Sales Rank:756 List Price: $59.99 Lowest New Price: $34.98 Lowest Used Price: $33.00 MPAA Rating: NR (Not Rated)
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Director(s):
Tim Van Patten
Alan Taylor
Actor(s):
James Gandolfini
Edie Falco
Michael Imperioli
Frank Vincent
Steve Schirripa
Completing the run of one of the most acclaimed television shows in broadcast history, season 6, part II of The Sopranos will be remembered mostly not for what happened during the season, but for what didn't happen at the very end. Creator David Chase pulled off a series ending that was as controversial as it was surprising and unforgettable, leaving countless fans to look away from the show and to blogs and articles for answers to the biggest mystery since "who shot J.R.?": what happened to Tony Soprano? But before we get to that point, there are nine episodes to digest, and they are some of the best in the run of the show since season 3. As Tony's (James Gandolfini) paranoia and suspicions grow, his family makes choices that are threatening to bring big changes to his personal life, and his other "family" is crashing headlong towards an inevitable showdown with Phil Leotardo and the New York crew. Episode 1, "Soprano Home Movies," starts off peacefully enough with Tony and Carmela (Edie Falco) enjoying a relaxing summer weekend at Bobby and Janice's (Steve Schirripa and Aida Turturro) bucolic lake house, and by the end of the episode Tony has effectively taken Bobby's soul, proving Tony's ruthlessness and ending any doubt about his will to maintain dominance over those around him. In "Kennedy and Heidi," one of the season's signature episodes, Christopher's (Michael Imperioli) drug use continues to spiral out of control, forcing Tony to take matters into his own hands and resolve things with his nephew once and for all.
Inevitably it's all leading up to that big finale, and it's deftly handled over the last two episodes, "The Blue Comet" and "Made in America" (an episode replete with subtle references to The Godfather). Things finally start to get resolved with Phil's crew, Dr. Melfi (Lorraine Bracco), Uncle Junior (Dominic Chianese), A.J. (Robert Iler), and Meadow (Jamie-Lynn Sigler), and as for Tony… Cut to black. To quote from another hit HBO show of the same era, "everything ends," even The Sopranos, and while the way Chase chose to end The Sopranos may not be to the liking of fans hoping for a definitive resolution, give the man credit for not stooping to clichés or tired old scenarios. As A.J. says in one of the last lines of the entire series, quoting his father, "Try to remember the times that were good." That's good advice. --Daniel Vancini
Sales Rank:794 List Price: $59.98 Lowest New Price: $24.45 Lowest Used Price: $17.95 MPAA Rating: NR (Not Rated)
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Actor(s):
Jason Ensler
Martin Sheen
Stockard Channing
Allison Janney
Moira Kelly
Conventional wisdom prior to season one of The West Wing was that the only successful television shows were half hour sitcoms and hour long police, legal, or medical dramas. Building on surplus ideas from his film The American President and the walk-and-talk style of comedy and drama from his critically acclaimed television show Sports Night, Aaron Sorkin bucked the trend and created his masterpiece, one of the most memorable American political depictions to reach the big or small screen. Season one introduces viewers to a Nobel Prize-winning economist and unabashed intellectual president Jed Bartlet (Martin Sheen) and his key staff members, a newly elected Democratic administration trying to find its footing amidst the corridors of the White House's west wing. To the credit of its cast and their brilliant ensemble acting, The West Wing manages to immediately conjure nearly a dozen distinct and memorable characters. Perhaps the greatest star of all is Sorkin's rapid-fire dialogue, especially as delivered by Press Secretary C.J. Craig (Alison Janney), Deputy Chief of Staff Josh Lyman (Bradley Whitford), Deputy Communications Director Sam Seaborn (Rob Lowe), and Chief of Staff Leo McGarry (John Spencer). They carry on conversations while stalking purposefully and unhaltingly down corridors, around corners, and through doorways, and all of it unfurls with the choreographic precision of a classical ballet and the pace of an Olympic ping-pong rally.
What emerges is more than a collective liberal dream of an impassioned administration battling back ultra-conservative bogeymen ranging from the religious right to bigots to gun-toting militants. Wonderful episodes like "The Pilot" and "In Excelsis Deo" portray a government led by heroic, intelligent, and decent men and women. Whether or not one regards that as a political fantasy, it's a remarkably refreshing and appealing vision of politics and its practitioners, one that the public embraced with consistently strong television ratings. In a country whose citizens are used to viewing their elected leaders with mistrust and cynicism, that might be The West Wing's greatest accomplishment. --Eugene Wei
Sales Rank:571 List Price: $59.98 Lowest New Price: $43.93 Lowest Used Price: $30.74 MPAA Rating: NR (Not Rated)
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Actor(s):
Dominic West
Sonja Sohn
Jr. Larry Gilliard
Wendell Pierce
Idris Elba
After one episode of The Wire you'll be hooked. After three, you'll be astonished by the precision of its storytelling. After viewing all 13 episodes of the HBO series' remarkable first season, you'll be cheering a bona-fide American masterpiece. Series creator David Simon was a veteran crime reporter from The Baltimore Sun who cowrote the book that inspired TV's Homicide, and cowriter Ed Burns was a Baltimore cop, lending impeccable street-cred to an inner-city Baltimore saga (and companion piece to The Corner) that Simon aptly describes as "a visual novel" and "a treatise on institutions and individuals" as opposed to a conventional good-vs.-evil police procedural. Owing a creative debt to the novels of Richard Price (especially Clockers), the series opens as maverick Detective Jimmy McNulty (Dominic West, in a star-making role) is tapping into a vast network of drugs and death around southwest Baltimore's deteriorating housing projects. With a mandate to get results ASAP, a haphazard team is assembled to join McNulty's increasingly complex investigation, built upon countless hours of electronic surveillance.
The show's split-perspective plotting is so richly layered, so breathtakingly authentic and based on finely drawn characters brought to life by a perfect ensemble cast, that it defies concise description. Simon, Burns, and their cowriters control every intricate aspect of the unfolding epic; directors are top-drawer (including Clark Johnson, helmer of The Shield's finest episodes), but they are servants to the story, resulting in a TV series like no other: unpredictable, complicated, and demanding the viewer's rapt attention, The Wire is "an angry show" (in Simon's words) that refuses to comfort with easy answers to deep-rooted societal problems. Moral gray zones proliferate in a universe where ruthless killers have a logical code, and where the cops are just as ambiguous as their targets. That ambiguity extends to the ending as well; season 1 leaves several issues unresolved, leaving you begging for the even more impressive developments that await in season 2. --Jeff Shannon
Sales Rank:415 List Price: $26.98 Lowest New Price: $9.90 Lowest Used Price: $5.98 MPAA Rating: NR (Not Rated)
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Actor(s):
Orson Welles
Joseph Cotten
Agnes Moorehead
Ray Collins
Dorothy Comingore
Arguably the greatest of American films, Orson Welles's 1941 masterpiece, made when he was only 26, still unfurls like a dream and carries the viewer along the mysterious currents of time and memory to reach a mature (if ambiguous) conclusion: people are the sum of their contradictions, and can't be known easily. Welles plays newspaper magnate Charles Foster Kane, taken from his mother as a boy and made the ward of a rich industrialist. The result is that every well-meaning or tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event. Written by Welles and Herman J. Mankiewicz, and photographed by Gregg Toland, the film is the sum of Welles's awesome ambitions as an artist in Hollywood. He pushes the limits of then-available technology to create a true magic show, a visual and aural feast that almost seems to be rising up from a viewer's subconsciousness. As Kane, Welles even ushers in the influence of Bertolt Brecht on film acting. This is truly a one-of-a-kind work, and in many ways is still the most modern of modern films from the 20th century. --Tom Keogh
Sales Rank:1004 List Price: $9.99 Lowest New Price: $4.45 Lowest Used Price: $1.95 MPAA Rating: PG-13 (Parental Guidance Suggested)
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Director(s):
Actor(s):
Nicolas Cage
Téa Leoni
Don Cheadle
Jeremy Piven
Saul Rubinek
Jack Campbell (Nicolas Cage) is the quintessential Wall Street shark, scoring killer deals by day and shallow escort sex by night. His round-the-clock routine of empty luxuries is disturbed one lonely Christmas Eve when a gun-packing punk (Don Cheadle)--perhaps an angel of mercy--responds to an altruistic gesture from Jack by giving him "a glimpse" of the life he could have had. Could have, that is, if he had married the girlfriend (Téa Leoni) he'd abandoned 13 years earlier, raised two adorable children, worked in his father-in-law's retail tire outlet, and lived happily ever after in suburban New Jersey. Thrust into this "glimpse" of the path not taken, Jack's a single-malt man in a lite-brew world, wondering if he'll ever return to his "better" life of callous wealth and solitude--or if he even wants to.
Carp all you want about this derivative premise, with its marginal stereotypes and biased embrace of domestic bliss and dirty diapers. The simple fact is, The Family Man works like a charm. Under the assured direction of Brett Ratner (Rush Hour), this holiday crowd-pleaser offers comedy and chemistry in equal measure, making the hilarity of Jack's predicament a smooth catalyst for that rarest of movie romances: the marital love story. Leoni is Cage's perfect match as Jack's idealized but imperfect wife, and the movie's appeal largely derives from its awareness that any life has its pleasures and pains. While it only flirts with the dark desperation that makes It's a Wonderful Life a classic predecessor, The Family Man is an irresistible what-if fantasy, and even its debatable ending rides on a wave of genuine warmth and sentiment. --Jeff Shannon
Sales Rank:819 List Price: $59.98 Lowest New Price: $23.18 Lowest Used Price: $22.48 MPAA Rating: NR (Not Rated)
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Director(s):
Tommy Schlamme
Chris Misiano
Actor(s):
Martin Sheen
Bradley Whitford
Get out your hankies for the moving final season of The West Wing. It's not just because it's the last season, and the last time we know we'll hear that thrilling theme music. It's not just because it's the end of the line for the administration of President Josiah "Jed" Bartlet (Martin Sheen), an inspiring, beloved fictional leader of the free world in a time of great cynicism about real-life politicians. It's also because of the sudden, untimely death of costar John Spencer, who played chief of staff Leo McGarry, who, like his character, was a recovering alcoholic and died of a heart attack in December 2005. Spencer's death was worked into the season's story line, and it's both exhilarating to see some of Spencer's finest work in the early episodes here, and heartbreaking to see the impact of his death on the cast. At one point, Martin Sheen delivers a moving on-air tribute: "Johnny, it seems we hardly knew you." Other highlights of the season include the fleshing out of presidential candidates Alan Alda and Jimmy Smits, both respectable, admirable and worthy opponents. And in abundance are the things viewers had come to love about the show: the witty dialogue and spot-on delivery, especially by actors Bradley Whitford, Richard Schiff, and the crack Allison Janney and the long tracking and circular shots of characters in their element (subsequently found on creator Aaron Sorkin's follow-up series, Studio 60 on the Sunset Strip). If the story lines aren't as topnotch as some in earlier years, it hardly matters, as this is the season that wraps up the entire story arc. The gimmicks, like the live debate between Smits and Alda's characters, don't hold a candle to the true soul-searching and idealism found in every single episode. The set includes all 22 episodes, a glossy guide to each episode, and "Live from the Director's Chair," a mini-doc about filming the live debate episode. Hail to the chief! --A.T. Hurley