Sales Rank:20318 List Price: $14.98 Lowest New Price: $4.88 Lowest Used Price: $0.80 MPAA Rating: Unrated
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Director(s):
Actor(s):
John Leguizamo
Asia Argento
Simon Baker
Dennis Hopper
Robert Joy
Bolstered by the success of 28 Days Later, Shaun of the Dead, the Resident Evil movies and the hit remake of his own Dawn of the Dead, George A. Romero returns to the horror subgenre he invented with Land of the Dead. The fourth installment in Romero's zombie cycle (and the first since 1985's Day of the Dead) presents a logical progression of events since 1968's horror classic Night of the Living Dead: Zombies (also known as "stenches" for their rotting odor) are the dominant population, and they've begun to show signs of undead intelligence and gathering power. The wealthiest survivors live comfortably in a luxury high-rise within a barricaded safe zone, ignoring the horrors of the outside world while armed scavengers stage raids in the zombie-zone to gather much-needed food and supplies. Simon Baker and John Leguizamo play mercenaries-for-hire; Dennis Hopper is their nefarious boss; and horror favorite Asia Argento (daughter of Suspiria director Dario Argento) plays a former hooker recruited into Baker's scavenger squad. While none of this seems particularly fresh or inspired, Land of the Dead benefits from hints of the social satire that made Romero's earlier zombie films so memorable. Not so much funny as gruesomely peculiar, Romero's plot isn't as inventive as it could've been, but as a big-scale B-movie, Land of the Dead delivers a handful of shocks and horror-celebrity cameos (including gore-masters Tom Savini and Greg Nicotero) that should keep horror buffs happy until the next zombie opus comes along. --Jeff Shannon
Sales Rank:17777 List Price: $19.98 Lowest New Price: $13.22 Lowest Used Price: $9.98 MPAA Rating: G (General Audience)
Format:
Black & White
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Director(s):
Actor(s):
Richard Carlson
Julie Adams
Richard Denning
Antonio Moreno
Nestor Paiva
Jack Arnold's horror classic The Creature from the Black Lagoon spawned not one but two iconic images: the web-footed humanoid gill-man with a hankering for women and the leggy, luscious Julia Adams, the object of his desire, swimming the lagoon in a luminous white bathing suit. Not since King Kong has the "beauty and the beast" theme been portrayed in such sexually charged (though chaste) terms. Arnold turns an effectively B-movie plot--a small expedition up a remote Amazon river captures a prehistoric amphibian man, who escapes to wreak havoc on the team and kidnap his bathing beauty--into a moody, stylish, low-budget feature. The jungle exteriors turn from exotic to treacherous when the creature blocks their passage and strands them in the wilds. Much of the film is shot underwater, where the murky dark is animated by shimmering shards of sunlight, creating images both lovely and alien (the studio-built sets of the creature's underground lair are far less naturalistic, but serve their purpose). As with most of Arnold's '50s genre films, he's saddled with a less than magnetic leading man (in this case the colorless but stalwart Richard Carlson) and a conventional script, but he overcomes such limitations by creating a vivid and sympathetic monster (helped immeasurably by a marvelous suit of scales and fins) and establishing a mood thick with atmosphere. The film was originally shot in 3-D. --Sean Axmaker
Sales Rank:11692 List Price: $19.98 Lowest New Price: $11.99 Lowest Used Price: $10.07 MPAA Rating: NR (Not Rated)
Format:
Closed-captioned
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Director(s):
Actor(s):
Tom Baker
Elisabeth Sladen
Doctor Who fans must take the bittersweet with the suspenseful in this four-part story arc from 1976, which pits the Doctor (Tom Baker) and companion Sarah Jane Smith (Elisabeth Sladen) against the fossilized hand of an alien criminal which possesses a hideous will to live again. Discovered by the Doctor and Sarah during a trip to Earth that puts them in the middle of a mining blast, the hand belongs to Eldrad, a fugitive criminal from the planet Kastria who desires to regain his bodily form and return to his home. To do so, he possesses Sarah and the staff of a nearby nuclear reactor in order to use its power to regenerate, which leads to several eerie scenes with the reanimated hand that nicely evoke British horror features from the '60s and '70s. Well-liked by Baker-era fans, The Hand of Fear is best remembered as Sladen's final turn as Sarah (though she has frequently returned to the role on both radio and TV), and her final scenes with Baker (largely written by the two actors) have an endearing sort of wistfulness.
As with all Doctor Who DVD releases, The Hand of Fear features a number of well-produced extras that flesh out the production history of the episodes. The commentary by Baker, Sladen, co-star Judith Paris (who plays the reconfigured Eldrad in an early female form), co-author Bob Baker, and producer Phillip Hinchcliffe is an excellent place to start for first-time viewers and longtime fans; all except Paris are also featured in an informative 50-minute featurette titled "Changing Time," which illuminates the warm working relationship between Baker and Sladen, as well as her reasons for departing the series. An 11-minute videotape clip from the U.K. children's show Swap Shop featuring Baker and Sladen before the broadcast of The Hand of Fear is also included, as well as the now-standard photo gallery, text-only commentary, and PDF of the 1977 Doctor Who Annual and Radio Times. --Paul Gaita
Sales Rank:12320 List Price: $9.98 Lowest New Price: $3.94 Lowest Used Price: $2.88 MPAA Rating: PG (Parental Guidance Suggested)
Format:
Anamorphic
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Director(s):
Actor(s):
Christopher Plummer
James Mason
David Hemmings
Susan Clark
Anthony Quayle
Murder by Decree has the distinction of being not only one of the best Sherlock Holmes films, but one of the best pastiches (i.e., a Holmes fiction created by someone other than author Sir Arthur Conan Doyle) featuring the late-Victorian Era detective. Christopher Plummer is very good as Holmes, and James Mason redeems the many mishandled screen portrayals of Dr. John Watson with a rare, insightful performance. The story may not be unique in post-Doyle Holmes adventures--the private investigator pursues Jack the Ripper during the latter's reign of monstrous murders in foggy London--but the script by John Hopkins (Thunderball) is keenly intelligent, developing concentric circles of power and evil with great subtlety. Before losing himself in Porky's, director Bob Clark did a masterful job of surprising audiences with Murder by Decree, convincing viewers they were watching one kind of drama but then unleashing something very different, very unsettling. --Tom Keogh
Sales Rank:22297 List Price: $14.98 Lowest New Price: $4.29 Lowest Used Price: $3.11 MPAA Rating: R (Restricted)
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Director(s):
Actor(s):
Robert Carradine
Anthony Edwards
Timothy Busfield
Andrew Cassese
Curtis Armstrong
Nerds without computers may seem a contradiction in terms, but life was simpler back in 1984 and the geeks seemed to get along fine with just a slide rule and a plastic pocket protector. A variation on the fraternity-farce plot of Animal House, the picture celebrates the triumphs of a gang of geeks, led by Robert Carradine and a pre-E.R. Anthony Edwards, as they get back at a rival frat house full of jocks and preppies. Although the brains-over-brawn theme ought to be sure-fire, the movie gets by mostly on charm; there are very few explosively funny sequences. The supporting cast includes some surprising familiar faces, notably James Cromwell (Babe, L.A. Confidential) as Carradine's look-alike dad, pants hoisted proudly to his armpits. The director, Jeff Kanew (Gotcha!), went on to the 1991 private-eye belly flop V.I. Warshawski and has not been heard from since. --David Chute
Sales Rank:9663 List Price: $39.95 Lowest New Price: $27.00 Lowest Used Price: $24.18 MPAA Rating: PG (Parental Guidance Suggested)
Format:
Anamorphic
Black & White
Color
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NTSC
Director(s):
Actor(s):
Natalya Bondarchuk
Donatas Banionis
Jüri Järvet
Vladislav Dvorzhetsky
Nikolai Grinko
The Russian answer to 2001, and very nearly as memorable a movie. The legendary Russian director Andrei Tarkovsky made this extremely deliberate science-fiction epic, an adaptation of a novel by Stanislaw Lem. The story follows a cosmonaut (Donatas Banionis) on an eerie trip to a planet where haunting memories can take physical form. Its bare outline makes it sound like a routine space-flight picture, an elongated Twilight Zone episode; but the further into its mysteries we travel, the less familiar anything seems. Even though Tarkovsky's meanings and methods are sometimes mystifying, Solaris has a way of crawling inside your head, especially given the slow pace and general lack of forward momentum. By the time the final images cross the screen, Tarkovsky has gone way beyond SF conventions into a moving, unsettling vision of memory and home. Well worthy of cult status, Solaris is both challenging art-house fare and a whacked-out head trip. --Robert Horton
Sales Rank:17487 List Price: $39.95 Lowest New Price: $26.57 Lowest Used Price: $24.00 MPAA Rating: Unrated
Format:
Anamorphic
Closed-captioned
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Director(s):
Irvin S. Yeaworth Jr.
Russell S. Doughten Jr.
Actor(s):
Steve McQueen
Aneta Corsaut
Earl Rowe
Olin Howland
Alden 'Stephen' Chase
What would the average sensible American do if he encountered a pulsing ball of protoplasm from outer space? That's right: he'd poke it with a stick. Thus begins the endearingly earnest and silly tale of The Blob. Young Steve McQueen takes on his first leading role as, um, Steve, a spunky teenager with plenty of heart. Steve sees the blob kill the local doc, but darn it, none of the town's adults will believe him! Yup, it's up to the teens to save the day! Steve and his trusty girlfriend Jane break their curfews(!) and head off into the night to find the Blob and warn the town. The Blob is a completely enjoyable watch from start to finish, offering the triple pleasures of 1950s morals, gee-whiz acting, and a whole lotta extras running around and screaming. The special effects, though primitive, certainly get the job done, and it is still a treat to watch the Blob ooze its way to its next meal. You may notice that the theme song is surprisingly bouncy for a horror flick ("Beware of the Blob! It creeps, and leaps, and glides and slides across the floor"). It was written by Hal David and a fresh young composer by the name of Burt Bacharach. --Ali Davis
Sales Rank:7062 List Price: $19.98 Lowest New Price: $8.16 Lowest Used Price: $7.00 MPAA Rating: NR (Not Rated)
Format:
Color
DVD-Video
NTSC
Director(s):
Actor(s):
Jon Pertwee
Caroline John
Nicholas Courtney
"Spearhead from Space" launched Doctor Who into the 1970s with not only a new Doctor, Jon Pertwee, but a new assistant, the scientist Liz Shaw (Caroline John) and a regular place in the show for UNIT and Brigadier Lethbridge-Stewart (Nicholas Courtney). It also marked the debut of the program in color and saw the Doctor stranded on Earth after Patrick Troughton's last adventure, "The War Games" (1969). Not only that, but it proved the only serial in the show's history to be entirely shot both on film and location, giving it a uniquely cinematic feel. Regenerating in a country hospital, the Doctor finds himself helping the Brigadier investigate an unusual meteorite and its links with a sinister doll factory. The Autons are cybernetic killers--anticipating The Terminator by some 15 years--and the sequence in which they break through shop windows to slaughter pedestrians remains a chilling highpoint of Doctor Who's entire history. Things do turn silly with a subplot involving a wax museum, while the ultimate battle with the Nestine consciousness is more likely to induce laughter than fear, but as vintage television nostalgia this is fast-moving, splendidly characterized entertainment. --Gary S. Dalkin
Sales Rank:16392 List Price: $19.98 Lowest New Price: $13.32 Lowest Used Price: $7.99 MPAA Rating: NR (Not Rated)
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Color
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NTSC
Director(s):
Actor(s):
Peter Davison
Nicola Bryant
Peter Davison's final adventure, "The Caves of Androzani," pulls out all stops to give this Doctor an unforgettable farewell. Deep within the titular caves, the disfigured, masked antihero Sharez Jek (Christopher Gable) and his regiment of androids are locked in conflict with an army unit and a group of smugglers for control of the life-extending Spectrox. When the Doctor and Peri (Nicola Bryant) enter this labyrinth, they immediately become victims of deadly Spectrox poisoning. The story's numerous subplots involve espionage, betrayal, and revenge, as well as big-business corruption, political assassination, and silly-looking reptilian monsters. And the first episode has one of the best cliffhangers ever: our heroes are executed by a firing squad armed with submachine guns.
Robert Holmes (who wrote the more satirical Doctor Who story "The Sun Makers") here concentrates on delivering a breathlessly paced action thriller, with relentless death and destruction unfolding like in a Sam Peckinpah film, making Davison's heroic pacifism all the more effective. --Gary S. Dalkin
Sales Rank:7799 List Price: $14.98 Lowest New Price: $3.15 Lowest Used Price: $2.99 MPAA Rating: R (Restricted)
Format:
Closed-captioned
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Letterboxed
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Director(s):
Actor(s):
Clint Eastwood
Joseph Egger
Klaus Kinski
Mara Krupp
Lee Van Cleef
A ringing instance of a sequel far outstripping its predecessor, Sergio Leone's For a Few Dollars More takes the lethal antihero from A Fistful of Dollars, gives him both a rival and an adversary worthy of sharing a gun-blazing corrida, and ratchets up the stylization to something approaching grandeur. This time the Man with No Name (Clint Eastwood) is a bounty hunter whose desert Southwest killing ground is suddenly crowded by the presence of an older, black-clad shootist (Lee Van Cleef). Individually and together, they terminate sundry grotesques while closing in on their biggest quarry, a memorably insane bandit called El Indio (Gian Maria Volonté is brilliant). There's just enough plot to imbue Van Cleef with genuine mystery, a dark avenging angel from a lost past whose pull would supply the emotional core of Leone's later masterworks Once upon a Time in the West and Once upon a Time in America. Leone's bravura widescreen compositions are breathtaking, and Ennio Morricone's music score--tinged with lunatic religiosity--is his first great one. --Richard T. Jameson