Sales Rank:691 List Price: $39.98 Lowest New Price: $16.99 Lowest Used Price: $8.79 MPAA Rating: NR (Not Rated)
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Seth MacFarlane
Alex Borstein
Seth Green
Mila Kunis
Mike Henry
To the ranks of shows too brilliant and outrageous for prime time (The Ben Stiller Show, Andy Richter Controls the Universe), add Seth McFarlane's Family Guy. This animated series, which debuted after the 1999 Super Bowl, simply sparked too much controversy and offended too many sensibilities to survive (Entertainment Weekly dubbed it "the Awful Show They Just Keep Putting on the Air"). That the Fox network also played hackysack with its schedule, ensuring viewers would not be able to find it, sealed its fate (it was cancelled in 2002). This boxed set containing all 28 episodes from the first two seasons is payback for the show's devoted cult following, who may be moved to echo the words of infant Stewie Griffin, the megalomaniacal 1-year-old bent on matricide and world domination: "Victory is mine!"
The dysfunctional Griffins of Quahog, Rhode Island, invite comparisons to The Simpsons. The testicular-chinned father, Peter Griffin, is a clueless oaf in the Homer mold. "Peter, what did you promise me last night?" asks his long-suffering wife Lois in one episode. "That I wouldn't drink at the stag party," he replies. "And what did you do?" she asks. "Drank at the stag part--oh ho ho, I almost walked into that one," he cackles. Other family members include teenage daughter Meg, a desperate high school social pariah; 13-year-old son Chris, a chip off his father's blockhead; and Brian, the family's sarcastic talking dog. But this series' true inspiration is football-pated Stewie (voiced by McFarlane, who earned an Emmy), who was born to be a Bond villain once he escaped his mother's "ovarian bastille." Family Guy recklessly ventured where The Simpsons feared to tread. In one episode, Meg's one and only friend turns out to be the member of a suicidal cult. In another, Death (voiced by Norm McDonald) becomes an unwanted houseguest. Each episode plays fast and furious with surreal flashes (in one episode, Peter turns his house into a puppet) and pop-culture references and TV, movie, and commercial parodies that invite repeated viewings. Freed from its own family-hour bastille and the whims of dim network executives, Family Guy can be appreciated at last on its own profane, sacrilegious, and irreverent terms. Welcome to the DVD family, Griffins. --Donald Liebenson
Sales Rank:1416 List Price: $99.98 Lowest New Price: $74.62 Lowest Used Price: $69.99 MPAA Rating:
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David Tennant
Billie Piper
Christopher Eccleston's tenure as the time-traveling title hero in the venerable UK sci-fi series Doctor Who lasted just 13 episodes, but he left enough of a impression on fans to make some wonder how his replacement, veteran television performer David Tennant, might fare in the role. As this second-series boxed set proves, the answer is: he's a near-perfect Doctor who combines the eccentricities of earlier incarnations (most notably Tom Baker) with a fresh and youthful interpretation of his own, and even brings a healthy dash of romantic chemistry with his sidekick, Rose Tyler (the equally charming Billie Piper). And their adventures retain the solid blend of thoughtful speculative fiction, pulp action, and quirky humor that typified the series at its best. Among the 15 terrific stories contained in the six-disc set are the "Children in Need" (a.k.a. "Pudsey Cutaway") mini-episode from the 2005 Children in Need telethon that showed Eccleston's transformation into Tennant; "School Reunion," in which Elisabeth Sladen returns as Sarah Jane Smith; "The Girl in the Fireplace," which draws together robots in 18th century France with a derelict space station in the distant future; and the season finale, "Army of Ghosts/Doomsday," which not only revives the series' most popular villains, the robotic Daleks, in a head-to-head struggle against the Cybermen, but also marks the final appearance of another series regular. For fans and first-time visitors to the TARDIS alike, the Second Series is simply thrilling sci-fi TV.
As with the First Series set, the supplemental features are plentiful here; commentary by the show's cast and crew is provided on each episode, and four feature picture-in-picture commentary tracks; deleted scenes and outtakes are also included, as are video diaries by Tennant and Piper, and a lengthy featurette, "Doctor Who Confidential," which covers nearly every aspect of the series' production, including the introduction of the Torchwood Institute and the return of Sarah Jane, both of which would be featured in their own respective spin-off series (the first in Doctor Who's long history) in 2007. – Paul Gaita
Sales Rank:988 List Price: $59.98 Lowest New Price: $20.24 Lowest Used Price: $19.39 MPAA Rating: NR (Not Rated)
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Director(s):
Thomas Schlamme
Chris Misiano
Actor(s):
Martin Sheen
Bradley Whitford
Two administrative changes rocked The West Wing's fifth season. Offscreen, the ship of state steered a tad off-course with the departure of series creator Aaron Sorkin and director Thomas Schalmme. Onscreen, President Josiah Bartlet (Martin Sheen) relinquished the power of his office to Speaker of the House Glenallen Walken (John Goodman) in the wake of his daughter's kidnapping. In the season opener, "7a WF 83429," Josh Lyman (Bradley Whitford) wonders if this wasn't a mistake. What if the citizenry prefer Walken to Bartlet, he ponders. What if Walken comes off more presidential? Is he kidding? Sheen's Bartlet is the president of Hollywood's dreams, and the stuff of Rush Limbaugh's nightmares. (In a character profile included as one of the bonus features on this six-disc set, Bartlet is described as an amalgam of John F. Kennedy, Jimmy Carter, and Bill Clinton!). Not to worry, though, Bartlet is back in the Oval Office by the end of the season's second episode, "The Dogs of War." The next order of business: choosing a vice president to replace the disgraced John Hoynes. Enter Gary Cole as "Bongo Bob" Russell, who, as the season unfolds, will confound misperceptions of him. Hoynes himself (Tim Matheson) returns in "Full Disclosure," in which the former vice president dishes dirt on Bartlet and chief of staff Leo McGrarry (the late John Spencer) in advance of a tell-all book. Formidable and usually unflappable press secretary C. J. has an intensely personal reason to spearhead damage control and thwart Hoynes' publishing plans.
Allison Janney, as C. J. earned The West Wing's sole Emmy this season. One of her showcase hours is "Access," a format-breaking episode presented as a Frontline-type "day-in-the-life" documentary. Other memorable episodes that helped to right The West Wing's course include "The Supremes," featuring Glenn Close as a Supreme Court nominee; the battle-of-wills episode, "Shutdown"; "Gaza," in which Donna (Janel Moloney) is severely wounded during a fact-finding mission to the Middle East; and "Memorial Day," a flashback episode that echoes "Bartlet for America" from season 3, and which ends the season on a strong note, and almost make viewers forget the Sesame Street Muppet cameos in the episode, "Eppu Si Muove." Almost. --Donald Liebenson
Sales Rank:811 List Price: $64.98 Lowest New Price: $42.67 Lowest Used Price: $38.74 MPAA Rating: NR (Not Rated)
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Fifteen cartoons dating from World War II give Volume 6 of the Looney Tunes Golden Collection more focus than previous sets. Many of the 1940's cartoons remain very funny. Bugs Bunny dresses up as Brunnhilda and rides in to the strains of "Tannhauser" in "Herr Meets Hare" (1945), a gag Chuck Jones re-used to greater effect in "What's Opera, Doc" a dozen years later. In "Russian Rhapsody" (1940) some of the gremlins who sabotage Hitler's bomber are caricatures of the Warner Bros. artists. Chuck Jones appears as a chunky, pinkish-tan homunculus swinging a mallet; Friz Freleng is a little green man with a saw-like nose. Younger viewers may find the references to wartime shortages puzzling--or fail to recognize the caricatures of Hermann Goering, Hideki Tojo and Joseph Stalin. Some of the other cartoons can still bring down the house, including "Satan's Waitin'" (1954), in which Sylvester manages to lose all nine of his lives in pursuit of Tweety, and "Bear Feat" (1949), another exercise in futility for Jones' Three Bears. The early musicals featuring Bosko, Foxy (or Freddy Fox) and Buddy have not aged well. Created by Hugh Harman and Rudy Ising, these characters were modeled on Felix the Cat and Mickey Mouse, but lack charm and personality. Some more recent films reveal how social attitudes have changed. "Wild Wife," a spoof of a suburban housewife's tribulations, may have seemed hilarious in 1954; today, it's just a laundry list of sexist gags. Like the previous installments, Volume 6 comes loaded with extras. The rarest are five shorts Friz Freleng directed at MGM in 1938. Producer Fred Quimby lured Freleng away from Warner Bros.--only to insist he adapt the comic strip "The Captain and the Kids," Rudolph Dirks' version of "The Katzenjammer Kids." Freleng correctly predicted the films would flop as the characters were "the meanest little bastards in the world," and soon returned to Warners. (Unrated, suitable for ages 6 and older: cartoon violence, ethnic stereotypes, mild risqué humor, alcohol & tobacco use) --Charles Solomon
(1. Hare Trigger, 2. To Duck or Not to Duck, 3. Birth of a Notion, 4. My Little Duckaroo, 5. Crowing Pains, 6. Raw! Raw! Rooster! 7. Heaven Scent, 8. My Favorite Duck, 9. Jumpin' Jupiter, 10. Satan's Waitin', 11. Hook Line and Stinker, 12. Bear Feat, 13. Dog Gone South, 14. A Ham in a Role, 15. Often an Orphan, 16. Herr Meets Hare, 17. Russian Rhapsody, 18. Daffy the Commando, 19. Bosko the Doughboy, 20. Rookie Revue, 21. The Draft Horse, 22. Wacky Blackout, 23. The Ducktators, 24. The Weakly Reporter, 25. Fifth Column Mouse, 26. Meet John Doughboy, 27. Hollywood Canine Canteen, 28. By Word of Mouse, 29. Heir Conditioned, 30. Yankee Dood It, 31. Congo Jazz, 32. Smile Dam Ya, Smile! 33. The Booze Hangs High, 34. One More Time, 35. Bosko's Picture Show, 36. You Don't Know What You're Doin'! 37. We're in the Money! 38. Ride 'em Bosko, 39. Shuffle Off to Buffalo, 40. Bosko in Person, 41. The Dish Ran Away with the Spoon, 42. Buddie's Day Out, 43. Buddie's Beer Garden. 44. Buddie's Circus, 45. A Cartoonist's Nightmare, 46. Horton Hatches the Egg, 47. Lights Fantastic, 48. Fresh Airedale, 49. Chow Hound, 50. The Oily American, 51. It's Hummer Time, 52. Rocket Bye Baby, 53. Goo Goo Goliath, 54. Wild Wife, 55. Much Ado About Nutting, 56. The Hole idea, 57. Now Hear This, 58. Martian Through Georgia, 59. Page Miss Glory. 60. Norman Normal)
Sales Rank:1221 List Price: $59.98 Lowest New Price: $18.75 Lowest Used Price: $16.90 MPAA Rating: NR (Not Rated)
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Director(s):
Actor(s):
James Gandolfini
Edie Falco
Dominic Chianese
Nancy Marchand
Michael Imperioli
The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: Like 1999's other screen touchstone, American Beauty, the HBO series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there's the added complexity posed by heading twin families, his collegial mob clan and his own, nouveau riche brood.
The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his midlevel capo's machismo, yet instantly recognizable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers, and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get.
Unlike Francis Coppola's operatic dramatization of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful, and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchmen and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed.
The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr. Melfi, a convincing confidante, by turns "professional," perceptive, and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what's not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland