Sales Rank:4143 List Price: $27.95 Lowest New Price: $15.40 Lowest Used Price: $13.99 MPAA Rating: R (Restricted)
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Director(s):
Actor(s):
Richard Romanus
John Candy
Joe Flaherty
Rodger Bumpass
Jackie Burroughs
As long as there is a need for adolescent male sexual fantasy, there will be an audience for Heavy Metal. Released in 1981 and based on stories from the graphic magazine of the same name (possibly the greatest publication to simultaneously provoke imagination and masturbation), the film has since become the most popular single title in Columbia/TriStar's entire film library. That's an amazing fact considering just how silly and senseless the movie really is--an aimless, juvenile amalgam of disjointed stories and clashing visual styles, employing hundreds of animators from around the world with a near-total absence of creative cohesion. It remains, for better and worse, a midnight-movie favorite for the stoner crowd--a movie best enjoyed by randy adolescents or near-adults in an altered state of consciousness.
With a framing story about a glowing green orb claiming to be the embodiment of all evil, the film shuttles through eight episodic tales of sci-fi adventure, each fueled by some of the most wretched rock music to emerge from the 1980s. The most consistent trademark is an abundance of blood-splattering violence and wet-dream sex, the latter involving a succession of huge-breasted babes who shed their clothes at the drop of a G-string. It's all quite fun in its rampantly brainless desire to fuel the young male libido, and for all its incoherence Heavy Metal remains impressive for the ambitious artistry of its individual segments. Courtesy of producer Ivan Reitman (who'd just scored a hit with Stripes), voice talents include several Canadian veterans of Second City comedy, including John Candy, Harold Ramis, Eugene Levy, and Joe Flaherty. --Jeff Shannon
Sales Rank:5396 List Price: $14.98 Lowest New Price: $8.49 Lowest Used Price: $7.81 MPAA Rating: NR (Not Rated)
Format:
Closed-captioned
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Original recording remastered
Restored
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NTSC
Director(s):
Actor(s):
Tom Baker
Elisabeth Sladen
Ian Marter
One of the more suspenseful stories of the Tom Baker-era Doctor Who, 1975's The Sontaran Experiment pits the Time Lord and his companions against a ruthless alien carrying out experiments on the survivors of a decimated Earth. The first Doctor Who serial to be shot entirely on location (in Dartmoor) and solely with video cameras, The Sontaran Experiment picks up where the previous serial, The Ark in Space, left off, with Baker's Doctor, Sarah Jane Smith (Elisabeth Sladen) and Harry Sullivan (Ian Marter, who also wrote the serial's novelization) visiting a future Earth abandoned by its inhabitants save for a small band of space colonists who are being hunted by an unseen force and its robot servant. The alien – a Sontaran warrior (the race was previously encountered in the Jon Pertwee serial The Time Warrior) – is capturing the colonists and subjecting them to horrifying medical and psychological experiments, and the Doctor and friends soon find themselves among its new test subjects. A short (only two episodes) but gripping and effective story, The Sontaran Experiment has received its share of positive and negative reviews from the fan community, but remains an entertaining entry from the Baker years. The single-disc DVD of The Sontaran Experiment offers surprisingly fewer extras than other recent Doctor Who releases; commentary is provided by Sladen, producer Philip Hinchcliffe, and co-writer Bob Baker, while a featurette, "Built for War," traces the history of the Sontarans via interviews with Sladen, Baker, sixth Doctor Colin Baker, writer Terrance Dicks, and others. A brief photo gallery and the by-now standard production notes subtitle option round out the extras. -- Paul Gaita
Sales Rank:7681 List Price: $34.98 Lowest New Price: $24.49 Lowest Used Price: $25.89 MPAA Rating: NR (Not Rated)
Format:
Color
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Original recording remastered
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Director(s):
Actor(s):
Tom Baker
Louise Jameson
Crystalline aliens lurk in their ship in the vicinity of the shield that keeps Gallifrey safe from its enemies, and the Doctor, in his Tom Baker incarnation, is engaged in highly suspicious negotiations with them. As he takes his seat as president of the Time Lords Council and displays ever-increasing signs of paranoia, expelling Leela (Louise Jameson) to the barren area outside the Time Lords' citadel, could it be that he has turned to the dark side? Or is this all a cunning plan?
This is one of the most inventive of the Doctor's adventures back home on Gallifrey, with nicely judged portrayals of the senior Time Lord bureaucracy, some suspenseful journeys through the Tardis's interior, and a surprise appearance by particularly unpleasant old enemies. The real high point, though, is Tom Baker's performance, more barnstorming than ever before, at times blazingly angry and at times even more terrifying when soft-spokenly whimsical; this is a story line that reminds us that the various incarnations of the Doctor are impressive as well as charming. --Roz Kaveney
Sales Rank:6656 List Price: $14.98 Lowest New Price: $6.45 Lowest Used Price: $1.94 MPAA Rating: R (Restricted)
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Director(s):
Actor(s):
A. Michael Baldwin
Bill Thornbury
Reggie Bannister
Kathy Lester
Terrie Kalbus
Jody is the kind of guy that every 1970s teen looked up to. He's in his early 20s, has a cool car, splendid '70s hair, leather jacket, plays guitar and (naturally) snags all the girls. His little brother, Mike, in particular, admires him and emulates him at every turn. Things start to go astray, however, when the two brothers and their friend Reggie attend a funeral for a friend. Mike notices a tall man working at the funeral home; in the course of his snooping, he sees the tall man put a loaded coffin into the back of a hearse as easily as if it was a shoebox. Jody doesn't believe his little brother's stories, though, until he brings home the tall man's severed finger, still wriggling in what appears to be French's mustard. From there, the film picks up a terrific momentum that doesn't let up until the sequel-ripe twist ending.
Phantasm was one of the first horror movies to break the unspoken rule that victims were supposed to scream, fall down, and cower until they were killed. Instead, Mike and Jody are resourceful and smart, aggressively pursuing the evil inside the funeral home with a shotgun and Colt pistol. Furthermore, the script has a great deal of character development, especially in the relationship between the two brothers. The film even has a surprisingly glossy look, despite its low-budget origins, and little outright gore (except for the infamous steel spheres that drill into victims' heads). This drive-in favorite was a big success at the time of its release, and spawned three sequels. Little wonder; it includes an inventive story, likable characters, a runaway pace, and, of course, evil dwarves cloaked in Army blankets. The end result is one of the better horror films of the late 1970s. Hot-rod fans take note: Jody drives a Plymouth Hemi 'Cuda, the pinnacle of 1960s muscle cars, rounding out his status as a Cool Guy. --Jerry Renshaw
Sales Rank:4791 List Price: $24.98 Lowest New Price: $17.54 Lowest Used Price: $10.00 MPAA Rating: R (Restricted)
Format:
Anamorphic
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Director(s):
Actor(s):
Michael Aronov
Ermes Blarasin
Rob Campbell
Karen Hines
Mary Krohnert
Sometimes grace and hope come in surprising packages. The title character of Hedwig and the Angry Inch, a would-be glam-rock star from East Germany, undergoes a botched gender-change operation in order to escape from the Soviet bloc, only to watch the Berlin Wall come down on TV after being abandoned in a trailer park in middle America. Hedwig gets involved with Tommy, an adolescent boy who steals her songs and becomes a stadium-filling musical act. Suffering from a broken heart and a lust for revenge, Hedwig follows Tommy's tour, playing with her band (the Angry Inch) at tacky theme restaurants. Into this simple storyline, writer-director-star John Cameron Mitchell packs an astonishing mix of sadness, yearning, humor, and kick-ass songs with a little Platonic philosophy tucked inside for good measure. A visually dazzling gem of a movie. --Bret Fetzer
Sales Rank:9035 List Price: $14.98 Lowest New Price: $5.43 Lowest Used Price: $1.70 MPAA Rating: Unrated
Format:
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Dolby
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Dubbed
DVD-Video
Full Screen
Subtitled
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Director(s):
Actor(s):
John Leguizamo
Asia Argento
Simon Baker
Dennis Hopper
Robert Joy
Bolstered by the success of 28 Days Later, Shaun of the Dead, the Resident Evil movies and the hit remake of his own Dawn of the Dead, George A. Romero returns to the horror subgenre he invented with Land of the Dead. The fourth installment in Romero's zombie cycle (and the first since 1985's Day of the Dead) presents a logical progression of events since 1968's horror classic Night of the Living Dead: Zombies (also known as "stenches" for their rotting odor) are the dominant population, and they've begun to show signs of undead intelligence and gathering power. The wealthiest survivors live comfortably in a luxury high-rise within a barricaded safe zone, ignoring the horrors of the outside world while armed scavengers stage raids in the zombie-zone to gather much-needed food and supplies. Simon Baker and John Leguizamo play mercenaries-for-hire; Dennis Hopper is their nefarious boss; and horror favorite Asia Argento (daughter of Suspiria director Dario Argento) plays a former hooker recruited into Baker's scavenger squad. While none of this seems particularly fresh or inspired, Land of the Dead benefits from hints of the social satire that made Romero's earlier zombie films so memorable. Not so much funny as gruesomely peculiar, Romero's plot isn't as inventive as it could've been, but as a big-scale B-movie, Land of the Dead delivers a handful of shocks and horror-celebrity cameos (including gore-masters Tom Savini and Greg Nicotero) that should keep horror buffs happy until the next zombie opus comes along. --Jeff Shannon
Sales Rank:5930 List Price: $9.98 Lowest New Price: $5.12 Lowest Used Price: $4.53 MPAA Rating: PG-13 (Parental Guidance Suggested)
Format:
Closed-captioned
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Director(s):
Actor(s):
Tristan Armoogan
Chris Rock
Lance Crouther
J.B. Smoove
Jennifer Coolidge
Pootie Tang pushes blaxploitation to the point of surrealism. The title character--who first appeared on The Chris Rock Show--speaks a kind of slang on steroids, an incomprehensible stream of nonsense syllables that nonetheless makes him irresistible to women and a threat to evildoers everywhere. Pootie is part movie star, part superhero, righting wrongs with the slap of his daddy's belt. But when an evil corporation uses a super-ho named Ireenie (Jennifer Coolidge from Best in Show and Legally Blonde) to steal this magic belt, Pootie must find himself again. In the title role, Lance Crouther glides through the movie like Isaac Hayes's skinny younger brother, while Chris Rock lends his trademark bark to multiple roles, including Pootie's father. Crazed editing and a great soundtrack give Pootie Tang a little extra oomph. A bizarre comedy, likely to develop a cult following. Cameos by Missy Elliot and Bob Costas. --Bret Fetzer
Sales Rank:6754 List Price: $9.99 Lowest New Price: $5.33 Lowest Used Price: $4.49 MPAA Rating: G (General Audience)
Format:
Color
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Letterboxed
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Director(s):
Actor(s):
Dan O'Bannon
Dre Pahich
Brian Narelle
Cal Kuniholm
Adam Beckenbaugh
The Dark Star's crew is on a 20-year mission to destroy unstable planets and make way for future colonization. The smart bombs they use to effect this zoom off cheerfully to do their duty. But unlike Star Trek, in which order prevails, the nerves of this crew are becoming increasingly frayed to the point of psychosis. Their captain has been killed by a radiation leak that also destroyed their toilet paper. "Don't give me any of that 'Intelligent Life' stuff," says Commander Doolittle when presented with the possibility of alien life. "Find me something I can blow up." When an asteroid storm causes a malfunction, Bomb Number 20 (the most cheerful character in the film) has to be repeatedly talked out of exploding prematurely, each time becoming more and more peevish, until they have to teach him phenomenology to make him doubt his existence. And the film's apocalyptic ending, lifted almost wholly from Ray Bradbury's story "Kaleidoscope," has the remaining crew drifting away from each other in space, each to a suitably absurd end. Absurd, surreal, and very funny. John Carpenter once described Dark Star as "Waiting for Godot in space." Made at a cost of practically nothing, the film's effects are nevertheless impressive and, along with the number of ideas crammed into its 83 minutes, ought to shame makers of science fiction films costing hundreds of times more. The DVD contains both the original 68-minute release and the director's full version. --Jim Gay
Sales Rank:10280 List Price: $19.98 Lowest New Price: $12.58 Lowest Used Price: $7.81 MPAA Rating: NR (Not Rated)
Format:
Color
DVD-Video
NTSC
Director(s):
Actor(s):
Tom Baker
Louise Jameson
By Tom Baker's third season in the role the actor had become firmly established in the minds of many fans as the definitive Doctor. First broadcast in early 1977, "Robots of Death" follows on directly from "Face of Evil," which was writer Chris Boucher's debut and also that of Louise Jameson's Leela, the Doctor's most shapely companion (a kind of Neanderthal Seven of Nine if you will). Boucher's second Who story concerns an isolated mining ship on which a series of inexplicable deaths takes place--although as the Doctor opines, "nothing is inexplicable, only unexplained." The Doctor and Leela inevitably become embroiled in events, which soon turn into a sci-fi murder-mystery: imagine Isaac Asimov crossed with Agatha Christie in a Dune-like setting. Add an undercover robot sent by "the company" and the claustrophobic, not to say deadly, setting of the mining ship, and there is a fascinating foreshadowing of Alien, too. It is tightly plotted, intelligent Saturday afternoon entertainment (something that was possible then but is now an unthinkable oxymoron) with a typically strong cast of redoubtable thespians in supporting roles (not to mention extravagant costumes and garish makeup). There may be no Daleks or Cybermen, but this is vintage Who nonetheless. --Mark Walker