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Raising Arizona

Sales Rank:3580
List Price: $14.98
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MPAA Rating: PG-13 (Parental Guidance Suggested)

Format:

Closed-captioned
Color
Dolby
DVD-Video
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NTSC

Director(s):

Ethan Coen
Joel Coen

Actor(s):

Nicolas Cage
Holly Hunter
Trey Wilson
John Goodman
William Forsythe

Blood Simple made it clear that the cinematically precocious Coen brothers (writer-director Joel and writer-producer Ethan) were gifted filmmakers to watch out for. But it was the outrageously farcical Raising Arizona that announced the Coens' darkly comedic audacity to the world. It wasn't widely seen when released in 1987, but its modest audience was vocally supportive, and this hyperactive comedy has since developed a large and loyal following. It's the story of "Ed" (for Edwina, played by Holly Hunter), a policewoman who falls in love with "Hi" (for H.I. McDonnough, played by Nicolas Cage) while she's taking his mug shots. She's infertile and he's a habitual robber of convenience stores, and their folksy marital bliss depends on settling down with a rug rat. Unable to conceive, they kidnap one of the newsworthy quintuplets born to an unpainted-furniture huckster named Nathan Arizona (Trey Wilson), who quickly hires a Harley-riding mercenary (Randall "Tex" Cobb) to track the baby's whereabouts. What follows is a full-throttle comedy that defies description, fueled by the Coens' lyrical redneck dialogue, the manic camerawork of future director Barry Sonnenfeld, and some of the most inventively comedic chase scenes ever filmed. Some will dismiss the comedy for being recklessly over-the-top; others will love it for its clever mix of slapstick action, surreal fantasy, and homespun family values. One thing's for sure--this is a Coen movie from start to finish, and that makes it undeniably unique. --Jeff Shannon

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Blue Velvet (Special Edition)

Sales Rank:3919
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MPAA Rating: R (Restricted)

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Anamorphic
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Subtitled
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NTSC

Director(s):

Actor(s):

Isabella Rossellini
Kyle MacLachlan
Dennis Hopper
Laura Dern
Hope Lange

David Lynch peeks behind the picket fences of small-town America to reveal a corrupt shadow world of malevolence, sadism, and madness. From the opening shots Lynch turns the Technicolor picture postcard images of middle class homes and tree-lined lanes into a dreamy vision on the edge of nightmare. After his father collapses in a preternaturally eerie sequence, college boy Kyle MacLachlan returns home and stumbles across a severed human ear in a vacant lot. With the help of sweetly innocent high school girl (Laura Dern), he turns junior detective and uncovers a frightening yet darkly compelling world of voyeurism and sex. Drawn deeper into the brutal world of drug dealer and blackmailer Frank, played with raving mania by an obscenity-shouting Dennis Hopper in a career-reviving performance, he loses his innocence and his moral bearings when confronted with pure, unexplainable evil. Isabella Rossellini is terrifyingly desperate as Hopper's sexual slave who becomes MacLachlan's illicit lover, and Dean Stockwell purrs through his role as Hopper's oh-so-suave buddy. Lynch strips his surreally mundane sets to a ghostly austerity, which composer Angelo Badalamenti encourages with the smooth, spooky strains of a lush score. Blue Velvet is a disturbing film that delves into the darkest reaches of psycho-sexual brutality and simply isn't for everyone. But for a viewer who wants to see the cinematic world rocked off its foundations, David Lynch delivers a nightmarish masterpiece. --Sean Axmaker

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Doctor Who - The Beginning Collection

Sales Rank:2444
List Price: $44.98
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MPAA Rating: NR (Not Rated)

Format:

Box set
Closed-captioned
Color
DVD-Video
NTSC

Director(s):

Actor(s):

William Hartnell
William Russell
Jacqueline Hill
Carole Ann Ford

The "unearthly" strains of Ron Grainer's soon-to-be-famous title music announced the arrival of Doctor Who to British TV screens on Saturday, November 23, 1963. It must have been quite a baffling experience for first-time viewers: the swirling abstract graphics, the weird electronic sound effects courtesy of the BBC's Radiophonic Workshop, the very oddity of the show's title. This really was groundbreaking TV. "I think you'll find there's a very simple explanation for all of this", says schoolteacher Ian Chesterton (William Russell) condescendingly, shortly before being taken on board the TARDIS and transported to an alien planet. For audiences, too, this was something entirely unfamiliar, yet obviously appealing: Doctor Who ran for almost 30 years and remains one of the BBC's most popular shows. His later incarnations were all eccentric in their different ways, but William Hartnell's original Doctor is an irascible and distinctively alien character, not at all happy having to put up with ignorant 20th-century humans. The "Unearthly Child" of the title is his granddaughter Susan (Carole Ann Ford), temporarily attending school on Earth. She is conspicuously different from her classmates and attracts the attention of two of her teachers who resolve to find out why. After an encounter with her mysterious grandfather they are whisked away on an adventure to a different time and place where angry cavemen are trying in vain to learn the secret of fire. Thus the show's trademarks are established from the outset: the Doctor and his more or less reluctant human companions, the mechanical unreliability of the TARDIS, the cliffhanger ending of each episode. It was a formula that rarely changed but that allowed apparently limitless variation, the only constraint being the BBC's budget. In later years the show tried vainly to compete with blockbuster special effects movies; but its original low-key incarnation relied more on inventive scenarios and good writing--qualities that are just as important now as then. --Mark Walker

The Daleks (sometimes called "The Dead Planet") is the second-ever Doctor Who serial. First broadcast between December 1963 and February 1964, the seven-episode story ensured the program's success by introducing the Doctor's most iconic enemies. Five hundred years after a nuclear war has devastated the planet Skaro, the Doctor (William Hartnell), Barbara, Ian, and Susan materialize in a petrified forest where the pacifist, and decidedly camp, Thals face starvation. Our heroes visit a nearby city, the home of the last remaining Daleks, terrifyingly cold-blooded mutants encased in armed, pepper-pot-like shells, and become involved in a desperate battle for survival. Given a nightmarish atmosphere by Tristram Cary's surreal electronic score, The Daleks proved the template for many a future Doctor Who adventure. Hartnell's Doctor is a surprisingly self-serving hero and the ambitious storytelling, which reflects the Cold War fears of the time, belies a tiny budget. The remastered picture sometimes looks digitized, but this story, remade for the cinema as Dr. Who and the Daleks (1965) and starring Peter Cushing, is still both an effective, if at times unintentionally hilarious, entertainment and an essential piece of television history. A superior sequel, The Dalek Invasion of Earth, was screened in late 1964. --Gary S Dalkin

One of the rarest of the early Doctor Who series, with William Hartnell as the crusty old Doctor, Edge of Destruction is entirely based in the TARDIS, which has stopped somewhere between worlds and times. The Doctor blames Ian and Barbara, the two teachers who came aboard in search for answers about his granddaughter, Susan, assuming they have committed sabotage in an attempt to return to their own time. They, in turn, in spite of recent shared escapes from Cavemen and Daleks, have no particular reason to trust his sanity. Something is causing one after another of them to act with violent irrationality, and the clock is ticking towards their destruction... This is a claustrophobic two-episode plot in which the series examines closely some of its more beloved assumptions. --Roz Kaveney

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Army of Darkness

Sales Rank:2281
List Price: $12.98
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MPAA Rating: R (Restricted)

Format:

Closed-captioned
Color
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NTSC

Director(s):

Actor(s):

Ian Abercrombie
Deke Anderson
Andy Bale
Billy Bryan
Bruce Campbell

A movie that only true horror buffs could love, Army of Darkness is officially part 3 in the wild and wacky Evil Dead trilogy masterminded by the perversely inventive director Sam Raimi, who would later serve as executive producer of the popular syndicated TV series Hercules: The Legendary Journeys. Raimi's favorite actor, Bruce Campbell, returns as Ash (hero of the first two Evil Dead flicks), a hardware-store clerk who is magically transported--along with his beat-up Oldsmobile and a chainsaw attachment for his severed left forearm--to the brutal battlefields of the 14th century. He quickly assumes power (who else in the Middle Ages packs a shotgun and a chainsaw?), and unites his band of medieval knights against the dreaded Army of the Dead. Raimi gleefully subverts almost every horror-movie cliché as he serves up a nonstop parade of blood, gore, and vicious sword-bearing skeletons--an affectionate homage to animator Ray Harryhausen's classic Jason and the Argonauts. The frantic action is fun while it lasts, but even at 80 minutes Army of Darkness nearly wears out its welcome. You know that Raimi can maintain the mayhem for only so long before it grows tiresome, and fortunately this madcap movie quits while it's ahead. --Jeff Shannon

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Tron (20th Anniversary Collector's Edition)

Sales Rank:2360
List Price: $19.99
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MPAA Rating: PG (Parental Guidance Suggested)

Format:

Anamorphic
Closed-captioned
Collector's Edition
Color
DVD-Video
Widescreen
NTSC

Director(s):

Robert Meyer Burnett
Steven Lisberger

Actor(s):

Jeff Bridges
Bruce Boxleitner
David Warner
Cindy Morgan
Barnard Hughes

The surprising truth about Disney's 1982 computer-game fantasy is that it's still visually impressive (though technologically quaint by later high-definition standards) and a lot of fun. It's about a computer wizard named Flynn (Jeff Bridges) who is digitally broken down into a data stream by a villainous software pirate (David Warner) and reconstituted into the internal, 3-D graphical world of computers. It is there, in the blazingly colorful, geometrically intense landscapes of cyberspace, that Flynn joins forces with Tron (Bruce Boxleitner) to outmaneuver the Master Control program that holds them captive in the equivalent of a gigantic, infinitely challenging computer game. Disney's wizards used a variety of cinematic techniques and early-'80s state-of-the-art computer-generated graphics to accomplish their dynamic visual goals, and the result was a milestone in cyberentertainment, catering to technogeeks while providing a dazzling adventure for hackers and nonhackers alike. Appearing just in time to celebrate the nascent cyberpunk movement in science fiction, Tron received a decidedly mixed reaction when originally released, but has since become a high-tech favorite and a landmark in special effects, with a loyal following of fans. DVD is a perfect format for the movie's neon-glow color scheme, and the musical score by synthesizer pioneer Wendy Carlos is faithfully preserved on the digitally remastered soundtrack. --Jeff Shannon

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Invasion of the Body Snatchers

Sales Rank:4672
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MPAA Rating: Unrated

Format:

Black & White
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Director(s):

Actor(s):

Kevin McCarthy
Dana Wynter
Larry Gates
King Donovan
Carolyn Jones

Something's wrong in the town of Santa Mira, California. At first, Dr. Miles Bennell (Kevin McCarthy) is unconcerned when the townsfolk accuse their loved ones of acting like emotionless imposters. But soon the evidence is overwhelming--Santa Mira has been invaded by alien "pods" that are capable of replicating humans and taking possession of their identities. It's up to McCarthy to spread the word of warning, battling the alien invasion at the risk of his own life. Considered one of the best science fiction films of the 1950s and '60s, this classic paranoid thriller was widely interpreted as a criticism of the McCarthy era (that's Senator Joseph, not actor Kevin), which was characterized by anticommunist witch-hunts and fear of the dreaded blacklist. Some hailed it as an attack on the oppressive power of government as Big Brother. However viewers interpret it, this original 1956 version of Invaders of the Body Snatchers (based on Jack Finney's serialized novel The Body Snatchers) remains a milestone movie in its genre, directed by Don Siegel with an inventive intensity that continues to pack an entertaining wallop. Look closely and you'll find future director Sam Peckinpah (an uncredited cowriter of this film) making a cameo appearance as a meter reader! --Jeff Shannon

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Easy Rider

Sales Rank:2826
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MPAA Rating: R (Restricted)

Format:

AC-3
Anamorphic
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Color
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DVD-Video
Special Edition
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Director(s):

Actor(s):

Luana Anders
Luke Askew
Robert Ball
Tita Colorado
Warren Finnerty

This box-office hit from 1969 is an important pioneer of the American independent cinema movement, and a generational touchstone to boot. Peter Fonda and Dennis Hopper play hippie motorcyclists crossing the Southwest and encountering a crazy quilt of good and bad people. Jack Nicholson turns up in a significant role as an attorney who joins their quest for awhile and articulates society's problem with freedom as Fonda's and Hopper's characters embody it. Hopper directed, essentially bringing the no-frills filmmaking methods of legendary, drive-in movie producer Roger Corman (The Little Shop of Horrors) to a serious feature for the mainstream. The film can't help but look a bit dated now (a psychedelic sequence toward the end particularly doesn't hold up well), but it retains its original power, sense of daring, and epochal impact. --Tom Keogh

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The Final Countdown (Widescreen Edition)

Sales Rank:3049
List Price: $19.95
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MPAA Rating: PG (Parental Guidance Suggested)

Format:

Anamorphic
Color
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DTS Surround Sound
DVD-Video
Original recording remastered
Subtitled
THX
Widescreen
Digital Sound
Surround Sound
Full Screen
NTSC

Director(s):

Actor(s):

Kirk Douglas
Martin Sheen
Katharine Ross
James Farentino
Ron O'Neal

With a tantalizing "what-if?" scenario and a respectable cast of Hollywood veterans, The Final Countdown plays like a grand-scale episode of The Twilight Zone. It's really no more than that, and time-travel movies have grown far more sophisticated since this popular 1980 release, but there's still some life remaining in the movie's basic premise: What if a modern-era Navy aircraft carrier--in this case the real-life nuclear-powered U.S.S. Nimitz--was caught in an anomalous storm and thrust 40 years backwards in time to the eve of Japan's attack on Pearl Harbor? Will the ship's commander (Kirk Douglas) interfere with history? Will the visiting systems analyst (Martin Sheen) convince him not to? Will a rescued senator from 1941 (Charles Durning) play an unexpected role in the future of American politics? Veteran TV director Don Taylor doesn't do much with the ideas posed by this potentially intriguing plot; he seems more interested in satisfying aviation buffs with loving footage of F-14 "Jolly Roger" fighter jets, made possible by the Navy's generous cooperation. That makes The Final Countdown a better Navy film than a full-fledged time-travel fantasy, but there's a nice little twist at the end, and the plot holes are easy to ignore. James Cameron would've done it better, but this popcorn thriller makes an enjoyable double-bill with The Philadelphia Experiment. --Jeff Shannon

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Brazil

Sales Rank:2910
List Price: $14.98
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MPAA Rating: R (Restricted)

Format:

Closed-captioned
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Director(s):

Actor(s):

Jim Broadbent
Ray Cooper (II)
Robert De Niro
John Flanagan
Kim Greist

If Franz Kafka had been an animator and film director--oh, and a member of Monty Python's Flying Circus--this is the sort of outrageously dystopian satire one could easily imagine him making. However, Brazil was made by Terry Gilliam, who is all of the above except, of course, Franz Kafka. Be that as it may, Gilliam sure captures the paranoid-subversive spirit of Kafka's The Trial (along with his own Python animation) in this bureaucratic nightmare-comedy about a meek governmental clerk named Sam Lowry (Jonathan Pryce) whose life is destroyed by a simple bug. Not a software bug, a real bug (no doubt related to Kafka's famous Metamorphosis insect) that gets smooshed in a printer and causes a typographical error unjustly identifying an innocent citizen, one Mr. Buttle, as suspected terrorist Harry Tuttle (Robert De Niro). When Sam becomes enmeshed in unraveling this bureaucratic glitch, he himself winds up labeled as a miscreant.

The movie presents such an unrelentingly imaginative and savage vision of 20th-century bureaucracy that it almost became a victim of small-minded studio management itself--until Gilliam surreptitiously screened his cut for the Los Angeles Film Critics Association, who named it the best movie of 1985 and virtually embarrassed Universal into releasing it. This DVD version of Brazil is the special director's cut that first appeared in Criterion's comprehensive (and expensive) six-disc laser package in 1996. Although the DVD (at a fraction of the price) doesn't include that set's many extras, it's still a bargain. --Jim Emerson

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Rosemary's Baby

Sales Rank:5388
List Price: $9.98
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MPAA Rating: R (Restricted)

Format:

Closed-captioned
Color
DVD-Video
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Director(s):

Actor(s):

Mia Farrow
John Cassavetes
Ruth Gordon
Sidney Blackmer
Maurice Evans

Psychological terrorism and supernatural horror have rarely been dramatized as effectively as in this classic 1968 thriller, masterfully adapted and directed by Roman Polanski from the chilling novel by Ira Levin. Rosemary (Mia Farrow) is a young, trusting housewife in New York whose actor husband (John Cassavetes), unbeknownst to her, has literally made a deal with the devil. In the thrall of a witches' coven headquartered in their apartment building, the young husband arranges to have his wife impregnated by Satan in exchange for success in a Broadway play. To Rosemary, the pregnancy seems like a normal and happy one--that is, until she grows increasingly suspicious of her neighbors' evil influence. Polanski establishes this seemingly benevolent situation and then introduces each fiendish little detail with such unsettling subtlety that the film escalates to a palpable level of dread and paranoia. By the time Rosemary discovers that her infant son "has his father's eyes" ... well, let's just say the urge to scream along with her is unbearably intense! One of the few modern horror films that can claim to be genuinely terrifying, Rosemary's Baby is an unforgettable movie experience, guaranteed to send chills up your spine. --Jeff Shannon

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