Sales Rank:1888 List Price: $28.98 Lowest New Price: $5.50 Lowest Used Price: $3.88 MPAA Rating: PG (Parental Guidance Suggested)
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Director(s):
Andy Wachowski
Larry Wachowski
Actor(s):
Emile Hirsch
Christina Ricci
John Goodman
Susan Sarandon
An over-the-top, sensory overload experience determined to replicate its frantic, television-anime origins, Speed Racer is wild enough to induce a headache or wow a viewer with one dazzling effect after another. Adapted for the big screen as a live-action feature, Speed Racer is written and directed by Larry and Andy Wachowski, the sibling team behind the intensely satisfying The Matrix and its busier, less interesting sequels. Where the rich mythmaking of The Matrix was entirely accessible, however, Speed Racer's overwhelming and gratuitously complicated story exposition is an enormous challenge to follow, let alone embrace. After a while, one simply surrenders to the unbroken din of dialogue concerning corporate chicanery, corruption in the sport of racing, and a value conflict between racing as a family business versus multinational cash cow. At the same time, the film's hyper-real equivalent of the old Speed Racer cartoon's great whoosh of color, motion, and edgy production design--such as inventive uses of scene-changing wipes, bold framing, shifting perspectives--are more overbearing than fun.
Emile Hirsch plays Speed Racer, younger brother of a deceased racing legend, Rex, and son of car designer Pops (John Goodman). The latter invented Speed's Mach 5, and is singularly unimpressed by an offer from a giant conglomerate that would lock Speed into exclusive racing services. Speed opts instead for family loyalty, incurring the wrath of the conglomerate's unctuous head (Roger Allam). With family honor on the line and the affections of girlfriend Trixie (Christina Ricci) behind him, Speed hits the track in hopes of fulfilling his destiny as a master racer. The cast is largely enjoyable, including Susan Sarandon as Speed's mom, Matthew Fox as mysterious Racer X, and a pair of chimps as the irrepressible Chim-Chim. All well and good, but in a movie that lives or dies by the excitement level of races that look like computer-animated Hot Wheels action, Speed Racer is a dreary adventure. --Tom Keogh
Sales Rank:402 List Price: $34.98 Lowest New Price: $11.75 Lowest Used Price: $12.00 MPAA Rating: PG (Parental Guidance Suggested)
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Actor(s):
Sean Connery
Daniela Bianchi
Directed with consummate skill by Terence Young, the second James Bond spy thriller is considered by many fans to be the best of them all. Certainly Sean Connery was never better as the dashing Agent 007, whose latest mission takes him to Istanbul to retrieve a top-secret Russian decoding machine. His efforts are thwarted when he gets romantically distracted by a sexy Russian double agent (Daniela Bianchi), and is tracked by a lovely assassin (Lotte Lenya) with switchblade shoes, and by a crazed killer (Robert Shaw), who clashes with Bond during the film's dazzling climax aboard the Orient Express. From Russia with Love is classic James Bond, before the gadgets, pyrotechnics, and Roger Moore steered the movies away from the more realistic tone of the books by Ian Fleming. --Jeff Shannon
Sales Rank:457 List Price: $64.99 Lowest New Price: $42.99 Lowest Used Price: $43.15 MPAA Rating:
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NCIS takes the CSI formula, throws in a good dose of JAG, and comes up with an entertaining series that takes advantage of the actors' likeability. The season begins with the introduction a couple new regulars--agent Timothy McGee (Sean Murray) and assistant medical examiner Jimmy Palmer (Brian Dietzen). And one cast member departs the show by the end of the season. The six-disc set includes all 23 episodes, which aired on CBS during 2004-2005. The show's sophomore year begins with "See No Evil," in which a Navy officer (guest star David Keith) is forced to embezzle millions of dollars, or risk having his wife and blind daughter killed by a kidnapper (played by Tom Cruise's cousin William Mapother). Led by Jethro Gibbs (Mark Harmon), the crack NCIS team comes through to save the day and reveal the mastermind behind the twisted case. Gibbs doesn't display much more emotion this season than he did in the show's debut, but he's just as sarcastic (and even tempered) when being threatened. During one altercation, the mafia threatens to kill his father, brothers and uncles. Non-plussed, Gibbs calmly says that while he has no male relatives still alive, he'd be happy to fax over the numbers of his three ex-wives.
With the help of his ace medical examiner Dr. Donald "Ducky" Mallard (David McCallum from The Man from U.N.C.L.E), Gibbs and his team are almost invincible when it comes to solving complicated crimes. Whether he's piecing together the bones of a body, or performing an autopsy on a crisply burnt poodle, Ducky is matter-of-fact as he talks to his dead "clients." Of his nervous but eager assistant Jimmy, Ducky notes, "He means well, but sometimes I have an overwhelming urge to slap him." This season, viewers get to see the romantic (and slightly gross) side of Ducky as he briefly romances a doctor half this age. Also on hand to aid (and annoy) Gibbs are happy-go-lucky Tony DiNozzo (Michael Weatherly), former Secret Service agent Caitlin Todd (Sasha Alexander), and forensics expert Abby Sciuto (Pauley Perrette), who can solve anything if you say "please" and bring her a Big Gulp to sip. Look for a gentle guest appearance by Charles Durning as a Medal of Honor recipient who wants to turn himself in for killing his best friend and fellow comrade during World War II. While the plot twists won't surprise most viewers, the acting, writing, and spirit of the episode leaves the viewer feeling satisfied. --Jae-Ha Kim
Sales Rank:556 List Price: $49.98 Lowest New Price: $18.98 Lowest Used Price: $15.90 MPAA Rating: NR (Not Rated)
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Actor(s):
Dennis Haysbert
Audrey Marie Anderson
Regina Taylor
Max Martini
Robert Patrick
Full of action, intrigue, and espionage, The Unit offers a dramatic, fictionalized look inside the military while also giving viewers a peek inside the private lives of the elite squad. Conceived by the critically acclaimed David Mamet (Glengarry Glen Ross, House of Games), The Unit is an elite, covert Special Forces team that operates outside the military chain of command. The first season's 13 episodes offer insight into the characters without revealing too much about the men who make up the operation. Are they extremely patriotic, or are they adrenalin junkies who have to be in danger to feel validated? The answer probably falls somewhere in between, and the viewer gets the feeling that as much as the men love their wives and children, it's their jobs that give them their true reason for living. Led by veteran Jonas Blane (Dennis Haysbert, 24), the Unit deals with terrorism, rescue missions, and assassinations quickly, discreetly, and efficiently. If all goes well, someone else gets the credit. If things go awry, it's their necks on the line. In the first season of The Unit--which aired from March to May 2006 as a mid-season replacement--the action is fast, the plot is succinct, and the acting is well done (when dealing with the deadly missions). It's the secondary storyline involving the wives that's less successful. The newest member of the Unit, Bob Brown (Scott Foley, Felicity), apparently didn't fill his wife Kim (Audrey Marie Anderson) in on what their new life would be like. From the beginning, she resists the hoo rah attitude that the other wives exhibit. But rather than coming across as an independent free thinker, she is presented as a whining drip of a woman who has no clue about the definition of a secret. Of course, when faced with the military's version of The Stepford Wives, who could blame her? As Jonas' supportive wife Molly, Regina Taylor (I'll Fly Away, Courage Under Fire) is less sympathetic than usual. In the early episodes, she comes across as an almost stalkerish busybody who is always there when Kim is trying to cope with a life she never wanted. Throw in an affair between commanding officer Colonel Tom Ryan (Robert Patrick, Terminator 2: Judgment Day) and one of the wives and you've got the makings of a military soap opera. The show is at its best when it concentrates on the men and their missions. We may not understand why they do what they do, but we're grateful that someone is doing the dangerous job for us. --Jae-Ha Kim
Sales Rank:1396 List Price: $14.98 Lowest New Price: $6.95 Lowest Used Price: $2.90 MPAA Rating: PG (Parental Guidance Suggested)
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Director(s):
Actor(s):
Noah Hathaway
Barret Oliver
Tami Stronach
Gerald McRaney
Drum Garrett
Wolfgang Petersen (In the Line of Fire) made his first English-language film with this 1984 fantasy about a boy (Barret Oliver) visualizing the stories of a book he's reading. The imagined tale involves another boy, a warrior (Noah Hathaway), and his efforts to save the empire of Fantasia from a nemesis called the Nothing. Whether or not the scenario sticks in the memory, what does linger are the unique effects, which are not quite like anything else. Plenty of good fairy-tale characters and memorable scenes, and the film even encourages kids to read. --Tom Keogh
Sales Rank:1243 List Price: $28.95 Lowest New Price: $13.73 Lowest Used Price: $11.00 MPAA Rating: PG-13 (Parental Guidance Suggested)
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Will Smith
Tommy Lee Jones
Vincent D'Onofrio
Linda Fiorentino
Willie C. Carpenter
This imaginative summer comedy from director Barry Sonnenfeld (Get Shorty) is a lot of fun, largely on the strength of Will Smith's engaging performance as the rookie partner of a secret agent (Tommy Lee Jones) assigned to keep tabs on Earth-dwelling extraterrestrials. There's lots of comedy to spare in this bright film, some of the funniest stuff found in the margins of the major action. (A scene with Smith's character being trounced in the distance by a huge alien while Jones questions a witness is a riot.) The inventiveness never lets up, and the cast--including Vincent D'Onofrio doing frighteningly convincing work as an alien occupying a decaying human--hold up their end splendidly. --Tom Keogh
Sales Rank:1361 List Price: $29.98 Lowest New Price: $17.70 Lowest Used Price: $11.97 MPAA Rating: R (Restricted)
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Director(s):
Monte Hellman
Sergio Leone
Actor(s):
Clint Eastwood
Eli Wallach
Lee Van Cleef
Gian Maria Volontè
Aldo Giuffrè
Sergio Leone's trilogy of operatic spaghetti Westerns with Clint Eastwood made the former TV star into an international sensation as the scraggly, silent Man with No Name, a wandering rogue with a scheming mind and a sense of humor drier than the dusty, wind-scoured desert. With A Fistful of Dollars, a blatant rip-off of Kurosawa's cynical samurai hit Yojimbo, Leone transforms the Western hero into a crafty mercenary. The follow-up, For a Few Dollars More, teams Eastwood up in an uneasy alliance with Lee Van Cleef in a tale of revenge, but the masterpiece of the set is The Good, the Bad and the Ugly, an epic scramble for buried gold set against the violence of the Civil War. In this film good is a relative term as three criminals make a series of tenuous partnerships broken in double-crosses and betrayals in Leone's epic vision of the American southwest as endless deserts and clapboard towns infested with gunmen. This was a new kind of Western: cynical, violent, stylish, and austere. Eastwood's rough face and squinting eyes fill the widescreen frame in massive close-ups while Leone stages action in bold compositions on empty streets and stark landscapes. The guns ring out in cartoonish exaggeration, and the music, an eclectic, electric mix of buzzing guitar, human voice, and harmonica by Ennio Morricone, sets the whole thing in a world pitched between myth and modernity. Leone's shot-in-Spain trilogy ushered in a flood of Italian spaghetti Westerns, but none hold a candle to Leone's stylish classics. --Sean Axmaker
Sales Rank:1252 List Price: $59.99 Lowest New Price: $38.74 Lowest Used Price: $30.00 MPAA Rating: NR (Not Rated)
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Director(s):
Actor(s):
Dominic West
Wendell Pierce
Sonja Sohn
Lance Reddick
Aidan Gillen
Even if you missed the first three seasons (the character guides and thorough episode recaps on HBO's website are recommended), and with only one season left, it's not too late to get in under The Wire. In fact, season 4 is an accessible introduction for those who know The Wire only by its street cred as arguably the very best show on television. For them especially, this season will be, as befitting its theme, a real education. Without resorting to melodramatics that other ratings-challenged series employ to gain that frustratingly elusive audience, The Wire shakes things up this season in a way that is true to the series and its characters. A major character, Dominic West's McNulty, plays a minor role as a contented street cop and family man, while a former supporting player, Jim True-Frost's Roland Pryzbylewski, goes to the head of the class as a new eighth grade teacher at beleaguered Edward Tilghman Middle School. It may take a couple of episodes to orient yourself to the Baltimore backrooms, squad rooms, classrooms, and street corners where The Wire's intense dramas play out, and new viewers may miss something in character nuance, but they will easily grasp the big picture. A politically motivated shake-up sends Major Crimes detectives Freamon (Clarke Peters) and Greggs (Sonja Sohn) to Homicide. The gloves come off in the mayoral race between black incumbent Clarence Royce (Glynn Turman) and idealistic white challenger Tommy Carcetti (Aidan Gillen). Gang leader Marlo (Jamie Hector) quietly and deliberately becomes the city's new drug kingpin, managing to subvert all surveillance efforts. Meanwhile, while "Prez" tries to reach his students, four highly at-risk kids will be drawn into the drug trade.
Mere synopsis does not do The Wire justice. The series deftly juggles its myriad storylines and characters, all of whom make an impression, from Marlo's cold-blooded enforcers, Snoop (Felicia Pearson) and Chris (Gbenga Akinnagbe), to boxing instructor "Cutty" (Chad L. Coleman), determined to keep his young charges off the corners. There is not a false note in the performances or the writing. Richard Price (Clockers) and Dennis Lehane (Mystic River) again contributed episodes. That this series has only been nominated for only one Emmy (for writing) is a travesty. As engrossing as the finest novels and in a class by itself, this isn't television; it's The Wire. --Donald Liebenson