does not get to win; we get to win." The hard-earned victories are mostly small, or come with a price. Not that The Wire does not offer glimmers of hope. Bubbles (Andre Royo) struggles to maintain his sobriety (Steve Earle portrays the leader of his 12-step program and also does the theme song honors this season), and the final episode features a cameo by Jim True-Frost as the once overwhelmed teacher, "Prez," who now seems to have the hang of the job. The ratings-strapped and criminally Emmy-snubbed The Wire has always been a critic's darling with a passionate fan base. To the show's credit, it did not make itself more accessible in its final season (consequently, its send-off did not receive near the fanfare of The Sopranos or Sex and the City). That should not dissuade newcomers to the show. It is heavy lifting, and if you're just joining The Wire, a visit to the show's official website for orientation is recommended. But buy it, watch it, and be patient. It's so worth it. From the masterful storytelling to the peerless ensemble, it just doesn't get any better than The Wire. But that's not exactly news. --Donald Liebenson
Sales Rank:374 List Price: $19.98 Lowest New Price: $11.53 Lowest Used Price: $12.90 MPAA Rating: PG (Parental Guidance Suggested)
Format:
Color
DVD-Video
Original recording remastered
Restored
Widescreen
NTSC
Director(s):
Actor(s):
Paul Newman
George Kennedy
Strother Martin
J.D. Cannon
Lou Antonio
Paul Newman gives one of the defining performances of his career, and cemented his place as a beautiful-rebel screen icon playing the stubbornly tough and independent title character in Cool Hand Luke. And before he became familiar as a sidekick in 1970s disaster movies (Earthquake and the Airport movies), George Kennedy won an Oscar for playing Dragline, the brutal chain-gang boss who tries to beat loner Luke's cool out of him. It's a classic rebel-against-the-repressive-institution story in the line of One Flew over the Cuckoo's Nest or The Shawshank Redemption. Certain moments have become classics--particularly the hardboiled egg-eating contest, and the immortal line (drooled by Strother Martin, as a sadistic redneck prison officer), "What we have here is a failure to communicate." And don't forget, Luke is also the source of the oft-quoted driving ditty, "I don't care if it rains or freezes, long as I have my plastic Jesus, right here on the dashboard of my car..." He is cool, all right. --Jim Emerson
Sales Rank:137 List Price: $59.98 Lowest New Price: $14.99 Lowest Used Price: $12.89 MPAA Rating:
Format:
Box set
Closed-captioned
Color
DVD-Video
Subtitled
NTSC
Director(s):
Amy Sherman
Chris Long
Daniel Palladino
Jamie Babbit
Kenny Ortega
Actor(s):
Lauren Graham
Alexis Bledel
Melissa McCarthy
Scott Patterson
Keiko Agena
The sum of its parts was definitely greater than the season whole as Gilmore Girls kicked off its fourth year by separating its high-powered mother-daughter duo. After years of toil at snooty private school Chilton, Rory (Alexis Bledel) was finally off to the greener pastures of college as she began her first year at Yale. The not-so-long distance put a crimp in her relationship with her mother, Lorelai (Lauren Graham), as the two were forced to continue their chatty conversations via phone--not exactly the same as trading barbs face-to-face. While Rory adjusted to college life with cranky roommate Paris (Liza Weil) in tow, Lorelai found herself without a daughter, but gained a boyfriend in the form of Jason "Digger" Stiles (Chris Eigeman), a childhood friend and now her father's business partner. But the lure of Stars Hollow, the Gilmores' cherished country town, would prove too hard to resist, as Lorelai finally made plans to open her own inn, and the two ladies found themselves attracted to town residents--for Lorelai, an intensifying of her friendship with diner owner Luke (Scott Patterson), and for Rory, a return to old boyfriend Dean (Jared Padalecki), which put a decided tension into a show that sorely needed it. Nevermind that both men were married to other women!
The first half of the fourth season definitely foundered, as the show's usually topnotch creative team struggled to find a way to keep the Gilmore chemistry afloat despite separating their main characters. There wasn't much drama to be found for Rory in starting college, and though it got off to a great start, Lorelai's relationship with Jason never fully gelled. However, once the show got its girls into the arms of their Stars Hollow men, it turned around almost immediately, surging towards a creative revival that put its ratings higher than they'd ever been before. Along the way to its surprising and complex season finale, there were great episodes to be had: "Girls in Bikinis, Boys Doin' the Twist," which found Rory and Paris on spring break; "The Reigning Lorelai," centering on an unexpected funeral; "The Festival of Living Art," which had Stars Hollow resident re-creating classic works; and "Luke Can See Her Face," which finally brought the Luke-Lorelai romance to the forefront. The season may have started out rough, but this fourth year ended with a bang, and the promise of more fireworks to come. --Mark Englehart