Sales Rank:1170 List Price: $29.98 Lowest New Price: $16.99 Lowest Used Price: $16.00 MPAA Rating: NR (Not Rated)
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Director(s):
David Carson
David Frankel
Frank Marshall
Gary Fleder
Graham Yost
Actor(s):
Tom Hanks
Krista Adair
Mason Adams
Tom Amandes
Brandon Ambrose
Originally broadcast in April and May of 1998, the epic miniseries From the Earth to the Moon was HBO's most expensive production to date, with a budget of $68 million. Hosted by executive producer Tom Hanks, the miniseries tackles the daunting challenge of chronicling the entire history of NASA's Apollo space program from 1961 to 1972. For the most part, it's a rousing success. Some passages are flatly chronological, awkwardly wedging an abundance of factual detail into a routine dramatic structure. But each episode is devoted to a crucial aspect of the Apollo program. The cumulative effect is a deep and thorough appreciation of NASA's monumental achievement. With the help of a superlative cast, consistent writing, and a stable of talented directors, Hanks has shared his infectious enthusiasm for space exploration and the inspiring power of conquering the final frontier.
NASA's complete participation in the production lends to its total authenticity, right down to the use of NASA equipment, launch locations, and even spacecraft. The re-creation of the lunar landscape is almost as impressive as the real thing and is further enhanced by the use of helium balloons to lighten the actors playing moon-walking astronauts. (These and other backstage details are revealed in the "making of" featurette, along with a wealth of supplemental materials, on a bonus disc in the miniseries' DVD package.) With a fictional, Walter Cronkite-like TV reporter (Lane Smith) serving as the dramatic link for all 12 episodes, this ambitious production may not be a great work of art. But as a generous and definitive example of nonfiction drama, it's full of the same kind of awe, inspiration, and humanity that led to "one giant leap" in the all-too-short history of 20th-century space exploration. --Jeff Shannon
Sales Rank:233 List Price: $9.98 Lowest New Price: $4.98 Lowest Used Price: $4.96 MPAA Rating: R (Restricted)
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Anthony James PICK UP: Jill Senter
Gini Eastwood
Katherine Justice
Anne Saxon
Nancy Ison
Pick-Up: An off-beat story about two young women whose lives are forever changed when they hitchhike a ride in a mobile home.
The Sister-In-Law: A punchy story about the sexual entanglements of four people and how their moral conflicts lead to heartache and destruction.
The Stepmother: A high-living architect who - as a result of his violent temper - finds himself enmeshed in two accidental deaths. When he discovers his 2nd wife having an affair with his teenage son...there's almost a third murder!
The Teacher: She corrupted the youthful morality of an entire school! An explosively tense story about a beautiful, provocative 28-year-old high school teacher whose seduction of one particular student proves fatal.
Trip with the Teacher: A chilling experience in terror as a group of female students and their pretty teacher are ambushed, while on a field trip, by two sadistic bikers, forcing the women to learn a lesson in survival.
Best Friends: Two young couples taste the free and easy life on a cross country motor-home tour until love backfires and tragedy follows.
Cindy and Donna: Two sisters, growing up in a middle-class home with parents too preoccupied with booze and sex, find that being grown up doesn't mean acting like their folks, as experiments with drugs and sex teach them.
Malibu High: High school senior Kim is having her share of problems. Her grades are poor, her boyfriend dumped her for a rich girl and her financial situation is disastrous. So she makes an after hours deal with one of her teachers to improve her grade point average. Soon, she is working her way through the faculty room and taking on paying customers.
Sales Rank:1088 List Price: $59.98 Lowest New Price: $42.50 Lowest Used Price: $37.86 MPAA Rating: NR (Not Rated)
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Director(s):
Ricky Gervais
Stephen Merchant
Actor(s):
Ricky Gervais
Martin Freeman
Mackenzie Crook
Lucy Davis (II)
It feels both inaccurate and inadequate to describe The Office as a comedy. On a superficial level, it disdains all the conventions of television sitcoms: there are no punch lines, no jokes, no laugh tracks, and no cute happy endings. More profoundly, it's not what we're used to thinking of as funny. Most of the fervently devoted fan base watched with a discomfortingly thrilling combination of identification and mortification. The paradox is that its best moments are almost physically unwatchable. Set in the offices of a fictional British paper merchant, The Office is filmed in the style of a reality television show. The writing is subtle and deft, the acting wonderful, and the characters beautifully drawn: the cadaverous team leader Gareth (Mackenzie Crook); the monstrous sales rep, Chris Finch (Ralph Ineson); and the decent but long-suffering everyman Tim (Martin Freeman), whose ambition and imagination have been crushed out of him by the banality of ! the life he dreams uselessly of escaping. The show is stolen, as it was intended to be, by insufferable office manager David Brent, played by codirector-cowriter Ricky Gervais. Brent will become a name as emblematic for a particular kind of British grotesque as Basil Fawlty, but he is a deeper character. Fawlty is an exaggeration of reality, and therefore a safely comic figure. Brent is as appalling as only reality can be. --Andrew Mueller
The second series exceeded even the sky-high standards of the first. Indeed, it ventured beyond caricature and satire, touching on the very edge of darkness. Ricky Gervais is once again excruciatingly superb as David Brent, but in this series, Brent's to-the-camera assertions concerning his management qualities and executive capabilities are seriously challenged when the Slough and Swindon branches are merged and his former Swindon equivalent Neil (Patrick Baladi) takes over as area manager. To compensate, Brent cultivates his pathologically mistaken image of himself as an entertainer-motivator-comedian whose stage happens to be the workplace. Meanwhile, Tim, who can only maintain his sanity by teasing the priggish Gareth, continues to wrestle with his yearning for receptionist Dawn Tinsley (Lucy Davis), a sympathetic character persisting in a relationship with a man about whom she still maintains unspoken reservations. As ever, it's the awkward, reality TV-style pauses and silences, the furtive, meaningful and unmet glances across the emotional gulf of the open-plan office, that say it all here. As for Brent, his own breakdown is prefaced by a moment of hideous hilarity--an impromptu office dance, a mixture of "Flashdance and MC Hammer" as Brent describes it, but in reality bad beyond description. Then, when his fate is sealed, he at last reveals himself in a memorable finale to perhaps the greatest British sitcom, besides Fawlty Towers, ever made. --David Stubbs
The brilliant and devastating comedy of The Office is brought to a satisfying conclusion in The Office Special, originally a two-part Christmas special on the BBC, set three years after the end of the faux-documentary's second season. The former office manager David (Ricky Gervais) now ekes out a desperate existence as an oblivious quasi-celebrity, making awkward, humiliating visits back to the office staff he still believes loves him. Gawky Gareth (Mackenzie Crook) has risen to manager and become a petty tyrant, while the sweet but snide Tim (Martin Freeman) continues to pine for former receptionist Dawn (Lucy Davis), who fled to Florida with her fiance. When the documentary crew pays for Dawn to return for the holiday party, an unpredictable reunion looms ahead. The Office fuses scathing humor and genuine empathy, turning excruciating social discomfort into inspired satire. Fans will find this special rewarding in all respects. --Bret Fetzer
Sales Rank:3014 List Price: $28.98 Lowest New Price: $12.60 Lowest Used Price: $10.24 MPAA Rating: PG-13 (Parental Guidance Suggested)
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Blake Lively
Alexis Bledel
America Ferrera
Amber Tamblyn
Ever wonder what the girls of Sex and the City might have been like if they'd been friends since toddlerhood? Probably a lot like the appealing friends in The Sisterhood of the Traveling Pants 2, the winsome sequel to the winning 2005 film based, as is this film, on the novels of Ann Brashares. Tibby, Carmen, Bridget, and Lena are the Carrie, et al., of this yarn, which picks up in the girls' lives as they're launching into womanhood--figuring out "how to become ourselves without losing each other." The young women fight heartache and family trouble while seeking adventure in their first year of college and the summer after--and trading off a pair of what must surely be the best-traveled garment in the history of Hollywood. All the young actresses have become more famous since the first film--especially Ugly Betty Emmy winner America Ferrera (Carmen), but also Blake Lively (Bridget), Amber Tamblyn (Tibby), and Alexis Bleidel (Lena). But the film is very much an ensemble piece as all four young stars trade off their piece in the spotlight. Adventures take them to far-flung locales like Rhode Island, New York, and an archeological dig in Turkey, and the adventures and friendship continue across the miles. Above all? The Sisterhood, of course. Tibby, over lunch: "I suck at relationships. I should have been a guy." Lena: "Nah, a guy wouldn't worry about sucking at relationships." And suddenly, sisters, everything seems right in the world. --A.T. Hurley
Sales Rank:401 List Price: $59.95 Lowest New Price: $25.89 Lowest Used Price: $21.98 MPAA Rating: NR (Not Rated)
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"Are you ready for this?" quintessential cop on the edge Vic Mackey (Michael Chiklis) asks his longtime nemesis, Councilman David Aceveda (Benito Martinez) in the season finale. With more than a year between seasons, we're always ready for The Shield, which rivals The Wire not only in quality (not everyone is ready to play at this level, as Mackey states at one point) but also in the lack of appreciation for one of television's very best shows. Again, another great season, and another Emmy snub. There ought to be a law. There is much more to The Shield than its shocking and brutal violence and language. This penultimate season, which turns the heat on Mackey, a one-man good cop/bad cop, to boil, is "all kinds of personal" for its intimately observed characters. Mackey is obsessed with finding out who killed Strike Force member Lem, while Kavanaugh (Forest Whitaker), just as obsessed with taking Mackey down, recklessly crosses the line to "frame a guilty man." Meanwhile, Mackey keeps moving the line as he relentlessly pursues the drug kingpin he has judged responsible for Lem's death, going so far as to stage a faux kidnapping of his suspect's girlfriend. In one of the season's most excruciating scenes, he turns chain-wielding executioner. What viewers know, but Mackey initially does not, is that the killer is a guilt-ridden Shane (Walton Goggins), Mackey's best friend. Shane, ultimately exiled from the Strike Force, becomes embroiled in an ill-fated association with the daughter of Armenian mob boss, putting Mackey's family in peril. Back at the Barn, newly promoted Claudette Wyms (CCH Pounder) is under intense pressure as the precinct's body count mounts. Her former partner, Dutch (Jay Karnes) develops a crush on Tina (Paula Garces), the pretty new cop he is mentoring. She has a one-night stand with hotshot Kevin Hiatt (Alex O'Loughlin), the new guy whom Wyms fears may learn too much from Mackey or not enough. The tension builds inexorably to a season finale that fulfills all expectations, in which the resourceful Mackey, facing a review board hearing, must scramble to save his badge, resulting in a surprising alliance that bodes well for the final season. "Trust me," he states at one point, "There's a way out. There always is." From first episode to last, The Shield's sixth season is gripping, gut-wrenching stuff. To quote Shane: "Put another one in the win column." --Donald Liebenson
Sales Rank:476 List Price: $19.99 Lowest New Price: $6.32 Lowest Used Price: $5.49 MPAA Rating: R (Restricted)
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Director(s):
Actor(s):
Rosanna Arquette
Steve Buscemi
Paul Calderon
Bronagh Gallagher
Peter Greene
With the knockout one-two punch of 1992's Reservoir Dogs and 1994's Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that reestablished John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultrahip mixture of established marquee names and rising stars from the indie scene (among them Samuel L. Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin, and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. No, it was not the Second Coming (I actually think Reservoir Dogs is a more substantial film; and P.T. Anderson outdid Tarantino in 1997 by making his directorial debut with two even more mature and accomplished pictures, Hard Eight and Boogie Nights). But Pulp Fiction packs so much energy and invention into telling its nonchronologically interwoven short stories (all about temptation, corruption, and redemption amongst modern criminals, large and small) it leaves viewers both exhilarated and exhausted--hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) --Jim Emerson