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Classic DVDs

Cat on a Hot Tin Roof (Deluxe Edition)

Sales Rank:1232
List Price: $19.98
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MPAA Rating: NR (Not Rated)

Format:

Closed-captioned
Color
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Subtitled
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NTSC

Director(s):

Actor(s):

Elizabeth Taylor
Paul Newman
Burl Ives
Jack Carson
Judith Anderson

Elizabeth Taylor has never been sexier than as Tennessee Williams's hot-blooded Maggie "The Cat" Pollitt, prowling around her boudoir in a slinky white slip. That's how you know her alcoholic, ex-football-player husband, Brick (Paul Newman), must have more than just his leg in a cast. It's the 65th birthday of wealthy (but dying) southern patriarch Big Daddy (Burl Ives), and his sons Gooper (Jack Carter) and Brick have come to suck up to him for $10 million in inheritance money. Gooper is a family man and father to a brood of "no-neck monsters"; youngest boy Brick is papa's favorite (as if you couldn't tell from the fellow's names), but hasn't sired progeny. Maggie is definitely in heat, but Brick refuses to sleep with her because he suspects her her of being unfaithful with his best friend, who recent committed suicide. Although toned down for the movies, Cat on a Hot Tin Roof is vintage Tennessee Williams. The film was directed by Richard Brooks (In Cold Blood, Blackboard Jungle, Elmer Gantry). --Jim Emerson

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Bogie and Bacall - The Signature Collection (The Big Sleep / Dark Passage / Key Largo / To Have and Have Not)

Sales Rank:2816
List Price: $39.98
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MPAA Rating: NR (Not Rated)

Format:

Box set
Black & White
Closed-captioned
DVD-Video
NTSC

Director(s):

Actor(s):

Humphrey Bogart
Lauren Bacall

Yes, it's true: you can virtually see Humphrey Bogart and Lauren Bacall falling for each other in To Have and Have Not (1945), Howard Hawks's variation on Casablanca but adapted from--as legend has it--Ernest Hemingway's self-declared "worst novel." (The story goes that Hawks told Hemingway he could make a movie of the author's least work, and Hemingway gave him the rights to this story.) The script by William Faulkner and Jules Furthman actually makes this one of Hawks's and Bogart's most interesting and often exciting films. Bogart plays a boat captain who reluctantly agrees to help the French Resistance while wooing chanteuse Bacall. Hoagy Carmichael, wry at the piano, adds a delicious accent to an already wonderful mood.

Bogart and Bacall were never more popular than in The Big Sleep, the 1946 adaptation of Raymond Chandler's novel, directed by Howard Hawks. Bogart plays private eye Philip Marlowe, who is hired by a wealthy socialite (Bacall) to look into troubles stirred up by her wild, young sister (Martha Vickers). Legendarily complicated (so much so that even Chandler had trouble following the plot), the film is nonetheless hugely entertaining and atmospheric, an electrifying plunge into the exotica of detective fiction. William Faulkner wrote the screenplay.

Dark Passage (1947) is a gimmicky film noir starring Bogart as an escaped criminal who undergoes plastic surgery and holes up at the home of Bacall's character while healing and preparing to prove his innocence. If you can last through the first half-hour of this thing--which is shot entirely from the subjective view of Bogart's bandaged face, which we don't see until later--you might find ample reason in the stars' performances to stick around for the conclusion. But director Delmer Daves (A Summer Place) tests a viewer's endurance with such an obvious, attention-getting ploy.

John Huston (The Maltese Falcon) directed Key Largo (1948), a smart thriller about a gangster (Edward G. Robinson) who holds a number of people hostage in a hotel in the Florida Keys during a tropical storm. Bogart is the returning war veteran who takes on the villains, and Bacall is on hand as one of the people on the wrong end of Robinson's gun. Somewhat similar in tone to To Have and Have Not this moody movie captures a certain despair offset by the bond between individuals united by common purpose. Claire Trevor won an Academy Award for her part as Robinson's alcoholic girlfriend. --Tom Keogh

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The Philadelphia Story

Sales Rank:2028
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MPAA Rating: NR (Not Rated)

Format:

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Director(s):

Actor(s):

Cary Grant
Katharine Hepburn
James Stewart
Ruth Hussey
John Howard

Re-creating the role she originated in Philip Barry's wickedly witty Broadway play, Katharine Hepburn stars as the spoiled and snobby socialite Tracy Lord in this sparkling 1940 screen adaptation of The Philadelphia Story, one of the great romantic comedies from the golden age of MGM studios. Applying her impossibly high ideals to everyone but herself, Tracy is about to marry a stuffy executive when her congenial ex-husband (Cary Grant), arrives to protect his former father-in-law from a potentially scandalous tabloid exposé. In an Oscar-winning role, James Stewart is the scandal reporter who falls for Tracy as her wedding day arrives, throwing her into a dizzying state of premarital jitters. Who will join Tracy at the altar? Snappy dialogue flows like sparkling wine under the sophisticated direction of George Cukor in this film that turned the tide of Hepburn's career from "box-office poison" to glamorous Hollywood star. --Jeff Shannon

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The Red Balloon (Released by Janus Films, in association with the Criterion Collection)

Sales Rank:1557
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MPAA Rating: G (General Audience)

Format:

Anamorphic
Color
Dolby
DVD-Video
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NTSC
Subtitled
Widescreen

Director(s):

Actor(s):

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The Day the Earth Stood Still (Two-Disc Special Edition)

Sales Rank:1297
List Price: $19.98
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MPAA Rating: NR (Not Rated)

Format:

Black & White
Full Screen
Special Edition

Director(s):

Actor(s):

Frances Bavier
Marshall Bradford
John Burton
Wheaton Chambers
James Craven

A hallmark of the science fiction genre as well as a wry commentary on the political climate of the 1950s, The Day the Earth Stood Still is a sci-fi movie less concerned with special effects than with a social parable. A spacecraft lands in Washington, D.C., carrying a humanoid messenger from another world (Michael Rennie) imparting a warning to the people of Earth to cease their violent behavior. But panic ensues as the messenger lands and is shot by a nervous soldier. His large robot companion destroys the Capitol as the messenger escapes the confines of the hospital. He moves in with a family as a boarder and blends into society to observe the full range of the human experience. Director Robert Wise (West Side Story) not only provides one of the most recognizable icons of the science fiction world in his depiction of the massive robot loyal to his master, but he avoids the obvious camp elements of the story to create a quiet and observant story highlighting both the good and the bad in human nature. --Robert Lane

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A Man for All Seasons (Special Edition)

Sales Rank:1348
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MPAA Rating: G (General Audience)

Format:

AC-3
Closed-captioned
Color
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NTSC

Director(s):

Actor(s):

Paul Scofield
Wendy Hiller
Leo McKern
Robert Shaw
Orson Welles

Robert Bolt's successful play was not considered a hot commercial property by Columbia Pictures--a period piece about a moral issue without a star, without even a love story. Perhaps that's why Columbia left director Fred Zinnemann alone to make A Man for All Seasons, as long as he stuck to a relatively small budget. The results took everyone by surprise, as the talky morality play became a box-office hit and collected the top Oscars for 1966. At the play's heart is the standoff between King Henry VIII (Robert Shaw, in young lion form) and Sir Thomas More (Paul Scofield, in an Oscar-winning performance). Henry wants More's official approval of divorce, but More's strict ethical and religious code will not let him waffle. More's rectitude is a source of exasperation to Cardinal Wolsey (Orson Welles in a cameo), who chides, "If you could just see facts flat on without that horrible moral squint." Zinnemann's approach is all simplicity, and indeed the somewhat prosaic staging doesn't create a great deal of cinematic excitement. But the language is worth savoring, and the ethical politics are debated with all the calm and majesty of an absorbing chess game. --Robert Horton

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Seven Brides for Seven Brothers

Sales Rank:1775
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MPAA Rating: G (General Audience)

Format:

Closed-captioned
Color
DVD-Video
Letterboxed
Widescreen
NTSC

Director(s):

Actor(s):

Jane Powell
Howard Keel
Jeff Richards
Russ Tamblyn
Tommy Rall

Well, bless my beautiful hide! Director Stanley Donen invests this rollicking musical with a hearty exuberance. Howard Keel, with his big-as-all-outdoors baritone, stars as a bold "mountain man" living in the Oregon woods who brings home a bride (plucky songbird soprano Jane Powell) to his six slovenly brothers. Taming the rambunctious brood, Jane proceeds to make gentlemen of them so they can woo sweethearts of their own. But old habits die hard: their flirting gives way to fighting in the film's celebrated barn-raising scene, a lively acrobatic dance number exuberantly choreographed by Michael Kidd. Big brother chimes in with his own brand of advice--an old-fashioned kidnapping! Donen manages to get away with such a politically incorrect plot by investing the boys with a innocent sweetness, most notably the youngest brother played with genial earnestness by Rusty (Russ) Tamblyn (pre-West Side Story). This modest production became a huge hit and remains one of MGM's best-loved musical comedies, an energetic, high-kicking classic. --Sean Axmaker

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I Love Lucy - The Complete Second Season

Sales Rank:1862
List Price: $29.98
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MPAA Rating: NR (Not Rated)

Format:

Box set
Black & White
Dolby
DVD-Video
Full Screen
Subtitled
NTSC

Director(s):

Marc Daniels
William Asher

Actor(s):

Lucille Ball
Desi Arnaz
Vivian Vance
William Frawley
Jerry Hausner

Season 2 of I Love Lucy includes two of the most famous half-hours in television history. "Job Switching," originally broadcast mid-September of 1952, is the crazy, battle-of-the-sexes episode in which husbands Ricky Ricardo (Desi Arnaz) and Fred Mertz (William Frawley) trade roles with wives Lucy (Lucille Ball) and Ethel (Vivian Vance), culminating in the men making a shambles of domestic chores while Lucy and Ethel take disastrous work at a chocolate factory. That's right: This is the show where the ladies have a Chaplinesque experience with a too-fast factory conveyor belt, forcing them to hide candies in their mouths, in their hats, and down their blouses lest a tough forewoman fire them for incompetence. A half-century later, the scene is still so fresh and funny it would grace any current sitcom. "Lucy Goes to the Hospital," which received an amazing 71.7 rating on January 19, 1953, is the historic episode featuring the birth of Little Ricky and a load of wonderful slapstick. Other television series (The Dick Van Dyke Show) and movies (Nine Months) have tried to top Lucy's time-to-go-to-the-hospital shenanigans, but there's nothing like the sight of Ricky and Fred falling all over themselves or Ricky showing up at the maternity ward (direct from a voodoo-themed show at the Tropicana) in witch doctor makeup.

The other 31 episodes included in I Love Lucy: The Compete Second Season have choice moments, too. "Lucy Becomes a Sculptress" finds the ever-ambitious redhead falling for empty flattery at an art-supply store and commencing an ill-advised career working in clay. Ricky agrees to bless this new endeavor if an art critic says she has talent, but Lucy tries to increase her chances by posing as a bust of herself--resulting in mayhem, of course. The usual running themes in I Love Lucy--Lucy's misguided desire to be a part of Ricky's musical career, and her penchant for disguising herself to investigate something--are all over The Complete Second Season. "Ricky Loses His Voice" is a delightful piece in which Ricky's laryngitis inspires Lucy, the Mertzes, and an aging chorus line to put on a Tropicana spectacle, and "Ricky Has Labor Pains" finds Lucy and Ethel going undercover as male reporters to find out what happens at a stag party. Lots to enjoy here, and the special features include bloopers, information about the guest cast, and snippets from Ball's radio show. --Tom Keogh

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South Pacific (Collector's Edition)

Sales Rank:1190
List Price: $26.98
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MPAA Rating: NR (Not Rated)

Format:

AC-3
Collector's Edition
Color
Dolby
Dubbed
DVD-Video
Subtitled
Widescreen
NTSC

Director(s):

Actor(s):

Rossano Brazzi
Mitzi Gaynor
John Kerr (II)
Ray Walston
Juanita Hall

The dazzling Rodgers and Hammerstein musical, brought to lush life by the director of the original stage version, Joshua Logan. Set on a remote island during the Second World War, South Pacific tracks two parallel romances: one between a Navy nurse (Mitzi Gaynor) "as corny as Kansas in August" and a wealthy French plantation owner (Rossano Brazzi), the other between a young American officer (John Kerr) and a native girl (France Nuyen). The theme of interracial love was still daring in 1958, and so was director Logan's decision to overlay emotional moments with tinted filters--a technique that misfires as often as it hits. The comic relief tends to fall flat, and an overly spunky Mitzi Gaynor is a poor substitute for the stage original's Mary Martin. But the location scenery on the Hawaiian island of Kauai is gorgeous, and the songs are among the finest in the American musical catalog: "Some Enchanted Evening," "Younger than Springtime," "I'm Gonna Wash That Man Right Outta My Hair," "This Nearly Was Mine." That's Juanita Hall as the sly native trader Bloody Mary, singing the haunting tune that launched a thousand tiki bars, "Bali H'ai." Based on stories from James Michener's book Tales from the South Pacific. --Robert Horton

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Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb (Special Edition)

Sales Rank:771
List Price: $14.94
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MPAA Rating: PG (Parental Guidance Suggested)

Format:

Black & White
Closed-captioned
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Full Screen
Special Edition
Widescreen
NTSC

Director(s):

David Naylor
Stanley Kubrick

Actor(s):

Peter Sellers
George C. Scott
Sterling Hayden
Keenan Wynn
Slim Pickens

Arguably the greatest black comedy ever made, Stanley Kubrick's cold-war classic is the ultimate satire of the nuclear age. Dr. Strangelove is a perfect spoof of political and military insanity, beginning when General Jack D. Ripper (Sterling Hayden), a maniacal warrior obsessed with "the purity of precious bodily fluids," mounts his singular campaign against Communism by ordering a squadron of B-52 bombers to attack the Soviet Union. The Soviets counter the threat with a so- called "Doomsday Device," and the world hangs in the balance while the U.S. president (Peter Sellers) engages in hilarious hot-line negotiations with his Soviet counterpart. Sellers also plays a British military attaché and the mad bomb-maker Dr. Strangelove; George C. Scott is outrageously frantic as General Buck Turgidson, whose presidential advice consists mainly of panic and statistics about "acceptable losses." With dialogue ("You can't fight here! This is the war room!") and images (Slim Pickens's character riding the bomb to oblivion) that have become a part of our cultural vocabulary, Kubrick's film regularly appears on critics' lists of the all-time best. --Jeff Shannon

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