Sales Rank:1212 List Price: $27.98 Lowest New Price: $19.98 Lowest Used Price: $12.41 MPAA Rating: PG (Parental Guidance Suggested)
Format:
Anamorphic
Box set
Closed-captioned
Color
Dolby
DVD-Video
Subtitled
Widescreen
NTSC
Director(s):
Laurent Bouzereau
Robert Zemeckis
Actor(s):
Michael J. Fox
Christopher Lloyd
Lea Thompson
Mary Steenburgen
Crispin Glover
Filmmaker Robert Zemeckis topped his breakaway hit Romancing the Stone with Back to the Future, a joyous comedy with a dazzling hook: what would it be like to meet your parents in their youth? Billed as a special-effects comedy, the imaginative film (the top box-office smash of 1985) has staying power because of the heart behind Zemeckis and Bob Gale's script. High schooler Marty McFly (Michael J. Fox, during the height of his TV success) is catapulted back to the '50s where he sees his parents in their teens, and accidentally changes the history of how Mom and Dad met. Filled with the humorous ideology of the '50s, filtered through the knowledge of the '80s (actor Ronald Reagan is president, ha!), the film comes off as a Twilight Zone episode written by Preston Sturges. Filled with memorable effects and two wonderfully off-key, perfectly cast performances: Christopher Lloyd as the crazy scientist who builds the time machine (a DeLorean luxury car) and Crispin Glover as Marty's geeky dad. --Doug Thomas
Critics and audiences didn't seem too happy with Back to the Future, Part II, the inventive, perhaps too clever sequel. Director Zemeckis and cast bent over backwards to add layers of time-travel complication, and while it surely exercises the brain it isn't necessarily funny in the same way that its predecessor was. It's well worth a visit, though, just to appreciate the imagination that went into it, particularly in a finale that has Marty watching his own actions from the first film. --Tom Keogh
Shot back-to-back with the second chapter in the trilogy, Back to the Future, Part III is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Marty ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of gunman Buford "Mad Dog" Tannen (Thomas F. Wilson, who had a recurring role as the bully Biff). Director Zemeckis successfully blends exciting special effects with the traditions of a Western and comes up with something original and fun. --Tom Keogh
Sales Rank:373 List Price: $59.99 Lowest New Price: $31.50 Lowest Used Price: $29.50 MPAA Rating:
Format:
Box set
Subtitled
NTSC
Widescreen
Director(s):
Actor(s):
Matthew Fox
Evangeline Lilly
What was in the Hatch? The cliffhanger from season one of Lost was answered in its opening sequences, only to launch into more questions as the season progressed. That's right: Just when you say "Ohhhhh," there comes another "What?" Thankfully, the show's producers sprinkle answers like tasty morsels throughout the season, ending with a whopper: What caused Oceanic Air Flight 815 to crash in the first place? As the show digs into more revelations about its inhabitant's pasts, it also devotes a good chunk to new characters (Hey, it's an island; you never know who you're going to run into.) First, there are the "Tailies," passengers from the back end of the plane who crashed on the other side of the island. Among them are the wise, God-fearing ex-drug lord Mr. Eko (standout Adewale Akinnuoye-Agbaje); devoted husband Bernard (Sam Anderson); psychiatrist Libby (Cynthia Watros, whose character has more than one hidden link to the other islanders); and ex-cop Ana Lucia (Michelle Rodriguez), by far the most infuriating character on the show, despite how much the writers tried to incur sympathy with her flashback. Then there are the Others, first introduced when they kidnapped Walt (Malcolm David Kelley) at the end of season one. Brutal and calculating, their agenda only became more complex when one of them (played creepily by Michael Emerson) was held hostage in the hatch and, quite handily, plays mind games on everyone's already frayed nerves. The original cast continues to battle their own skeletons, most notably Locke (Terry O'Quinn), Sun (Yunjin Kim) and Michael (Harold Perrineau), whose obsession with finding Walt takes a dangerous turn. The love triangle between Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer (Josh Holloway), which had stalled with Sawyer's departure, heats up again in the second half. Despite the bloating cast size (knocked down by a few by season's end) Lost still does what it does best: explores the psyche of people, about whom "my life is an open book" never applies, and cracks into the social dynamics of strangers thrust into Lord of the Flies-esque situations. Is it all a science experiment? A dream? A supernatural pocket in the universe? Likely, any theory will wind up on shaky ground by the season's conclusion. But hey, that's the fun of it. This show was made for DVD, and you can pause and slow-frame to your heart's content. Just try and keep that head-spinning to a minimum.
On the DVD
Commentaries by various cast members and producers reveal little other than the occasional easter egg (the Dharma logo on the shark fin, Walt's mumbling translating to "Don't push the button; the button is bad" backwards). But disc seven opens with an eerie Hanso Foundation instructional video, leading you to eight hours of bonus features, including cast members' own theories, deleted scenes, and featurettes on specific episodes. It's all well and good for Lost fanatics, but if you want the cream of the crop, check out: "Lost Connections," an interactive feature that reveals how all the islanders are actually linked (for instance, one of the officers who captured Sayid during the Gulf War is Kate's father); a Channel UK promo for the show directed by David LaChappelle in which cast members suck in their cheeks and, dressed in evening wear, tango in slow motion as if in a Calvin Klein ad (it has to be a joke, right?); and "The World According to Sawyer," which strings together each of the un-PC nicknames and pop culture references spewed by Holloway's character. Favorites include "Chewie" for Jin and "Ponce de Leon" for Ana Lucia. It's by far the cherry on top of a sweet dessert. --Ellen A. Kim
Sales Rank:1320 List Price: $14.98 Lowest New Price: $5.26 Lowest Used Price: $3.58 MPAA Rating: PG (Parental Guidance Suggested)
Format:
Closed-captioned
Color
DVD-Video
Widescreen
NTSC
Director(s):
Actor(s):
Jeb Stuart Adams
Steve Antin
Sean Astin
Bill Bradley
Josh Brolin
Following a mysterious treasure map into a spectacular underground realm of twisting passages, outrageous booby-traps and a long-lost pirate ship full of golden dubloons, the kids race to stay one step ahead of a family of bumbling bad guys... and a mild-mannered monster with a face only a mother could love.
Sales Rank:764 List Price: $14.98 Lowest New Price: $7.79 Lowest Used Price: $4.00 MPAA Rating: PG-13 (Parental Guidance Suggested)
Format:
Color
DVD-Video
Widescreen
NTSC
Director(s):
Actor(s):
Anthony Hopkins
Diane Ladd
Iain Rea
Tessa Mitchell
Aaron Murphy
A movie that exudes affection and goodwill, The World's Fastest Indian is an unabashed mash note to a lovely character from New Zealand's recent past. Burt Munro, played by Anthony Hopkins, is a cantankerous Kiwi with an obsession: he's been tinkering with his 1920s-era Indian brand motorcycle for years, pushing it to ever-faster speeds. It's the 1960s, and Burt has the utterly mad idea of taking the bike to the Bonneville Salt Flats in Utah, site of world records for speed racing. The movie takes a while to get to the journey--and then the journey takes a while--but the genial atmosphere prevails. (People of a certain age, for whom the word "Bonneville" evokes pleasant associations with hotrods and world-speed records, will not be disappointed in the film's location shooting, or its sense of awe.) Hopkins is not quite on-the-money casting for the jovial, happy-go-lucky Munro, and his accent wavers, but he nails the emotional scenes and the fascination with speed. Smaller bits are well-filled by Diane Ladd and Christopher Lawford (son of Peter), who looks uncannily of the era. New Zealand director Roger Donaldson doesn't take any chances here, but the story clearly means something to him, and that sense of commitment carries the film through its sleepier moments. --Robert Horton
Sales Rank:861 List Price: $55.98 Lowest New Price: $38.95 Lowest Used Price: $34.99 MPAA Rating: NR (Not Rated)
Format:
Closed-captioned
Color
Widescreen
NTSC
Director(s):
Actor(s):
"Find the fetish, find the fiend." This is the queasily compelling Criminal Minds' version of "Save the cheerleader, save the world," and it drives each dark and disturbing episode. Before this pivotal season can really get down to cases, it must deal with some unfinished business. Mandy Patinkin, who announced he would be leaving the series, was given a graceful exit, but not before his character, ace FBI profiler Gideon begins to doubt his abilities and sanity in the aftermath of the murder of his girlfriend at the end of last season. Meanwhile, his protégé, Hotch (Thomas Gibson) is under pressure from Section Chief Erin Strauss (Jayne Atkinson) to resign the Behavioral Analysis Unit (BAU), and Prentiss (Paget Brewster) submits her resignation rather than get dirt on him for Erin. All it takes to keep the team intact is for Strauss to join them at work on a particularly disturbing case involving a man using his son to lure unsuspecting women ("He's going to kill you, you know"). And speaking of unfinished business, enter Gideon's replacement, David Rossi (Joe Mantegna, an inspired choice), a BAU legend who returns to the unit he helped found. He claims he just wants to help with the BAU "an agent down," but his true motivation will become clear as the season unfolds Suffice to say it involves an extremely cold case that continues to haunt him. Rossi's introduction is the accessible entry for viewers new to the series, as they, along with Rossi, get to meet the other team members, including hunky Derek (Shemar Moore), bookish genius Reid (Matthew Gray Gubler), and colorful computer whiz Penelope Garcia (Kristen Vangsness). This season, the team is confronted with nightmarish cases, involving all manner of killers (including one cannibal). Working together to catch these "unsubs" before they can claim another victim offers further opportunities for what Rossi calls "personal growth." In a two-part episode, Shemar must confront his crisis of faith. In another episode, Reid attends a support group for his addiction (another development from last season). Two cases hit particularly close to home. In one, a team member is shot, and in the explosive season finale, another is targeted by terrorists. Considering Criminal Minds's intensity level, even the bonus gag reel, comprised of pratfalls, tension-breaking clowning, and even a birthday cake break for Mantegna, can be unsettling! There is something to be said for having a week to unwind between new episodes. A Criminal Minds marathon can seriously creep you out. And we mean that in a good way. --Donald Liebenson
Sales Rank:1303 List Price: $38.96 Lowest New Price: $22.32 Lowest Used Price: $20.83 MPAA Rating: PG-13 (Parental Guidance Suggested)
Format:
AC-3
Collector's Edition
Color
Dolby
Dubbed
Subtitled
Widescreen
Director(s):
Actor(s):
Daniel Craig
Eva Green
Tom Chadbon
John Chancer
Jesper Christensen
The most successful invigoration of a cinematic franchise since Batman Begins, Casino Royale offers a new Bond identity. Based on the Ian Fleming novel that introduced Agent 007 into a Cold War world, Casino Royale is the most brutal and viscerally exciting James Bond film since Sean Connery left Her Majesty's Secret Service. Meet the new Bond; not the same as the old Bond. Daniel Craig gives a galvanizing performance as the freshly minted double-0 agent. Suave, yes, but also a "blunt instrument," reckless, and possessed with an ego that compromises his judgment during his first mission to root out the mastermind behind an operation that funds international terrorists. In classic Bond film tradition, his global itinerary takes him to far-flung locales, including Uganda, Madagascar, the Bahamas (that's more like it), and Montenegro, where he is pitted against his nemesis in a poker game, with hundreds of millions in the pot. The stakes get even higher when Bond lets down his "armor" and falls in love with Vesper (Eva Green), the ravishing banker's representative fronting him the money.
For longtime fans of the franchise, Casino Royale offers some retro kicks. Bond wins his iconic Astin-Martin at the gaming table, and when a bartender asks if he wants his martini "shaken or stirred," he disdainfully replies, "Do I look like I give a damn?" There's no Moneypenny or "Q," but Dame Judi Dench is back as the exasperated M, who one senses, admires Bond's "bloody cheek." A Bond film is only as good as its villain, and Mads Mikkelsen as Le Chiffre, who weeps blood, is a sinister dandy. From its punishing violence and virtuoso action sequences to its romance, Casino Royale is a Bond film that, in the words of one character, makes you feel it, particularly during an excruciating torture sequence. Double-0s, Bond observes early on, "have a short life expectancy." But with Craig, there is new life in the old franchise yet, as well as genuine anticipation for the next one when, at last, the signature James Bond theme kicks in following the best last line ever in any Bond film. To quote Goldie Hawn in Private Benjamin, now I know what I've been faking all these years. --Donald Liebenson
Sales Rank:1087 List Price: $14.98 Lowest New Price: $7.67 Lowest Used Price: $6.85 MPAA Rating: NR (Not Rated)
Format:
Animated
Closed-captioned
Color
DVD-Video
Full Screen
Widescreen
NTSC
Director(s):
Actor(s):
Mark Hamill
George Lucas
Robot Chicken's finest half hour is more savvy than Spaceballs, more inside than Family Guy: Blue Harvest, and funnier, even, than The Star Wars Holiday Special. This Very Special Episode of Comedy Central's stop-motion animated series parodies and goofs on all things Star Wars, from a disgruntled Empire janitor to an ad for Admiral Ackbar Cereal ("Your tongues can't repel flavor of that magnitude"). Twenty three minutes goes by like the jump to hyperspace with such priceless bits as the collect phone call to Emperor Palpatine from Darth Vadar to inform him of the Death Star's destruction, awkward morning-after pillow talk between Luke and Leia ("That was so wrong"), and George Bush's newfound Jedi powers. Co-creators Seth Green and Matthew Senreich and company immerse viewers in the Robot Chicken universe with generous bonus features, including storyboarded deleted scenes (with self-deprecating commentary), behind the scenes footage of animation meetings, and alternate audio takes. Good sport George Lucas, who gave his blessing to this episode, boldly goes where William Shatner went before by voicing himself in a Star Wars convention sketch that concludes with a Lucas-worshiping geek telling his son that meeting his idol was the best day of his life. What about his son's birth? "Not even close," dad replies. But you don't have to have that kind of devotion to Star Wars to be amused by this weather forecast for Cloud City: "Cloudy, followed by clouds." --Donald Liebenson.
Sales Rank:2313 List Price: $80.95 Lowest New Price: $106.95 Lowest Used Price: $60.00 MPAA Rating: NR (Not Rated)
Format:
Box set
DTS Surround Sound
NTSC
Subtitled
Widescreen
Director(s):
Actor(s):
Elijah Wood
Ian McKellen
Viggo Mortensen
Sean Astin
Sean Bean
The extended editions of Peter Jackson's The Lord of the Rings present the greatest trilogy in film history in the most ambitious sets in DVD history. In bringing J.R.R. Tolkien's nearly unfilmable work to the screen, Jackson benefited from extraordinary special effects, evocative New Zealand locales, and an exceptionally well-chosen cast, but most of all from his own adaptation with co-writers Fran Walsh and Philippa Boyens, preserving Tolkien's vision and often his very words, but also making logical changes to accommodate the medium of film. While purists complained about these changes and about characters and scenes left out of the films, the almost two additional hours of material in the extended editions (about 11 hours total) help appease them by delving more deeply into Tolkien's music, the characters, and loose ends that enrich the story, such as an explanation of the Faramir-Denethor relationship, and the appearance of the Mouth of Sauron at the gates of Mordor. In addition, the extended editions offer more bridge material between the films, further confirming that the trilogy is really one long film presented in three pieces (which is why it's the greatest trilogy ever--there's no weak link). The scene of Galadriel's gifts to the Fellowship added to the first film proves significant over the course of the story, while the new Faramir scene at the end of the second film helps set up the third and the new Saruman scene at the beginning of the third film helps conclude the plot of the second.
To top it all off, the extended editions offer four discs per film: two for the longer movie, plus four commentary tracks and stupendous DTS 6.1 ES sound; and two for the bonus material, which covers just about everything from script creation to special effects. The argument was that fans would need both versions because the bonus material is completely different, but the features on the theatrical releases are so vastly inferior that the only reason a fan would need them would be if they wanted to watch the shorter versions they saw in theaters (the last of which, The Return of the King, merely won 11 Oscars). The LOTR extended editions without exception have set the DVD standard by providing a richer film experience that pulls the three films together and further embraces Tolkien's world, a reference-quality home theater experience, and generous, intelligent, and engrossing bonus features. --David Horiuchi