Sales Rank:145 List Price: $64.98 Lowest New Price: $25.99 Lowest Used Price: $24.99 MPAA Rating: NR (Not Rated)
Format:
Animated
Box set
Closed-captioned
Color
Dubbed
DVD-Video
Subtitled
NTSC
Director(s):
Abe Levitow
Arthur Davis
Chuck Jones
Constantine Nasr
Friz Freleng
Actor(s):
Mel Blanc
Arthur Q. Bryan
Vincent Price
Stan Freberg
Billy Bletcher
For years, animation buffs have waited impatiently for the Warner Bros. cartoons to appear on DVD. The Warner shorts never commanded the budgets and prestige of the Disney and MGM films, and won fewer Oscars than they deserved. But decades after the best ones were created, they remain the quintessential Hollywood cartoons: brash, fast-paced, aggressively funny and uniquely American. Virtually everyone in the U.S. under the age of 60 grew up on these films, in theaters and on TV. The 56 cartoons in the set (out of a studio output of over 1,000) were transferred from good prints--which means the viewer can see dust, scratches, and occasional mistakes by the cel painters. The films are all presented uncut, in defiance of the killjoys who have insisted on censoring alleged "violence" in the versions shown on television. Warner Bros. is obviously testing consumer response with this set. Although the erratic selection includes many classics, purists will argue (correctly) that it offers neither a fair representation of the directors' oeuvres, nor anything approaching a coherent history of the characters or studio style. (Nearly half the films were directed by Chuck Jones; only three are by Bob Clampett, and there's nothing by Tex Avery or Frank Tashlin.) But it seems petty to carp about omissions and biases when the discs offer excellent, uncensored prints of some of the funniest films ever made in the U.S.--or anywhere else. (Rated G, suitable for all ages: cartoon violence) --Charles Solomon
Sales Rank:248 List Price: $49.98 Lowest New Price: $26.96 Lowest Used Price: $24.59 MPAA Rating: Unrated
Format:
AC-3
Box set
Color
Dolby
DVD-Video
Subtitled
Widescreen
NTSC
Director(s):
Actor(s):
Tina Fey
Alec Baldwin
Tracy Morgan
Jane Krakowski
Those who forget the past are condemned to repeat it. Remember Arrested Development? Smartest, funniest show on television. A critics' darling. An Emmy-winner for Best Comedy Series. But no one watched, and it was cancelled. Will history repeat itself with 30 Rock? It's the smartest, funniest show on television. A critics' darling. An Emmy-winner for Best Comedy Series. And it finished its inaugural season in 137th place! Hopefully, people will discover all that they missed with this Season 1 set and 30 Rock will, better late than never, find the audience it so richly deserves. A behind-the-scenes workplace comedy in the grand tradition of The Mary Tyler Moore Show and The Dick Van Dyke Show, 30 Rock stars comedy geek goddess Tina Fey as Liz Lemmon, who juggles her hapless personal life with her chaotic career as the producer and head writer of an SNL-ish sketch comedy show. She has a new boss, cunning and ruthless GE executive Jack Donaghy (Golden Globe and Screen Actors Guild Award-winner Alec Baldwin), who insists on being her mentor, and a new star, medicated, loose-cannon comedian Tracy Jordan (Tracy Morgan), who steals the spotlight from the show's flighty star, Jenna Maroney (Jane Krakowski).
Briskly paced and perfectly cast, 30 Rock rewards viewers with brilliant dialogue (when Liz asks Jack why he is dressed in a tuxedo with no formal event to attend, he coolly responds, "It's after six; what am I, a farmer?") and fresh characters you haven't seen on a hundred other sitcoms. Jack McBrayer is the series' scene-stealing breakout star as NBC page Kenneth, a sweet and innocent "rube." The ensemble's seemingly spontaneous byplay invites repeat viewings to catch jokes and sly bits of business you might have missed (in "Tracy Does Conan," listen for the initial confusion over how to pronounce Tracy's less-than-ethical physician, Dr. Spaceman, or, in "The Hair and the Head," watch for the Katie Couric slur on the wall of what is purported to be NBC anchor Brian Williams' trashed office). In a season full of gems (including "Black Tie," featuring Paul Reubens as severely inbred royalty), there are only a couple of comparative clunkers, but the pleasure of this ensemble's company more than compensates. 30 Rock is highly recommended for people like Kenneth who just love television so much. And by the hammer of Thor, watch season 2! --Donald Liebenson
Sales Rank:247 List Price: $79.99 Lowest New Price: $42.11 Lowest Used Price: $38.99 MPAA Rating: NR (Not Rated)
Format:
Animated
Box set
Color
DVD-Video
Full Screen
NTSC
Director(s):
Actor(s):
Book 3: Fire, Vol. 1Avatar the Last Airbender: Book 3, Volume 1 is a slightly unusual suite of episodes in the Avatar canon, as the majority of programs are even more comical than usual. Not that the five shows included on this disc lack seriousness: the long-running series now finds young Aang (the once and future avatar destined to reunite the world’s four estranged nations) and his traveling companions behind enemy lines in the Fire Nation, disguised as colonists. In "Awakening," Aang arises--with a surprising headful of dark hair--from several weeks of unconsciousness (due to the injuries he sustained during a battle for Ba Sing Se) aboard a captured Fire Nation warship. Though he finds old friends Sokka, Toph, and Katara nearby, all urging him not to take matters in his own hands, Aang ultimately feels compelled to go head-to-head with the Fire Lord before he is ready. The result forces Aang and the others to remain incognito, setting up subsequent episodes in which the heroes are forced to lay low and find something else to do with their time besides fight adversaries. In "The Headband," Aang enrolls in a Fire Nation school, where his eyes are opened to such ordinary experiences as dealing with a campus bully and getting a hard time from strict teachers. In "The Painted Lady," Aang, Sokka, Katara, and Toph visit an impoverished fishing village and have to repress their typical instinct to help lest they be recognized as outsiders. (An alternative is found.) "Sokka’s Master," in some ways the most enjoyable episode here, finds Sokka feeling useless because he doesn’t possess powers similar to his mates. His solution: talk a master swordsman into taking him on as an apprentice. Finally, the most unexpected story in this collection is "The Beach," in which Prince Zuko, Azula, Mai, and Ty Lee--all of whom are back in the Fire Nation, too--take an awkward holiday but end up learning a lot about one another.
Meanwhile, Zuko--following his extended banishment from the Fire Nation--discovers that his father welcoming again, but only because his manipulative sister, Princess Azula, has falsely told everyone that Zuko killed Aang. Fearing that his father will disown him again, Zuko chooses not to tell the truth and works on having Aang quietly assassinated. Where Zuko had been more of a complete human being during his exile, he’s back to being a monster again, going so far as to keep his dutiful uncle, Iroh, in a dark, dank prison. --Tom Keogh
Book 3: Fire, Vol. 2Avatar the Last Airbender: Book 3--Fire, Volume 2 finds the series closing in on a long-awaited day of reckoning with the fire nation. The five episodes on this disc continue those chapters on Volume 1 in which Aang--the young avatar--and his companions Katara, Toph, and Sokka live undercover in the fire nation, awaiting the moment when an alliance of warriors from the air, water, and earth nations converge to overtake the conquering firebenders once and for all. On Volume 2, the path to the day of battle, in typical Avatar fashion, is full of misadventures and intrigue, but also sundry revelations that make the pending series climax that much more interesting. "The Avatar and the Firelord" is the backstory of how the fire nation leader came to be a brutal tyrant in the world. Turns out he was the best friend of none other than the previous avatar; the souring of their relationship led to the troubles young Aang is trying to resolve. (While Aang is finding all this out, the fire nation’s Prince Zuko discovers his ancestry is more complicated than he’d imagined, and that he has more of a role to play in ending the war waged by his people.) "The Runaway" is a comedy about mischievous Toph getting into trouble for using her earthbending powers to win bets and make a lot of money. "The Puppetmaster" is a scary story featuring a waterbending old woman who initially enchants Katara, but then later is revealed to be a vengeful monster with terrifying abilities to control people’s bodies. "Nightmares and Daydreams" concerns an anxious Aang unable to sleep and stop hallucinating prior to the coming battle, while part one of "The Day of Black Sun" sees the beginning of the allies’ invasion of the fire nation. Lots of surprises in this last episode, with a cliffhanger ending that makes the next volume of Avatar most desirable. --Tom Keogh
Book 3: Fire, Vol. 3 At the beginning of Avatar the Last Airbender: Book 3 Fire, Vol. 3, things don't go quite the way one would have hoped at the end of Vol. 2. Aang--the young avatar--and his companions Katara, Toph, and Sokka were part of a major assault on the tyrannical fire nation, and hopes of victory were high. In "The Day of Black Sun, Part 2: The Eclipse," however, circumstances reverse the heroes' fortunes, forcing Aang, his friends and the very youngest warriors to flee the battle. As they regroup at the Western Air Temple, mourning the expected imprisonment of the adults left behind, Aang comes face to face with an unexpected, would-be ally: Zuko, prince of the fire nation. Sokka and Katara refuse to accept Zuko's guarantee that he is truly on their side (they've been through this before), but Toph and Aang are a little more receptive to the idea. Good thing. In "The Firebending Masters," Aang accepts that Zuko could be the firebending mentor he needs to show him how to conquer the most elusive of the four elements. But it isn't easy: Zuko loses his power and must retreat to a fire nation temple, where he can learn the origins of his native gift. The set of five stories on this disc concludes with the two-part "The Boiling Rock," in which Sokka and Zuko infiltrate a fire nation maximum security prison in hopes of freeing Sokka's father. Trying hard to stay clandestine, Zuko's identity is revealed anyway, jeopardizing not only the mission but Zuko and Sokka's very freedom. The excitement is endless in the long-running Avatar series, and developments (especially Zuko's acceptance by Aang and the others) are as heartening as they are surprising. --Tom Keogh
Book 3: Fire, Vol. 4 The long-running series Avatar the Last Airbender comes to a dazzling conclusion in Book 3 Fire, Volume 4. Poised for quite a number of episodes (seen in previous volumes) to go to war against the tyrannical Fire Nation, Aang the young Avatar and his cohorts must now bring down the Fire Lord and his army, or watch them ramp up their destructive powers during an imminent solar eclipse. But there's a lingering question only Aang can answer: can the Avatar, who has never killed anyone, bring himself to take the Fire Lord's life? That is what he must do, according to Zuko, the Fire Prince who has thrown in his lot with Aang and the latter's friends.
While Aang is sorting that out--receiving various wisdoms from past Avatars and advice from a giant turtle-lion creature--Zuko and Katara take another leg of the battle by confronting Zuko's crazed sister. Meanwhile, Sokka re-asserts his latent talent for commanding dangerous missions as he and earth-bender Toph attempt to sabotage Fire Nation airships. The final episodes on this disc are thrilling, in no small part because they have been so long in arriving. Before those, however, there are a couple of interesting chapters to get through, including "The Southern Raiders," in which Katara attempts to exact revenge for the disappearance of her mother. As always, there's some comic relief, in this case "The Ember Island Players," in which our heroes experience the ignominy of watching some of their previous adventures become a ridiculous, staged play. --Tom Keogh
Sales Rank:206 List Price: $59.98 Lowest New Price: $37.38 Lowest Used Price: $35.85 MPAA Rating: NR (Not Rated)
Format:
AC-3
Box set
Color
Dolby
Subtitled
NTSC
Director(s):
David Jackson
Gregory Prange
J. Clark Mathis
Janice Cooke-Leonard
Joe Davola
Actor(s):
Chad Michael Murray
James Lafferty
Hilarie Burton
Bethany Joy Galeotti
Sophia Bush
One Tree Hill: The Complete Fifth Season takes an unorthodox approach to advancing the popular television series by skipping over four years in the lives of the show's characters. The Scott brothers and their sundry friends from the small town of Tree Hill, North Carolina, were last seen in The Complete Fourth Season vowing to keep in touch after high-school graduation and remain the same people, even while some went off to college and others made different plans. The fifth season leaps over that transitional period, and we find everyone now in their early 20s, dealing with adult relationships, career moves, disasters, disappointments, and all the rest. For the first time in One Tree Hill, the actors actually look close to the age of their characters, and that makes for an even more sophisticated show.
Lucas Scott (Chad Michael Murray), following a well-received first novel, is facing writer's block on his second effort. But he fills his days as the new head coach of his old high-school basketball team, the Ravens, aided by his old pal, Skills (Antwon Tanner). Meanwhile, Lucas' brother, Nathan (James Lafferty), is lost in a dark hole of despair after losing his dream of signing with an NBA team. Barely able to move his legs, Nathan is almost crippled in a bar fight and spends his days and nights boozing and raging around while wife Haley (Bethany Joy Galeotti) and young son Jamie (Jackson Brundage) try to survive his emotional torrents. Lucas is no longer with Peyton (Hilarie Burton), the latter having moved to Los Angeles to become a disgruntled assistant's assistant in a music recording company. Brooke (Sophia Bush), however, has hit the jackpot in New York as the celebrity founder of a designer clothes empire that has made her wealthy yet not quite free of her domineering mother (Daphne Zuniga). Everyone ends up back in Tree Hill, looking for roots and a future that involves support from one another. Friendship matters, but it doesn't inoculate this bunch from the pain of Peyton's ongoing love for Lucas (who is romantically involved with his pretty editor), or Brooke's emptiness after briefly fostering a child who then must leave her, or Nathan's slow crawl back from misery. In true One Tree Hill fashion, the characters' collective challenges come together in a critical mass during the season finale, ending with a very unusual cliffhanger involving four cell phones. --Tom Keogh
Sales Rank:138 List Price: $59.98 Lowest New Price: $14.99 Lowest Used Price: $13.75 MPAA Rating: NR (Not Rated)
Format:
AC-3
Box set
Closed-captioned
Color
Dolby
DVD-Video
Subtitled
Widescreen
NTSC
Director(s):
Actor(s):
Tom Welling
Kristin Kreuk
Michael Rosenbaum
Annette O'Toole
John Glover
Picking up where its fifth season left off, Smallville's sixth season begins with Metropolis in ruins, Clark (Tom Welling) trapped in the Phantom Zone, and General Zod inhabiting the body of Lex (Michael Rosenbaum). Even when that situation, dubbed "Black Thursday," is over, Clark still has to capture the criminals who escaped from the Phantom Zone. Meanwhile, having driven away Lana (Kristin Kreuk), she finds comfort in the home and arms of Lex, driving further anxiety into that romantic triangle that has expanded to include Chloe (Allison Mack, still with a smile that lights up the orb on top of the Daily Planet) and her new beau, photographer Jimmy Olsen (Aaron Ashmore). And Lois (Erica Durance)? We see hints of her inevitable future in her becoming a reporter for the tabloid rag The Inquisitor ("The thrill of discovery, the clack of the keys, the scent of fresh ink… I think I've finally found my calling!") and flashing some sparks with Clark especially in a Valentine's Day episode called "Crimson."
She also finds a new boyfriend in Oliver Queen (Justin Hartley), a tycoon who moves from Star City to Metropolis and revives a boarding-school rivalry with Lex. But Queen is also a superhero, the Green Arrow, and he's out to thwart Lex's project called 33.1, which runs tests on meteor-powered humans. And in an awesome episode called "Justice," the Green Arrow gathers his team--Bart Allen (Kyle Gallner), a.k.a. Impulse (a change after he was first called the Flash); Arthur "AC" Curry (Alan Ritchson), a.k.a. Aquaman; and Victor Stone (Lee Thompson Young), a.k.a. Cyborg (who had all appeared in the series before)--with Clark to shut down Lex. Yet another hero from the comic books--an interplanetary detective (Phil Morris)--helps Clark fight rogue Kryptonians. It all ends in a slam-bang finale with a number of surprises. Even though the Lana drama went on too long, Green Arrow and some choice episodes stuff made this one of Smallville's best seasons. Guest stars include Tori Spelling as a nosy gossip reporter and Lynda "Wonder Woman" Carter as Chloe's mom. --David Horiuchi
Sales Rank:233 List Price: $24.98 Lowest New Price: $16.39 Lowest Used Price: $15.96 MPAA Rating: NR (Not Rated)
Format:
Box set
Closed-captioned
Color
DVD-Video
Original recording remastered
Restored
NTSC
Director(s):
Norman Abbott (II)
David Alexander
Reza Badiyi
Richard Benedict
Paul Bogart
Actor(s):
Don Adams
Barbara Feldon
Ed Platt
The feature film may have missed it by that much, but Get Smart, the TV series, still hits the target with deadly funny accuracy. The right show at the right time, Get Smart brilliantly spoofed the spy genre that was all the rage in 1965, with James Bond on the big screen, and such series as Danger Man, The Avengers, The Saint, < I>The Man from U.N.C.L.E., and I Spy more or less playing it straight on the small screen. Get Smart, on the other hand, had a license to kill…with laughter. Mel Brooks and Buck Henry created one of TV's all-time greatest characters, Maxwell Smart, Agent 86 of CONTROL, the super-secret agency vigilantly on alert against the forces of KAOS. Smart (Don Adams in his iconic, Emmy-winning role), an American Clouseau, was not stupid. Though all evidence to the contrary, he was, in his own mind, a suave and sophisticated spy, albeit one who would inadvertently lean against a freshly painted wall while shadowing an enemy agent. Get Smart hilariously deglamorized the business of espionage. Agents punch a time clock and dispute vacation time. Cool spy gadgets, such as the infamous Cone of Silence, are prone to malfunction. One running joke throughout the first season finds Agent 44 (Victor French) perched in a variety of unlikely and uncomfortable hiding places, among them a grandfather clock. Although the series would only get smarter and funnier in subsequent seasons (Bernie Kopell's KAOS mastermind Siegfried would be introduced in season two), the first season contains several essential episodes, including the Emmy-winning two-parter, "Ship of Spies," "Aboard the Orient Express," featuring a cameo by Johnny Carson as an unflappable conductor, "Diplomat's Daughter" with the arch --and decidedly non-PC-- villain, the Craw, and "Back to the Drawing Board," featuring Dick Gautier as Hymie the robot. From "Sorry about that" to "Would you believe," no show before Get Smart introduced so many catchphrases into the national language, while Smart and his partner, Agent 99 (the ravishing Barbara Feldon), were perhaps TV's first "will they or won't they" couple. Brooks and Henry contribute separate commentaries for the black and white pilot episode, while Feldon provides commentary for another, and purrs introductions to each episode (beware plot spoilers). With Get Smart, you will be witness to some of TV's funniest moments, sharpest writing, and expertly-executed physical comedy. And… loving it. --Donald Liebenson
Sales Rank:354 List Price: $39.98 Lowest New Price: $25.99 Lowest Used Price: MPAA Rating: NR (Not Rated)
Format:
AC-3
Box set
Color
Dolby
DVD-Video
Subtitled
Widescreen
NTSC
Director(s):
Actor(s):
Alex O'Loughlin
Sophia Myles
Any private eye knows a lot about other people's secrets. L.A. private eye Mick St. John (Alex O'Loughlin) has a secret of his own. He’s a vampire, dwelling in a covert netherworld complicated by friendship with an undead finance honcho (Jason Dohring), memories of the alluring ex- wife (Shannyn Sossamon) who turned him into a vampire, and a relationship with a human (Sophia Myles) he feels drawn to protect – and maybe to love. But no matter how tempting, Mick knows a vampire-human romance is eternally dangerous. This 16-episode, 4-disc set of the series voted the 2008 People's Choice Award for Favorite New TV Drama is a sure entertainment bet for all who like their vampire stories sleek, intense and passionate.